Jetjumnong Jongprasert

Classical Guitar Department

• Room Number: PC405.05
• Phone: Ext. 5402
• Email: jetjumnongj@hotmail.com

Jetjumnong Jongprasert was born in 1985 in Bangkok and raised in Chiang Mai where he began classical guitar studies at the age of ten.

His passion for classical guitar motivated him to pursue professional training at Robert Schumann Hochschule, Düsseldorf, Germany. There, he was the first and only Thai student, who completed bachelor degree with honors in Classical Guitar Performance under Prof. Alexander-Sergei Ramirez (a wizard at the guitar, The New Vision, USA) and Rafael Aguirre Minarro (the future of concert guitar, Kultur Post, Germany).

During his time in Düsseldorf, Jetjumnong was chosen as a guitarist member of “Live Music Now- Yehudi Menuhin” and was invited to perform at the “International Gitarrenmatineen Düsseldorf 2011 festival”.

Soon after graduating from Robert Schumann Hochschule, he pursued further studies in Künstlerische Reifeprüfung under Wolfgang Lendle (1948-2016) (a student of the legendary guitarist – Andres Segovia) and Boris Tesic at Musikakademie der Stadt Kassel “Louis Spohr”. He also had an opportunity to study Guitar Ensemble with Michael Troester.

Jetjumnong was invited to perform in various concerts throughout Europe, including ones in Austria, Belgium, the Netherlands, Lichtenstein, etc. He participated in a number of international Guitar Festivals where he attended master classes with prestigious guitarists including Eliot Fisk, Thomas Müller-Pering, Judicael Perroy, Paolo Pegoraro, Marcin Dylla, Alvaro Pierri, Jason Vieux, Michael Lewin, Tadashi Sasaki, among others.

After 5 years in Germany, he decided to finally return to Thailand with the determination to develop and introduce classical guitar studies for the younger Thai generation. He began touring concerts throughout the country, performing master classes and has regularly been invited to be a judge for numerous competitions. He was also president for arranging the “Naissance Young Classical Guitarists Competition” and the “Classical Guitar Ensemble Competition” in 2015 and 2016, respectively. Currently, he is a co-author of the “Ekachai Jearakul Classical Guitar Book 1 and 2” with Ekachai Jearakul (the winner of the Guitar Foundation of America, GFA 2014).

Currently, he is a full-time classical guitar teacher at Young Artists Music Program, College of Music, Mahidol University, Thailand.

First Prize Award Jetjumnong was bestowed over the past years:
1998    1^st prize of Thailand Yamaha Guitar Competition junior under 17-year-old
1999    1^st prize of Thailand Yamaha Guitar Competition junior under 17-year-old
2000    1^st prize of Thailand Yamaha Guitar Competition senior up 17-year-old
2001    Gold Medal from the 4^th Thai National Youth Music Competition (Mahidol University)
2003    1^st prize of Thailand Yamaha Guitar Competition senior up 17-year-old

1^st Prize of Thailand Yamaha Guitar Competition Chamber Music

Chorlada Suriyayothin

Classical Voice and Music Theatre Department

• Room Number: D202.07
• Phone: Ext. 4207
• Email: csuriyayothin@gmail.com

จบการศึกษาระดับปริญญาตรี เกียรตินิยมอันดับ 2  สาขาขับร้อง classic จาก คณะดุริยางคศาสตร์ มหาวิทยาลัยศิลปากร ต่อจากนั้นได้ศึกษาต่อในระดับปริญญาโท สาขา Music Performance จาก University of Chichester ประเทศอังกฤษ ปัจจุบัน เป็นอาจารย์ประจำ สาขา Musical Theatre ณ College of Music มหาวิทยาลัยมหิดล ผลงานที่ผ่านมา เป็นนักแสดงละครเวที เรื่อง ตาดูดาวเท้าเหยียบเธอ, มหาบุรุษอยุธยา, คือผู้อภิวัฒน์, จ้าวโรค ฯลฯ กำกับการแสดง เรื่อง Freeze the Dream หยุดฝันวันขังเธอ และ event ต่างๆ ผลงานละครเพลง เป็นนักแสดงในเรื่อง ซั่งไห่ ลิขิตฟ้าชะตาเลือด, Krungsri AF the musical ตอน โจโจ้ซัง, มหัศจรรย์นิทานดนตรีปี 2, แม่นาค เดอะมิวสิคัล ของบริษัท Dreambox และ รักเธอเสมอ เดอะมิวสิคัล  นอกจากนี้  ยังเป็นนักแสดงอิสระ กับกลุ่มละคร New Theatre Society รวมถึงผลงานละคร และ โฆษณาในโทรทัศน์อีกด้วย

David Parente

Jazz Department

• Room Number:
• Phone:
• Email: parentedavid@yahoo.com

Jane Dillon

General Education Department

• Room Number:
• Tel:
• E-mail thejdillon@gmail.com

Dr. Korak Lertpibulchai

Piano Department

• Room Number:
• Tel:
• E-mail: korak.lertpibulchai@gmail.com

Korak Lertpibulchai, originally from Thailand, received a Doctorate in Piano Performance and Pedagogy at the University of Iowa under the tutelage of Dr. Ksenia Nosikova. Dr. Lertpibulchai completed the recording “Siam Sonata: Thai Solo Piano Works” for her DMA thesis, featuring solo piano works by Thai Composers.

Active as a soloist, chamber musician, and collaborative artist, Dr. Lertpibulchai has been invited to perform in various recitals and music festivals, such as the “ICF Winter Festival” with a renowned saxophonist Kenneth Tse (2017), the 3^rd Asia Pacific Saxophone Academy (BSRU, 2016), the American Liszt Society (Iowa Chapter, 2014), the Schlern International Music Festival (Italy, 2014), the Piano Sundays series (Iowa, 2013-16), the Guest Artist Recital Series at the Illinois State University (2015), etc. She has also performed as part of a duo with

Singaporean saxophonist, Leslie Wong, at the Northwest University for Nationalities and the Xi’an Conservatory of Music (China, 2016), the Montclair State University, the West Virginia University and the Ball State University (2017).

From 2014 to 2016, Dr. Lertpibulchai served as a pianist for the Center for New Music, University of Iowa. During her tenure at the Center for New music, she has given world premieres at the University of Colorado at Boulder, the Indiana University, the University of Northern Iowa, the University of Cincinnati and the University of Iowa.

Education Background:

2011 – B.M. (Piano Performance) Mahidol University, Thailand

2013 – M.M. (Piano Performance) Illinois State University, USA

2017 – D.M.A. (Piano Performance and Pedagogy) University of Iowa, USA

Recordings:

• Siam Sonata: Thai Solo Piano Works, by King Bhumibol Adulyadej, Nat Yontararak, Atiphob Pataradetpisan, and Siraseth Pantura-umporn, USA (2017)
• The Music of David Gompper record for the International Writer’s Program Documentary, USA (2015)
• Hexachord Fantasy by Alan Schnitz, USA (2015)

Dr. Michael Leroy Robinson Jr

Brass and Percussion Department

• Room Number:
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• E-mail: mrobinsonjr@gmail.com

Dr. Michael Robinson, Jr. is originally from Charleston, SC where he attended Burke High School under the direction of Linard McCloud. He has been an active freelance trombonist in Michigan and South Carolina as well as a private low brass instructor in Dorchester District 2, Berkeley, and Charleston Counties.

From 2007-09, he was awarded a 2-year contract as the Detroit Symphony Orchestra Fellow where his duties included playing principal and second trombone, along with community outreach services in the Detroit Metro Area. He has held positions such as acting 2 nd trombone with the Charleston Symphony Orchestra, Saginaw Bay Symphony, Canton Symphony, and Principal with the West Michigan Symphony. Also, he has subbed with the Grand Rapids Symphony, Toledo Symphony, Lansing Symphony, Charleston Symphony, and the Detroit Chamber Winds and Strings. Aside from classical music, he has been in several Broadway pit orchestras at the Fisher Theater in Detroit, the Wharton Center in East Lansing, the Strahan Theatre in Toledo, and the Devos Performance Hall in Grand Rapids. He is also a member of the Variance Brass Quintet with members from his undergraduate studies. As an avid chamber music performer, he is a member of the Variance Brass Quintet, which started a summer brass camp in 2015 in Tucson, AZ. Most recently, he is a founding member of an African-American brass quartet named Pitch. He is currently the Lecturer of Trombone at Mahidol University College of Music, as well as Principal Trombone with the Thailand Philharmonic Orchestra.

His summer festivals include the Aspen Music Festival, Bay View Music Festival, National Repertory Orchestra, and the Spoleto Festival USA. In the summers of 2005 and 2006, he toured Venezuela, Colombia, Argentina, Margarita Island, England, France, Italy, Belgium, and Germany with the Youth Orchestra of the Americas under the baton of Carlos Prieto, the music director of the Louisiana Philharmonic, and Gustavo Dudamel, music director for the Los Angeles Philharmonic. He is the two-time winner of the Tuesday Musical Solo Competition in Akron, Ohio, and he won the concerto competition as a student at Shenandoah University and Michigan State University. In 1998, he was a member of the National Wind Ensemble at Carnegie Hall under the direction of H. Robert Reynolds, Former Music Director at the University of Michigan-Ann Arbor.

Dr. Robinson received his Bachelor of Music Degree from Shenandoah University, Master of Music along with an Artist Diploma from the Cleveland Institute of Music, and his Doctor of Musical Arts degree from Michigan State University where was he was a University Distinguished Fellow. His teachers include Ken Thompkins, Randy Hawes, Steve Witser, Rick Stout, Per Brevig, Chris Matten, and Ava Ordman.

Dr. Narong Prangcharoen

Music Composition & Theory Department

• Room Number:
• Phone:
• Email: narongcompo@gmail.com

Dr. Dhanyaporn Phothikawin

Music Education Department

• Room Number:
• Phone:
• Email: muk_than@hotmail.com

Kwanchanok Pongpairoj

Piano Department

• Room Number:
• Phone:
• Email: kwanchanok.ppr@gmail.com

Kwanchanok has joined the piano faculty at College of Music, Mahidol University, Thailand since July 2016. She received her Master of Music Degree in Piano Performance from Royal Northern College of Music, Manchester and her Bachelor of Music Degree in Piano Performance with first- class honours from College of Music, Mahidol University. She received a Licentiate Diploma in Piano Recital together with the Trinity Award for achieving the highest mark in Thailand in 2014 from Trinity College London.

Kwanchanok’s previous piano teachers were Asst. Prof. Dr. Eri Nakagawa, Sally Ann MacLeod, Dr. Ramasoon Sitalayan, Sebastien Koch, Mayuree Tansangngam, Dr. Anothai Nitibhon and Thirabutr Jantararat. She has taken lessons and masterclasses by many international artists including Michel Beroff, Rolf-Dieter Arens, Nelson Goerner, Tomasz Herbut, Phillipe Cassard, Dr. Robert Palmer, Istvan Bonyhadi, Hui-Ying Tawaststjerna and Dr. Woohyung Yang. Kwanchanok was awarded the First Prize in the Piano Trio Category from the Princess Galyani Vadhana International Ensemble Competition 2014 and the Second Gold Medal Prize together with a scholarship for lessons with Klaus Kaufmann at Mozarteum University of Salzburg from the Settrade Thailand Youth Music Competition 2010. She was also selected for an award from Her Royal Highness Princess Soamsawali for her contributions in music activities to Thailand by the Ministry of Tourism and Sports of Thailand in 2014.

Kwanchanok’s performance highlights included concerto performances with Thailand Philharmonic Orchestra over the past few years. She was invited to perform with TPO in the concert, “A Tribute to the Golden Anniversary of His Majesty the King of Thailand’s visit to New Zealand”, at King’s College, Auckland in 2012 and in the fundraising concert for Prem Auditorium for General Prem Tinsulanonda in 2013. Most recently, she performed Ravel Piano Concerto with TPO in the orchestra’s seasonal concerts in 2015.

Kwanchanok was also invited by the Princess Galayani Vadhana Institute of Music to perform in a piano quintet in the concert, “Musique de la Vie et de la Terre”, for Her Royal Highness Princess Soamsawali in 2013. In January 2017, she is going to perform a cello and piano recital with Tapalin Charoensook at Carnegie Hall as a part of Velia Festival and Classicariano in New York.

Dr. Onpavee Nitisingkarin

Piano Department

• Room Number:
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• Email: onpavee@gmail.com

Onpavee Nitisingkarin, is a native of Thailand, where she received her undergraduate degree in piano performance at College of Music, Mahidol University. After completed her Bachelor Degree, she attended WVU for her Master’s degree in music and a Doctorate in piano performance. Her dissertation focuses on the topic of “A Survey of Twentieth- Century Piano Works by Selected Composers Written for Their Children.” She has also received numerous diplomas in piano from the Trinity College of Music in London. Dr. Nitisingkarin is also in the Dalcroze Eurhythmics Certification program at Carnegie Mellon University in Pittsburgh as well as Orff Certificate program at George Mason University. She was awarded scholarships from the Valerie Canady Charitable Trust Foundation in 2011. Onpavee also appears in numerous concerts as well as several piano competition venue. She was WVU Young Artist concerto winner in 2012 and was selected to play Liszt piano concerto No.1 with WVU Symphony Orchestra. Recently, she was a semi- finalist in the 3rd Intersection of Classical and Jazz Piano Festival at WVU. Besides being an active learner and performer, Onpavee also an experienced piano teacher. Onpavee start teaching piano since 2000 in Bangkok, Thailand. Recently, she is a piano instructor at College of Music, Mahidol University. Before relocated back in Bangkok, Onpavee was a senior piano instructor in WVU community music program teaching piano, Eurhythmics (music and movement 1 and 2), Explore and Enjoy classes for toddlers. She was also a piano faculty at Washington and Jefferson College as well as at Lincoln Park Performing Arts Center in Pennsylvania. Onpavee also conducted Eurhythmics workshop in the 3rd Intersection of Classical and Jazz Piano Festival at WVU as well as Toddlers class to the WV Early Head Start program in 2014. Additionally, she also served as a Vice President of West Virginia Collegiate Chapter of Music Teacher National Association in 2014 and also held the Trophy Chair position of West Virginia Music Teacher Association from 2014-2016.

Wiputh Kehasuwan

 Music Therapy Department

• Room Number:
• Phone:
• Email: fonput@gmail.com

Siri Sranoi

Piano Department

• Room Number:
• Phone:
• Email: noags001@hotmail.com

Benjamin James Dooley

Voice Performance Department

• Room Number:
• Phone:
• Email: eagleararmy@hotmail.com

Yujin Jung, Flute

Woodwind Department

• Room Number:
• Phone:
• Email: dbwlsl85@hotmail.com

She began learning how to play the piano from her mother three years old.

She was able to win a prize at various National and International music competition since 10years old, making her special talent recognized and being able to receive a love call from many orchestras for collaborations. She also got a prize of special brain model at the International Baden Master Class for Flute at 15years old the youngest. At 16years old, she entered a preparatory course in Music and Arts University of the City of Vienna, where she learned from M.Niedermayr who was a Solo flutist in Vienna Philharmonic Orchestra.

At 19years old, she entered the university of Music and Performing Arts Graz in Austria. First as a Korean, where she learned from D.Flury a principal flutist at the Vienna Philharmonic Orchestra, leading to achieving a diploma in the courses of graduation. She participated in the record production titled ⌜Chamber music “Klang Debuts Vol.33″ Mozart ‘Divertimento'(2006)⌟ with G. Boisits, a principal oboist at the Vienna Philharmonic Orchestra.
In 2010, She entered the State University of Music and Performing Arts Stuttgart in Germany and broaden her musical horizon through studying contemporary music and chamber music from A. Langkafel. She completed two master programs in 3 years with honours and remarkable achievements one of which could be done with scholarship fund. She learned Piccolo from J.Singer at the Stuttgart State Theatre and
learned also from M.Kofler, A.Adorjan, W.Hase, A.Firkins and T.Lüdinghausen for diversity of the flute playing. She served as guest Solo flutist of various orchestras and she acted as the Solo piccolist in Mannheim Philharmonic Orchestra. She had also held a position as a flute instructor at the State University of Music and Performing Arts and public school of music in Stuttgart.

She had reinforced her musical talent through experiences of attending final concerts at various international musical activities such as International Musicforum Viktring, International Emsbürener Musiktage, Internationalen Sommerakademie Chambermusic in Kloster Frenswegen, The international summer music festival and master class in Oberstdorf, Forum International Pour Flute et Piano – Diekirch(Luxembourg), Internationale Sommerakademie Prague-Wien-Budapest, International, Interantional music festival Varna(Bulgaria) summer and Arona Summer festival – Tenerife(Spain) etc. In 2012, She played at the Udine Contemporanea Festival in Italy, where the whole performance was broadcasted live streaming concert of the world. In 2013, Her outstanding talent for music could be again witnessed with a second prize at the Luigi Zanucolli International Competition in Italy. She was selected as a principal flutist in Thailand philharmonic orchestra activity from 2013 and working as a Lecturer in Mahidol University.

Borwonpong Supasopon

Musicology Department

• Room Number:
• Phone:
• Email: Tchaikovsky_BS@hotmail.com

Thanpisa Jantanakool

General Education Department

• Room Number: A206.12
• Phone: 02-8002525 Ext. 246
• Email: thanpisagift@gmail.com

Educational Background

Master Degree: MSc International Politics Course concentrations: China studies and Chinese

Politics (Merit) from University of Glasgow, The United Kingdom

Bachelor Degree: Faculty of Liberal Arts major Southeast Asia Studies (Second Honor) from Thammasat University

Work Experiences

– Full time Editor for foreign languages and ASEAN issue at Amarin Printing and Publishing Company

– Part time teacher for social subjects at Satrinonthaburi School (English Program)

– Part time tutor for foreigners at Thailand Language School ( TLS )

– Part time tutor at ECC Thailand and Tutor House

Published Works

– Survivor English , published in 2013

– Chinese Mind Pictures (หนังสือจีนจำง่าย mind pictures ), published in 2014

– Survivor English Plus, published in 2016

Other Courses / Trainings

– Teaching Workshop Joining a workshop “How to teach English for primary school level” by

Handy Kids company under the control of Thai Wattana Panit in April 2009.

– Chinese language 3 Studying short-term Chinese language Programs at the International School

of Beijing Union University [From March 19, 2006 – June 10, 2006 & From March 12, 2007 – June1, 2007]

Kiatkong Subhayon

Classical Guitar Department

• Room Number:
• Phone:
• Email: kong_bgs@hotmail.com

Kiatkong Subhayon, born in Lampang 1984. He conducted his studies at Mahidol University with Philippe Villa and Suvich Klinsmith. In 2006 he continued his study at The Royal Conservatoire of The Hague, The Netherlands, studying guitar with Enno Voorhorst, and chamber music with Patric Van Deurzen and Zoran Dukic. He was invited to play a new music composed for 12 guitars “La Linea desde el Centro” by Chilean composer Miguelangel Clerc in the Spring Festival. In 2009 he has been chosen from the department to play in the “School Open Day”.

Education

– B.M. Classical guitar performance (2009),

Royal Conservatoire of The Hague, The Netherlands

– B.A. Classical guitar performance (2006),

College of Music Mahidol University, Thailand

Diploma

– Guitar Master class, Koblenz Guitar Academy, Germany

 Other music education background.
– Talking performance practice in early romantic repertoire with Izhar Elias in 2006
– Master class with Jose Maria Gallado, Pavel Steidl, Laura Young, Hubert Kappel, John Dearman, Marco Socias
– Participated in many Guitar festival in Europe such as Koblenz international guitar festival, Twents guitar festival, International guitar festival Zwolle etc.
 

Michael David Brice

Music Technology Department

• Room Number:
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• Email: michael.d.brice@gmail.com

Cameron Kirk Rush

Conducting Department

• Room Number:
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• Email: Cameron.Rush@unco.edu

Cameron Kirk Rush began his musical studies on horn at an early age in the Greater Kansas City Area, Kansas/Missouri (USA). Prior to attending university, he studied privately with Dr. Melissa Derechailo and M. David Bushouse. In 2004 Cameron began his formal training at the Conservatory of Music and Dance at the University of Missouri-Kansas City (UMKC) where he graduated with a Bachelor of Music Education (B.M.E.). While at UMKC, Cameron studied wind conducting with Dr. Joe Parisi and Dr. Lindsey Williams, and orchestral conducting with Dr. Jeffrey S. Bishop. Cameron has enjoyed opportunities conducting various high school and community ensembles. While studying for his B.M.E. Cameron was invited to guest direct the Shawnee Mission Northwest Symphony Orchestra and had the opportunity to direct primary and secondary level bands in the Louisburg School District. Cameron began directing university ensembles at Western Illinois University (WIU) in fall 2010 with the WIU Concert Band. In spring 2011, Cameron was a featured guest conductor for the WIU Wind Ensemble tour and the 44th annual “President’s Concert.” While attending WIU, Cameron studied conducting with Dr. Mike Fansler and Dr. Richard Hughey. Since earning a Master of Music (M.M.) in both instrumental conducting and horn performance at WIU, Cameron began studies for the Doctor of the Arts degree in 2012 at the University of Northern Colorado (UNC) studying conducting under Dr. Russell Guyver, Dr. Richard Mayne, and Dr. Kenneth Singleton. While at UNC, Cameron has conducted performances of Thomas Pasatieri’s comical one act opera La Divina, a staged performance of Igor Strawinsky’s A Soldier’s Tale (Histoire du Soldat), the UNC Symphony Orchestra, and the UNC Wind Ensemble, Symphonic Band, and Concert Band. Cameron made his stage directing debut with UNC’s Opera Scenes program directing “A Weekend in the Country” from Stephen Sondheim’s A Little Night Music. While living in Greeley, Colorado (USA), Cameron founded and directed the Collegium Musicum Graeleius, a chamber orchestra specializing in vocal music for the Greeley community. Within the Greeley community, Cameron had the distinct pleasure of directing several J.S. Bach Cantatas including the Peasant Cantata, the Coffee Cantata, and the Wedding Cantata which featured UNC faculty member Lesley Manring. In addition to vocal music, Cameron supported an initiative to promote and bring excellence in chamber music to the Greeley community and directed a series of summer “Brown Bag” concerts in collaboration with UNC Chamber Music Society. In summer of 2015 Cameron served as Chorus Master for UNC’s Summer Opera Program in collaboration with Opera Classica Europa. Additionally, Cameron served as Assistant Conductor for productions of Giuseppe Verdi’s Nabucco and Johann Strauss II’s Die Fledermaus and Chorus Master for Giacomo Puccini’s Tosca with Opera Classica Europa in France and Germany. Cameron also had the pleasure of directing the Orchestra of the National Theater Contanta (Romania) as a featured conductor with the Internationale Opernakademie Bad Schwalbach (Germany). After returning to Colorado, Cameron was the featured conductor of the Boulder Music Institute in Boulder, Colorado (USA). In spring 2016 Cameron was invited to be the Conductor-In- Residence of the Myanmar National Symphony Orchestra/Radio Orchestra. While in Myanmar (Burma), Cameron took part in a recorded television program for the general public featuring Franz Josef Haydn’s Symphony No. 104 and Ludwig van Beethoven’s Symphony No.1 with MRTV. Since finishing coursework for his Doctor of the Arts at UNC, Cameron now proudly serves on the Conducting faculty at the College of Music, Mahidol University and directs the Mahidol Symphony Orchestra and the Pre-College Symphonic Band and teaches conducting classes and large ensemble techniques. In addition to Cameron’s conducting engagements, Cameron has maintained an active performance schedule playing horn with several orchestras such as the Jacksonville Symphony Orchestra (Illinois, USA), the Knox-Galesburg Symphony Orchestra (Illinois, USA), Quincy Symphony Orchestra (Illinois, USA), the Greeley Chamber Orchestra (Colorado, USA), and gives recitals as a freelance artist throughout the United States.

Junta Arakawa

Piano Department

• Room Number:
• Phone:
• Email: wironta@gmail.com

Junta Arakawa is a pianist from Japan.

After he studied International Relations as his major in Nihon University, Mishima Japan for two years, he earned his Bachelor’s Degree in Piano Performance and Business Minor from St. Norbert College, WI, USA in 2003. While studying with Elaine Moss, in 2002, he won the 2nd prize from both Sheboygan Symphony Orchestra Concerto Competition and Lakeshore Wind Ensemble Concerto Competition.

He enrolled in Wichita State University, KS, USA as a full-scholarship Graduate Teaching Assistant, studied with Paul Reed and received his Master’s Degree in Piano Performance in 2006.

He moved to Thailand and became a full-time lecturer at School of Music, Assumption University in 2006, and organized solo and ensemble concerts, a lot of school activities, and performed with many musicians in Thailand and Japan. Throughout performing together, Paulo Zereu became one of his influential pianists. Junta was the chairperson of Department of Music Business, School of Music, Assumption University.

He is currently a piano lecturer at YAMP, College of Music, Mahidol University.

Gritsada Huncharoen

Music Therapy Department

• Room Number:
• Phone:
• Email: pu_gt@hotmail.com

Kraisit Suwanlao

Brass and Percussion Department

• Room Number:
• Phone:
• Email: kraisitwin@hotmail.com

นายไกรสิทธิ์ สุวรรณเหล่า เกิดวันที่ 18 เมษายน พ.ศ.2533

ในปี พ.ศ.2551 นายไกรสิทธิ์ สุวรรณเหล่าได้เข้าศึกษาระดับปริญญาตรีสาขาดนตรีตะวันตก เครื่องมือเอกเครื่องกระทบ ที่วิทยาลัยดุริยางคศิลป์มหาวิทยาลัยมหิดล กับอาจารย์ วรรณภา ญาณวุฒิ และระดับปริญญาโทกับอาจารย์ Kyle Acuncius

ในระหว่างศึกษาที่วิทยาลัยดุริยางคศิลป์ นายไกรสิทธิ์ สุวรรณเหล่า ได้มีโอกาสแสดงดนตรีกับวงดนตรีต่างๆมากมาย เช่น Mahidol University Orchestra, Mahidol Wind Symphony, South East Asian Youth Wind Ensemble และ Thailand Philharmonic Orchestra

ปัจจุบันนายไกรสิทธิ์ สุวรรณเหล่า เป็นสมาชิกของวง Thailand Philharmonic Orchestra และเป็นอาจารย์ประจำภาควิชาเครื่องกระทบที่วิทยาลัยดุริยางคศิลป์มหาวิทยาลัยมหิดล

Kittima Molee

Woodwind Department

• Room Number:
• Phone:
• Email: kittima.molee@gmail.com

Kittima Molee was taken under the wing of John Mostad, former principal bassoonist of the Rotterdam Philharmonic Orchestra, in the beginning of her formal training in bassoon at the College of Music, Mahidol University. Eventually, Ms. Molee received both her undergraduate and graduate degree from the College of Music, Mahidol University and graduated with summa cum laude.

Following her academic excellence, Ms. Molee received a full scholarship from ASEA UNINET to further her studies at the Universität Mozarteum in Salzburg, where she performed regularly with the Bläserphilharmonie Mozarteum, Mozarteum Orchestra Salzburg, Collegium Musicum Salzburg, and Traunstein Youth Symphony in Germany.

Ms. Molee’s regional performance experience came about in 2005, where she participated in the 12th World Association for Symphonic Bands and Ensembles Conference at Singapore, performing as principal bassoonist with the International Youth Wind Orchestra. Ms. Molee was also a part of the Southeast Asian Youth Orchestra and Wind Ensemble (2004-07) and the Southeast Asian Youth Chamber Orchestra (2012-13). Ms. Molee’s performs also as a chamber musician. She is a sought after bassoonist and performs regularly with the Amass Chamber Ensemble and the Sawasdee Woodwind Quintet, which she co-founded. The quintet has curated highly successful recitals in Thailand, Singapore, Macao, and a recent debut in China.

Ms. Molee strives to pass on to younger generations of what she has learned over the years and extended her musical career beyond performance into academia where Ms. Molee currently teaches as a bassoon instructor at her alma Mater – College of Music, Mahidol University. Before joining Mahidol University, she held the position of adjunct instructor at Bansomdejchaophraya Rajabhat University, Kasetsart University and Princess Galyani Vadhana Institute of Music.

Previously, Ms. Molee has been invited to be a guest instructor and hold masterclasses both nationally and internationally at the MCGP Youth Winds Ensemble, the Yala Municipality Youth Orchestra, Princess Galyani Vadhana Institute of Music, Silapakorn Music Summer School, Yamaha-Rangsit Youth Wind Orchestra, Nontri Youth Wind Orchestra and also the Singapore Youth Symphony Orchestra.

Throughout Ms. Molee’s musical career, she has studied with Dr. Christopher Schaub, Yoshinori Honda-Tominaga, Krekkrai Tangnoi, Dr. Elizabeth Shoemaker, and John Mostard.

Manasanun Aksornteang

Voice Performance Department

• Room Number:
• Phone:
• Email: a.m._angie@hotmail.com

Kamonporn Huncharoen

Voice Performance Department

• Room Number:
• Phone:
• Email: kmp.h@hotmail.com

Pitchaya Kemasingki  

Voice Performance Department

• Room Number:
• Phone:
• Email: pkbelcanto@hotmail.com

Ajarn Pitchaya  is a professional recitalist, Opera singer, theatrical actor, vocal coach and had theatrical training with Patravadi Majudhon (National Artist), Manop Meejamrat and Damkerng Thitapiyasak at Patravadi Theater.

He has performed with many professional opera companies include NUNI Production, Opera Siam, European Chamber Opera.  Also performed in many concerts and reictals with Grand Opera Thailand such as “A weekend of Grand Opera and Culinary Art” at Anantra Riverside Bangkok, “A Celebration of Swiss Art Songs” at Swiss Hotel, “Mozart Magic & Musicals” at TCC Small Hall,” A Jubilant Evening of Operatic Treasures”, “Music of Love & Devotion: An Evening of Opera and Musical Favourites” at Royal Cliff Grand Hotel, Cancion and Zarzuela concert with Spanish Embassy at Siam Society and many mores.

His completed opera roles include: Dr.Bartolo (Le nozze di Figaro), Baron Mirko Popoff (The Merry Widow), Fisherman (Schubert’s Sakotala), Don Alfonso (Cosi fan tutte), Zuniga (Carmen),Death (Savitri), Palemon (Thaïs), Benôit /Alcindoro (La Bohème), Mr. Bluff (The Impresario),Sorecerer (Dido and Aeneas),Emperor Altuom  (Turandot), King of Eypt ( Aïda), Pork Merchant (Mae Naak), Bonze (Madame Butterfly), Monostatos (Die Zauberflöte), Ko-Ko (The Mikado) and Bass Soloist in Messe de Minuit pour Noël by Charpentier with BMS also as a Chansonnier in H.K. Gruber’s Frankenstein with Galani Vadhana Institute of Music.

His completed musical roles include:  Conductor (Ghost Opera The Musical) with The College of Music, Mahidol University), Psychiatrist (Langkadang The Musical), King Midas (Viva PraSamut) by Vic Hua Hin) and Robert Hunter (Eng-Chang The Musical) with The College of Music, Mahidol University).

He graduated with B.A. (Vocal Performance) from The College of Music, Mahidol Univesity and continuing his Master degree in Music Business and Management at Silpakorn University.

Currently, he is a full-time voice teacher at The College of Music, Mahidol University and soloist member of Grand Opera Thailand Co.,Ltd founded by Mr. Stefan Paul Sanchez.

Suhat Sungchaya

Music Business Department

• Room Number:
• Phone:
• Email: Suhatsuhaya@hotmail.com

EDUCATION

TRAINING & CERTIFICATES

CIVIL SERVANTS

PRIVATE SECTORS

AWARDS

• Best Civil Servant Award (Year 2009)
• Best Alumni Award, Rajavinit School (Awarded by His Majesty the King) 2008
• Committee of Political Science Association Under His Majesty’s Patronage (2013 – 2015)
• Honored Committee of Faculty of Arts, Shinawatra University (2006)

Giacomo Visintin

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email:

Born in a non-musician but cultured family, he attended his violin and piano music courses at Conservatory of Music of Milan from 1995 to 2003, when he switched to viola being graduated in 2007 at the same school. Later he attended the courses of Giulio Franzetti (concertmaster of Orchestra del Teatro alla Scala di Milano), Raffaele Mallozzi (Principal Viola at Orchestra dell’Accademia Nazionale di Santa Cecilia), Claudio Pavolini and Iakov Zats (Principal Viola at Orchestra dell’Arena di Verona). In 2002 he was chosen by Maestro Gerardo Bizzarro to take part in an international tourneé in South America with the Youth Orchestra of Milan Conservatory. Successively he started a wide activity as orchestra player in Italy collaborating with many companies (I Pomeriggi Musicali di Milano, Orchestra Filarmonica Italiana, Orchestra Internazionale d’Italia, Orchestra del Teatro Donizetti di Bergamo, Orchestra dell’Università degli Studi di Milano, Orchestra Milano Classica) and Germany (Deutsches Kammerorchester Frankfurt) having occasion to perform with renowed musician as Salvatore Accardo, Enrico Dindo, Lilya Zilberstein, Riccardo Muti, Albrecht Mayer, Alexander Lonquich, Stefan Dohr, Lior Shambadal.

From 2007 to 2012 he was the viola of Gamma String Quintet, who performed the main string orchestra repertoire and had been invited in two international tourneé in U.S.A. (2008) and Portugal (2009). He also hold the Violin & Viola chair in the International Music School of Milan from 2010 to 2013.

He moved to China in 2013 winning the audition for section viola in Guiyang Symphony Orchestra and successively being made Principal Viola in Xi’An Symphony Orchestra from 2014 to 2015, when he joined the Thailand Philharmonic Orchestra.

Dr. Pawat Ouppathumchua

Music Business Department

• Room Number: D106.08
• Phone: 174
• Email: drpawat@yahoo.com, pawat.oup@mahidol.ac.th

EDUCATION:

• Doctor of Public Administration (Public and Private Management)
• Master of Economics (Financial Economic)
• Bachelor of Engineering (Industrial Engineer)

PUBLICATION:

• Pawat Ouppathumchua. 2015. The Efficiency of Thailand’s Stock Index Future Market. Journal of Public and Private Management 22(2)

QUALIFICATION:

• Lean Six Sigma- Black Belt

PRESENT

•  Lecturer- Music Business Department, College of Music, Mahidol University
• Consultant – Honda Automobile (Thailand) Co.,Ltd.
• Consultant – Honda Automobile (Thailand) Co.,Ltd.
• Columnist – For Quality Management magazine
• Guest speaker and Part time lecturer in operation management and financial management

CONSULTANT EXPERIENCE

• Electricity Generating Authority of Thailand
• Provincial Electricity Authority
• Power Uta Group Co.,Ltd.
• Piyavej Hospital Chon Buri
• Snow House Co.,Ltd.

WORK EXPERIANCE:

• Operation Development Manager – Tesco lotus
• Performance Improvement Management Manager – Thai Garment Export Co.,Ltd.
• Senior Engineer – Sony Device Tecnology Co.,Ltd.
• Industrial Engineer – Nestle Thai Co.,Ltd.
• Researcher – Iron and Steel Institute of Thailand

RESEARCH INTEREST:

• Econometric Time Series
• Financial Investment
• Financial Derivatives
• Operation Management
• Quantitative Analysis

Dag Erik Schantz

Classical Voice Department

• Room Number:
• Phone:
• Email: dag.schantz@gmail.com

Dag Schantz, basebaritone, was born in Stockholm, and began studies at the Opera-studio of Stockholm in 1984-87. From 1987-91 continued studying at the State Opera school of Stockholm. Beside that I also have class studies with Nicolai Gedda Ingvar Wixell and Birgit Nilsson. Furthermore, I have studied in Italy for many years with Ferruccio Tagliavini, Antonio Tonini, and Vincente La Ferla.

I have performed about 3,000 performances and my rolls have been in the following Operas: La serva padrona (Pergolesi), Le nozze di Figaro, Così fan tutte, Don Giovanni (Mozart), Proserpin (Kraus), La scala di seta, Semiramide, Cenerentola (Rossini), I Capuleti e i Montecchi, Adelson e Salvini (Bellini), Don Pasquale, L´Elisir d´amore (Donizetti), Rigoletto, La Traviata, Il Trovatore (Verdi), Der Freischütz (Weber), Die Lustigen Weiber von Windsor (Nicolai), Onegin (Tjajkovskij), Mefistofele (Boito), La Bohème, Tosca (Puccini), Les Brigands, Les Contes Hoffman, Le Fifre Enchanté (Offenbach), Die Fliedermaus (J. Strauss), Chérubin (Massenet), La commedia sul ponte/Komödie auf der Brücke (Martinù), Christmas Rose (F. Bridge), The Bear (Walton), The Phantom of the Opera (Lloyd-Webber).

Beside the classical opera compositions, I have interpreted following rolls in the first absolutely execution:Invita (F. Högberg), Riket är ditt, Stadsmusikanterna (J.Forsell), Illusionisten (L-E. Rosell).

For 25 years I have been teaching singing and drama. Lately in last 10years I have had master classes and private teaching mostly in Parma, Italy. In Sweden, where  I mostly live I have been teaching opera, romances at the State Opera School and musical/pop at the Academy of ballet.

The passion for drama has led me to share my knowledge to three private acting schools in Stockholm of how to use the voice in acting and interpretation of roles.

I have done several opera and romance programs for the Swedish Televisions and radios plus directing at several theaters, operas and musicals.

My efficiency languages are   Italian, English, French, German, Danish, Norwegian and Swedish of course.

I am now a voice professor in classical voice department at Mahidol University,Salaya Campus.

Kiatkong Suphayon

MCGP Project (Seacon BangKae)

• Room Number:
• Phone:
• Email:

Lila Mahavinitchaimontri

MCGP Project (Seacon BangKae)

• Room Number: –
• Phone: 081 9789532
• Email: krunat@hotmail.com

B.A. (Thai Music) Graduated from Chulalongkorn University. She began to worked at MCGP Seri Center as a Instructor since March 2000.

Sasiprapa Sontitam

MCGP Project (Siam Paragon)

• Room Number:
• Phone:
• Email:

Ngamta Nantakhwang

MCGP Project (Siam Paragon)

• Room Number:
• Phone:
• Email:
• Website:

จบการศึกษาระดับปริญญา สาขาดนตรีไทย จากมหาวิทยาลัยเกษตรศาสตร์ การศึกษาปริญญาโท ดนตรีชาติพันธุ์วิทยา จากมหาวิทยาลัยเกษตรศาตร์ ศึกษาวิธีการสอนดนตรีสำหรับเด็กแบบโคดายและคาร์ล ออร์ฟกับรศ.ดร.ธวัชชัย นาควงศ์ นอกจากนั้นยังเข้าร่วมอบรมการสอนดนตรีต่างๆมากมายทั้งในประเทศและต่างประเทศกับวิทยากรที่มีชื่อเสียงระดับโลกอย่างต่อเนื่อง ปัจจุบันเป็นอาจารย์ประจำฝ่ายวิทยาการ โครงการฯ วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล และอาจารย์พิเศษสอนวิชาดนตรีสำหรับเด็กที่สถาบันเพื่อพัฒนาเด็กและครอบครัว มหาวิทยาลัยมหิดล

Pinchanan Jaiprasong

MCGP Project (Siam Paragon)

• Room Number:
• Phone:
• Email:

Sakphol Watthanasunthorn

MCGP Project (Siam Paragon)

• Room Number:
• Phone:
• Email:

Salith Dechsangworn

MCGP Project (Siam Paragon)

• Room Number:
• Phone:
• Email:

Namfon Srisomboon

MCGP Project (Siam Paragon)

• Room Number:
• Phone:
• Email:

Nuttawut Suksangjan

MCGP Project (Siam Paragon)

• Room Number:
• Phone:
• Email: nuttawut79@gmail.com

เริ่มเรียนดนตรีที่วงดุริยางค์ของโรงเรียนวัดสุทธิวรารามในปี พ.ศ. 2534 กับอาจารย์สุรพล ธัญญวิบูลย์ โดยเลือกเรียนแซกโซโฟนเป็นวิชาเอก ในปี พ.ศ. ๒๕๓๖ ได้เข้าร่วมการแข่งขันในระดับนานาชาติที่ประเทศเนเธอร์แลนด์ รวมถึงทำกิจกรรมต่างๆ ที่โรงเรียนได้มอบหมาย

เมื่อจบชั้นมัธยมศึกษาในปี พ.ศ. 2539 ได้สอบเข้าศึกษาต่อที่ภาควิชาดนตรีศึกษา คณะครุศาสตร์ จุฬาลงกรณ์มหาวิทยาลัย โดยเรียนแซกโซโฟนกับอาจารย์ชูวิทย์ ยุระยง ขณะที่ศึกษามีโอกาสแสดงคอนเสิร์ตที่ทางมหาวิทยาลัยได้จัดขึ้นอยู่เป็นประจำ รวมถึงการแสดงในรูปแบบวงแชมเบอร์ โดยเล่นในตำแหน่งเทเนอร์แซกโซโฟนในวงแซกโซโฟนควอเต็ทของคณะครุศาสตร์ จุฬาลงกรณ์มหาวิทยาลัย นอกจากนี้ ยังเรียนแซกโซโฟนกับอาจารย์ลักขชัย กฤชน้อย และเรียนวิชาการอำนวยเพลงกับผู้ช่วยศาสตราจารย์พันเอกชูชาติ พิทักษากร

ปี พ.ศ. 2544 เข้าทำงานที่โครงการศึกษาดนตรีสำหรับบุคคลทั่วไป วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล (สาขาศูนย์การค้าเสรีเซ็นเตอร์) โดยสอนวิชาปฏิบัติแซกโซโฟน และควบคุมวงปป๊อปออร์เคสตร้า พร้อมทั้งงานกิจกรรมต่างๆ อาทิเช่น โครงการอบรมครูดนตรีมือเปล่า ค่ายดนตรีภาคฤดูร้อน และคอนเสิร์ตใหญ่ประจำปีของโครงการฯ

นอกจากนี้ ในปี พ.ศ. 2546 ได้เข้าร่วมแสดงคอนเสิร์ตที่งานประชุมแซกโซโฟนโลก ครั้งที่ 13 (World Saxophone Congress XIII) ที่เมืองมินาโพลิส รัฐมิเนโซต้า ประเทศสหรัฐอเมริกา (Minneapolis, Minnesota) โดยเป็นสมาชิกวง Bangkok Saxophone Quitet

ปี พ.ศ. 2549 ศึกษาต่อระดับปริญญาโท สาขาดนตรีศึกษา ที่วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล ศึกษาต่อด้านปฏิบัติแซกโซโฟนกับอาจารย์ Shyen Lee และเรียนการควบคุมวงกับอาจารย์ Jeannine Wager ผู้อำนวยการและวาทยกรประจำวง North Arkansas Symphony Orchestra อาร์คันซอว์ ประเทศสหรัฐอเมริกา และได้เข้าร่วมแสดงคอนเสิร์ตที่งานประชุมแซกโซโฟนโลก ครั้งที่ 14 ที่เมืองลูบีจานา ประเทศสโลเวเนีย (Liubljana, Slovenia)

ประวัติการทำงานที่วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล

• ผู้จัดการงานกิจกรรมและกิจการพิเศษ
• ผู้จัดการงานประชุมแซกโซโฟนโลก ครั้งที่ 15 ณ กรุงเทพ
• ผู้จัดการโครงการอบรมครูดนตรีเปล่า
• ผู้จัดการโครงการบันทึกจดหมายเหตุวิทยาลัยดุริยางคศิลป์
• อาจารย์วิชาทักษะแซกโซโฟน

Pornnapim Thonglor

MCGP Project (Siam Paragon)

• Room Number:
• Phone:
• Email:

Mauro Monti

MCGP Project (Siam Paragon)

• Room Number:
• Phone:
• Email:

Poonsant Tainchaivanich

MCGP Project (Siam Paragon)

• Room Number:
• Phone:
• Email:

Wongsathorn Narumit

MCGP Project (Seacon Square)

• Room Number:
• Phone:
• Email:

Sita Bunnag, Piano

MCGP Project (Seacon Square)

• Room Number:
• Phone: 081-8030703
• Email: ploy.ploy.ploy@hotmail.com

Sita started to work at Music Campus for General Public, College of Music Mahidol University (Seri center) as a piano part time teacher since 1999 and she had promoted to the full time teacher on March 2009.

Benjapa Dangintawat

MCGP Project (Seacon Square)

• Room Number:
• Phone:
• Email:

Witaya Jareonpiem

MCGP Project (Seacon Square)

• Room Number:
• Phone: 081 742 6005
• Email:

B.A. (Music Education) Graduated from Chulalongkorn University. Mr. Witaya  Jareonpiem began to learn the Thai Music when he was 15 years old with his friends in the school, the first instrument was Klui. He could play many kind of instrument including Thai and Western Music such as Violin, Guitar, Keyboard, Ranard, khim and Jakhe. When he graduated from Chulalongkorn University he performed in Coffee Shop and Hotel in Bangkok and Surattanee. Mr. Wittaya is a member of The Resonance Band. Faculty since September 1996. Currently he is a Head of Academic of MCGP.

Promwut Sudtakoo

MCGP Project (Seacon Square)

• Room Number:
• Phone: (668) 464-3998-2 (662) 721-9894-7 ext.122
• Email: spromwut85@gmail.com

Promwut Sudtakoo, A Native of Thailand who studied at the College of Music, Mahidol University. He has studied with Professor Shyen Lee, Professor Shuichi Komiyama, Professor Nuttawut Suksangjan and Capt.Passakorn Suwannaphan

Supawarat Watanatup

General Education Department

• Room Number: 206.10
• Phone: 08-6102-6828
• Email: supawarat@gmail.com

ประวัติการศึกษา

• ระดับบัณฑิตศึกษา:  2555 ศิลปศาสตรมหาบัณฑิต สาขาวิชาภาษาไทย มหาวิทยาลัยธรรมศาสตร์ (มาตรฐานวิทยานิพนธ์ดีมาก)
• ระดับอุดมศึกษา:  2550 ศิลปศาสตรบัณฑิต สาขาวิชาภาษาไทย มหาวิทยาลัยมหิดล (เกียรตินิยมอันดับ 1)

ประสบการณ์ทำงาน

1. ผู้บรรยายพิเศษวิชาการใช้ภาษาไทย ภาควิชาภาษาไทย คณะศิลปศาสตร์ มหาวิทยาลัยธรรมศาสตร์ ระหว่างเดือนมิถุนายน พ.ศ. 2556 ถึง กันยายน พ.ศ.2556
2. ผู้บรรยายพิเศษวิชาการใช้ภาษาไทย ภาควิชาภาษาไทย คณะศิลปศาสตร์ มหาวิทยาลัยธรรมศาสตร์ ระหว่างเดือนมิถุนายน พ.ศ. 2554 ถึง กันยายน พ.ศ.2554
3. อาจารย์ (ภาษาไทย) วิทยาลัยดุริยางคศิลป์  มหาวิทยาลัยมหิดล

ภาระงานสอน

1. อาจารย์ประจำวิชาภาษาไทยระดับมัธยมศึกษาปีที่ 4 วิทยาลัยดุริยางคศิลป์  มหาวิทยาลัยมหิดล
2. อาจารย์ประจำวิชาภาษาไทยระดับมัธยมศึกษาปีที่ 5 วิทยาลัยดุริยางคศิลป์  มหาวิทยาลัยมหิดล
3. อาจารย์ประจำวิชาภาษาไทยระดับอุดมศึกษา วิทยาลัยดุริยางคศิลป์  มหาวิทยาลัยมหิดล

ผลงานวิจัยที่ได้รับการตีพิมพ์

1. เขียนบทความเรื่อง “พระสุธนคำฉันท์: รสตามทฤษฎีวรรณคดีสันสกฤต” ตีพิมพ์ในวารสารวรรณวิทัศน์ของภาควิชาภาษาไทย คณะศิลปศาสตร์ มหาวิทยาลัยธรรมศาสตร์
2. เขียนบทความเรื่อง “การนำเสนอภาพแทนคนรักเพศเดียวกัน:โครงเรื่องและแก่นเรื่องในนิยายวายจากสื่ออินเทอร์เน็ต” ตีพิมพ์ในรวมบทความทางวิชาการ “สรรพศาสตร์-สรรพศิลป์” คณะศิลปศาสตร์ มหาวิทยาลัยธรรมศาสตร์

ผลงานทางวิชาการ

การนำเสนอผลงานทางวิชาการ 

• นำเสนอบทความเรื่อง “ภาพแทนคนรักเพศเดียวกัน: กลวิธีการสร้างตัวละครในนิยายวายจากสื่ออินเทอร์เน็ต”
• ประชุมทางวิชาการเพศวิถีศึกษาระดับชาติครั้งที่ 4 “สาธารณะ รัฐ เซ็กส์” ของสมาคมเพศวิถีศึกษา

Tirajit Ittinapaphan

General Education Department

• Room Number:
• Phone:
• Email:

Tippawan Sookjairungwattana

General Education Department

• Room Number: 206.11
• Phone: 245
• Email: kibka_jet@hotmail.com

Educational Background:

• 2014: Doctoral Degree: Doctor of Philosophy (Development Education), Silapakorn University.
• 2009: Master Degree: Master of Education (Development Education), Silapakorn University.
• 2007: Bachelor Degree: Bachelor of Education (Agricultural & Environmental Education). Kasetsart University.

Work Experiences:

• 2012-Present: College of Music, Mahidol University.

Subjects Taught

• MUGE 101 General Education for Human Development
• MSHS 001 Humanities and Social Studies
• MSHS 002 Humanities and Social Studies

Chomploen Pimphakorn

General Education Department

• Room Number:
• Phone:
• Email: chomploen.ppk@gmail.com

Dr. Kanyupa Jittiwattana

General Education Department

• Room Number:
• Phone:
• Email:
• Website:

ประสบการณ์การทำงาน (Work Experience)

1. สถาบันนวัตกรรมการเรียนรู้ มหาวิทยาลัยมหิดล ตำแหน่ง อาจารย์ (พ.ศ. 2552-2554)

2. ศูนย์พันธุวิศวกรรมและเทคโนโลยีชีวภาพแห่งชาติ สถาบันพัฒนาวิทยาศาสตร์และเทคโนโลยีแห่งชาติ กระทรวงวิทยาศาสตร์และเทคโนโลยี ตำแหน่ง ผู้ช่วยนักวิจัย (พ.ศ. 2543-2546)

ภาระงานสอน (Subjects Taught)

1. ปีการศึกษา 1/2555 รายวิชา MSSC001 กายวิภาควิทยา สำหรับนักเรียนอุดมดนตรี ชั้นมัธยมศึกษาปีที่ 4 และรายวิชา MUGE101 สำหรับนักศึกษาปริญญาตรีชั้นปีที่ 1วิทยาลัยดุริยางคศิลป์

2. ปีการศึกษา 2/2554 รายวิชา MSSC004 ทรัพยากรธรรมชาติและอุตสาหกรรม สำหรับนักเรียนอุดมดนตรี ชั้นมัธยมศึกษาปีที่ 5 และรายวิชา MUGE101 สำหรับนักศึกษาปริญญาตรีชั้นปีที่ 1วิทยาลัยดุริยางคศิลป์

3. ปีการศึกษา 1/2554 และ 1/2553 รายวิชา นววศ 609 ธรรมชาติ ประวัติศาสตร์และปรัชญาทางวิทยาศาสตร์ รายวิชา นววศ 612 วิทยาศาสตร์ศึกษาทั่วไป และรายวิชา นววศ 631 ชีววิทยาศึกษา สำหรับนักศึกษาระดับบัณฑิตศึกษา สถาบันนวัตกรรมการเรียนรู้

4. ปีการศึกษา 2/2553 และ 2/2552 รายวิชา นววศ 605 โครงการวิจัยขั้นสูงขนาดเล็กทางวิทยาศาสตร์และคณิตศาสตร์ศึกษา และรายวิชา นววศ 610 สัมมนาทางวิทยาศาสตร์ศึกษา

งานวิจัยและผลงานสร้างสรรค์ (Research and Creative Work Projects)

งานวิจัย (Research Projects)

1. การพัฒนาสื่อซีดีมัลติมีเดียเพื่อการเรียนรู้การช่วยฟื้นคืนชีพขั้นพื้นฐานสำหรับนักศึกษาพยาบาล (Development of an interactive basic life support CD for nursing students)

2. การสร้างสื่อการเรียนการสอนที่มีนวัตกรรมเพื่อเสริมสร้างการเรียนรู้สรีรวิทยาระดับเซลล์อย่างมีบูรณาการ (Development of innovative instructional materials to promote integrated learning of cell physiology)

3. การสร้างสื่อการเรียนรู้ที่มีนวัตกรรมเพื่อเข้าใจมหชีวโมเลกุลดีขึ้น (Toward a better understanding of biological macromolecules: creating innovative instructional materials)

ผลงานวิจัยที่ได้รับการตีพิมพ์ (Published Research Articles)

1. Jittivadhna, K., Ruenwongsa, P., & Panijpan, B. (2010). Beyond textbook illustrations: Hand-held models of ordered DNA and protein structures as 3D supplements to enhance student learning of helical biopolymers. Biochemistry and Molecular Biology Education 38, 359-364.

2. Jittivadhna, K., Ruenwongsa, P., & Panijpan, B. (2009). Hand-held model of a sarcomere to illustrate the sliding filament mechanism in muscle contraction. Advances in Physiology Education 33, 297-301.

3. Jittivadhna, K., Ruenwongsa, P., & Panijpan, B. (2009). Making ordered DNA and protein structures from computer-printed transparency film cut-outs. Biochemistry and Molecular Biology Education 37, 220-226.

4. Kiatpathomchai, W., Taweetungtragoon, A., Jittivadhna, K., Wongteerasupaya, C., Boonsaeng, V., & Flegel, T.W. (2005). Target for standard Thai PCR assay identical in 12 White Spot Syndrome Virus (WSSV) types that differ in DNA multiple repeat length. Journal of Virological Methods 130, 79-82.

 ผลงานสร้างสรรค์ (Creative Work Projects)

1. สื่อการเรียนรู้วิทยาศาสตร์: แบบจำลองดีเอ็นเอ โครงสร้างทุติยภูมิของโปรตีน และหน่วยการทำงานของกล้ามเนื้อ เพื่อเสริมสร้างความรู้ความเข้าใจเกี่ยวกับมหชีวโมเลกุล โดยได้รับรางวัลสภาวิจัยแห่งชาติ: รางวัลผลงานประดิษฐ์คิดค้น ประจำปี 2554 รางวัลประกาศเกียรติคุณ สาขาสังคมศาสตร์ (การศึกษา)

2. สื่อการเรียนรู้วิทยาศาสตร์: ภาพประดิษฐ์เพื่อการเรียนรู้โครงสร้างค้ำจุนในเซลล์

3. สื่อการเรียนรู้วิทยาศาสตร์: ชุดเกมต่อภาพเพื่อการเรียนรู้เคมีแห่งชีวิต

ผลงานทางวิชาการ (Academic Works)

การนำเสนอผลงานทางวิชาการ (Academic Presentations)

1. Oral presentation: Instructive and edible decomposition column in the 2007 Wisconsin Society of Science Teachers Conference, Green Bay, Wisconsin, USA

2. Poster presentation: Development of learning materials in biology: A wandering through the muscle world – with a difference in the 17th FAOBMB Symposium/ 2nd IUBMB Special Meeting/ 7th A-IMBN Conference on “Genomics and Health in the 21st Century”, the Imperial Queen’s Park Hotel, Bangkok, Thailand, November 25, 2004.

ที่ปรึกษาวิทยานิพนธ์ (Thesis Advisors)

1. นางวิมลศรี   อิทธิกิจไพศาล นักศึกษาปริญญาเอก สาขาวิทยาศาสตร์และเทคโนโลยีศึกษา (หลักสูตรนานาชาติ)สถาบันนวัตกรรมการเรียนรู้ มหาวิทยาลัยมหิดล วิทยานิพนธ์เรื่อง การพัฒนาสื่อการเรียนรู้เรื่องการไหลเวียนแบบคู่ควบในมนุษย์สำหรับนักศึกษาวิทยาศาสตร์สุขภาพระดับต้น (Development of instructional materials for the learning of human dual blood circulation appropriate for beginning undergraduate life science students)

2. นางสาวชื่นจิตร จันทร์สว่าง นักศึกษาปริญญาเอก สาขาวิทยาศาสตร์และเทคโนโลยีศึกษา (หลักสูตรนานาชาติ)สถาบันนวัตกรรมการเรียนรู้ มหาวิทยาลัยมหิดล วิทยานิพนธ์เรื่อง การพัฒนาสื่อซีดีมัลติมีเดียเพื่อการเรียนรู้การช่วยฟื้นคืนชีพสำหรับนักศึกษาพยาบาลระดับปริญญาตรี (Development of interactive life support CDs for nursing students)

ความสนใจหรือความชำนาญ (Interests or Expertise)

1.Social Sciences (Education & Educational Research)

2.Life Sciences (Biology/ Biochemistry/ Biotechnology)

งานบริการวิชาการอื่นๆ (Other Academic Services)

1. วิทยากรบรรยายหัวข้อเรื่อง การทำวิจัยในชั้นเรียน ในงานกิจกรรมเวทีนักวิทยาศาสตร์รุ่นเยาว์แห่งชาติ ครั้งที่ 7 จัดโดยคณะวิทยาศาสตร์ มหาวิทยาลัยมหิดล ร่วมกับสมาคมนักวิทยาศาสตร์แห่งประเทศไทย วันที่ 11 ตุลาคม 2554 ณ อุทยานวิทยาศาสตร์ประเทศไทย

2. วิทยากรบรรยายหัวข้อเรื่อง การวิจัยทางการศึกษา ในการประชุมเชิงปฏิบัติการเพื่อพัฒนาการเรียนการสอน จัดโดยคณะวิทยาศาสตร์ มหาวิทยาลัยมหิดล วันที่ 6 กันยายน 2554 ณ ห้องประชุม K-102 คณะวิทยาศาสตร์ มหาวิทยาลัยมหิดล

3. ผู้ตรวจประเมินผลงานเพื่อนำเสนอแบบโปสเตอร์ด้านการศึกษาวิทยาศาสตร์และคณิตศาสตร์ สำหรับการประชุมวิชาการวิทยาศาสตร์และเทคโนโลยีแห่งประเทศไทย ครั้งที่ 37 จัดโดยคณะวิทยาศาสตร์ มหาวิทยาลัยมหิดล ร่วมกับสมาคมนักวิทยาศาสตร์แห่งประเทศไทย

4. อาจารย์ที่ปรึกษานักศึกษาแลกเปลี่ยนตามโครงการความร่วมมือของมหาวิทยาลัยมหิดลและ University of Wisconsin – Madison, USA ได้แก่ Miss Michelle J. Lee ระหว่างวันที่ 20 พฤษภาคม 2554 ถึงวันที่ 27 สิงหาคม 2554

Isarapa Suksang

General Education Department

• Room Number:
• Phone:
• Email: isaraice@yahoo.com

Sasiwan Chantasoontorn

General Education Department

• Room Number:
• Phone:
• Email:

Kwankamol Udomboonyanuparp

General Education Department

• Room Number:
• Phone:
• Email: kwankamon.u@gmail.com

Nathan Lynch

General Education Department

• Room Number:
• Phone:
• Email: n8lynch@gmail.com

Michael Strauss

General Education Department

• Room Number:
• Phone:
• Email:

I was born in 1952 in Cape Town, South Africa, to a musical mother and an unmusical father. I was a model student at school, for which teachers loved me and my classmates hated me. I started learning piano at the age of 8, and continued on and off with various long-suffering teachers till achieving a Piano Teacher’s Licentiate from the Trinity College of London at the age of 24. In the meantime, I had finished school, and graduated with a BA in English and French, and a High School Teacher’s Diploma.

I taught in South Africa for 6 years, then in Greece (on the island of Crete) for about 7 years. Missing university, I went back for a year of full time study in 1992, at the University of Cape Town, coming out with a Bachelor of Education. The next step was an MA (TESOL) – Teaching English to Speakers of Other Languages, which I secured after eight years of irregular but very enjoyable study while teaching English at language schools in Bangkok.

After teaching English at language schools in Bangkok for twelve years, I moved to Assumption University, where I taught English for a year, and then to the College of Music of Mahidol University, Salaya. I’ve been here for a year and a bit. When I finished school, I had to decide between studying music or languages. I decided that English was my first love. Now, as my hair races to turn white before it all falls out, I’m happy to be in a place where I can teach English, my first love, and be surrounded by my second love, which is music.

Nadhapach Chunhawongwasu

General Education Department

• Room Number: A206.11
• Phone: 02-8002525 Ext. 245
• Email: janechunhawongwasu@gmail.com

Nadhapach Chunhawongwasu (Jane) graduated in English Literature from the University of Sydney and has been a lecturer at undergraduate and graduate levels since 2004, also working in academic translation for research. She served as program coordinator and academic advisor for seven years, working with local and international students. Her experience includes the role of program leader for the educational exchange with the Deakin University in Australia and cross-cultural projects with Hiroshima in Japan. In 2011, she was nominated for a Fulbright Scholarship at the New York University in American Society and Culture. Jane was an author and editor for multimedia productions with the Tourism Authority of Thailand and is certified in Asian Arts by the Ministry of Culture. She was a visiting professor in English for Investigation at the Royal Thai Police and was appointed language specialist for curricula at the Silpakorn University in 2012. Her interests are in the arts, culture, history and literature.

Seri Harimpanich

Thai and Eastern Music Department

• Room Number: A 305.07
• Phone: Ext. 317
• Email:

Suchao Harimpanit

Thai and Eastern Music Department

• Room Number: A 305.05
• Phone: Ext. 315
• Email:

Duangduan Longsawas

Thai and Eastern Music Department

• Room Number: A 206.02
• Phone: Ext. 213
• Email: duangduan9@hotmail.com

ประสบการณ์การทำงาน (Work Experience)

1. อาจารย์สอนขับร้องเพลงไทย ภาควิชาดนตรีไทยและดนตรีตะวันออก วิทยาลัยดุริยางคศิลป์ ม.มหิดล

2. ครูประชั้นหลักสูตรเตรียมอุดมดนตรี  วิทยาลัยดุริยางคศิลป์ ม.มหิดล

ภาระงานสอน (Subjects Taught)

1. วิชาเอกขับร้องเพลงไทย

2. รวมวงเล็ก, รวมวงใหญ่

3. วิชาดุริยวรรณกรรมไทย

4. เทคนิคการขับร้องเพลงไทย 1,2

งานวิจัยและผลงานสร้างสรรค์ (Research and Creative Work Projects)

ผลงานวิจัย (Research Projects)

1. ศิลปการขับร้องเพลงแมลงภู่ทอง 2 ชั้น

2. เพลงกล่อมลูกภาคกลาง

ผลงานสร้างสรรค์ (Creative Work Projects)

1. กรรมการตัดสินการประกวดดนตรีไทย

งานบริการวิชาการอื่นๆ (Other Academic Services)

1. อบรมการสอนขับร้องเพลงไทย

Saharat Chanchaleum

Thai and Eastern Music Department

• Room Number: A305.09
• Phone: Ext. 302
• Email:
• Website:

He started studying Sor Oo with Master Prapat Uankwan when he was 12 years old until 13 years old. He could perform “Pleng Khaek Morn Sam Chan” as a Sor Oo soloist.

When he was in a secondary school, he studied Sor Duang with Master Wan Onchan, Master Prayoon Fakpoo, Master Samnieng Fakpoo and studied Sor Oo with Master Chaluay Jiyachan. When he was 14 years old, he started playing Jakae instructed by Master Prayoon and Samnieng. When he was 15 years old, he could perform “Pleng Krao Nai” as a Jakae soloist. In the meantime he started studying Sor Sam Sai and Khim. He could perform advanced “Pleng Diew” songs as a soloist. When he was 16 years old, he studied Jakae solo for “Pleng Krao Nai”, Thang Piset with Master Siri Nakdontri. When he was in the Faculty of Education, Chulalongkorn University, he studied Jakae with Master Thongdee Sucharitkul and studied all “Pleng Diew” songs from the Master. He also studied piano with Master Choochat Pitaksakorn. He studied violin and joined with Faculty of Education Symphony.

While he was in Chulalongkorn University, he was selected to participate in the band competition by playing Sor Duang. He won the 1st prize for Sor Duang performance for 3 years in a row for Thai Musical Instrument Competition and Pin Thong Prize for the band. During his study in Chulalongkorn University he was a pianist of Mahoree Symphony Orchestra, Faculty of Education, Chulalongkorn University and had piano performance accompanying dramas and singing in many important occasions of the faculty. He studied Popular Piano with Master Sukhum Kanchanapalin for 2 years and Classic Piano with Master Margit Haider Dechant who was Austria’s Chief Professor. Therefore he becomes skillful in classic and romantic performance. He achieved a master degree from Music Performance, College of Music, Mahidol University.

When he was 14 years old, he set up a band called “Nak Chaleum” and could perform advanced songs skillfully. He was invited to be broadcasted in many outstanding youth programmes. He was also invited by Master Sompot Rodboon to instruct Music Appreciation for Chulalongkorn University and posted an instructor at the University of Thai Chamber of Commerce, Phranakhon Rajabhat University (Communication Arts, Music), Kasetsart University for many years. Currently he is a music instructor at Aum Aree Music School and at the College of Music, Mahidol University.

Samrit Saravadee

Thai and Eastern Music Department

• Room Number:
• Phone:
• Email:

Dr. Nachaya Natchanawakul

Thai and Eastern Music Department

• Room Number:
• Phone:
• Email: nuthaimusic@gmail.com

Education Background

• 2012 Ph.D. (Musicology) College of Music, Mahidol University, Thailand.
• 2000 M.A. (Thai Music) Faculty of Fine and Applied Arts, Chulalongkorn University, Thailand.
• 1995 B.A. (Thai Music) Faculty of Fine and Applied Arts, Chulalongkorn University, Thailand.

Previous Experience:

• 2000 – 2015 Lecturer in the Department of Music, Faculty of Humanities, Naresuan University, Phitsanulok, Thailand.

Research/Creative Works

1. A situation and function of Thai string ensemble in the period of King Rama V.
2. An analysis of ja-khe solo song.
3. Pleng raew performance in Thai string ensemble : case study of kheak mudtienmoo Suit.
4. Western music in Siam: the development between A.C.1841 – 1941.
5. Learning process for conservation and development of mangkala performance in the lower northern part of Thailand.

Scholarship

• 1998 Master degree Scholarship funded by Naresuan University.
• 1999 Research Fund for Master dissertation from King Prajadhipok and Queen Rampaipannee Scholarship Foundation, Thailand Parliament.
• 2005 Indonesian Arts And Culture Scholarships, Ministry of Foreign Affairs, Indonesia. (3 months) The scholarships program in Bandung, Indonesia.
• 2007 Ph.D. Scholarship funded by the Commission on Higher Education, Ministry of Education and Naresuan University.
• 2014 Research Funded from The Thailand Research Fund.

Conference / Workshop

• 2005 Volunteer Thai Music Teacher by Wat Buddhasamakhee, Thai Buddhist Organization,  Christchurch, New Zealand.
• 2005 Indonesian Arts And Culture Scholarships Program from Ministry of Foreign Affairs, Indonesia.  The scholarships program in Bandung ( Sundanese Music and Dance )
• 2006 Cultural Exchange Program (Music and Dance) with Sabah Cultural Board, Kota Kinabalu, Sabah,
• 2007 The ISME World Conference, on 16-21 July 2006,  Kuala Lumpur, Malaysia.
• 2009 Thai Music Workshop, the cooperative project of Mahidol University, Thailand and the Liszt school of Music Weimar and University of Jena at Weimar, Germany.
• 2011 Balinese music workshop by the University of Hindu, Bali Denpasar, Indonesia.
• 2012 Overseas field trips, the cooperative project of the department of general education, Naresuan University and Hong Kong University.
• 2012  Thai Music and Dance Program in a special occasion celebrating 2600 Buddha Jayanti on 21-25 October, Nagpur, Maharashta, India.
• 2012 Ja-khe Performance Celebrating 100th Anniversary Kru Tongdee Sucharitakul (ครูทองดี  สุจริตกุล)  National Theatre, Bangkok
• 2011 – 2015 A Judge of Thai Music Competition conducted by Khon Kean University.
• 2012 – 2015 A Judge of Thai Music Competition conducted by Naresuan
• 2013 – 2014 A Judge of Thai Music Competition conducted by Office of the Basic Education Commission, Ministry of Education.
• 2013-2014 THE 4th -5th TAWAU International Cultural Festival, Tawau, Borneo, Malasia
• 2015 The 3rd  International Conference for Asia Pacific Arts Studies by Graduate School of Indonesia Institute of the Arts, Yogyakarta, Indonesia.

Assist. Prof. Dr.Sanong Klangprasri

Thai and Eastern Music Department

• Room Number: A 305.03
• Phone: Ext. 313
• Email:

การศึกษา

• ปรัชญาดุษฎีบัณฑิต   สาขาดนตรี (Musicology)   วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล
• ศิลปศาสตรมหาบัณฑิต สาขาวัฒนธรรมการดนตรี (Ethnomusicology) สถาบันวิจัยภาษาและวัฒนธรรมเพื่อพัฒนาชนบท มหาวิทยาลัมหิดล
• ศิลปกรรมศาสตรบัณฑิต สาขาดุริยางคศิลป์ไทย คณะศิลปกรรมศาสตร์ จุฬาลงกรณ์มหาวิทยาลัย

ผลงานและความชำนาญการ

• นำเสนอบทความด้านดนตรีไทยและดนตรีพื้นบ้าน ลงในวารสารและนิตยสารต่าง ๆ อาทิ สยามรัฐสัปดาห์วิจารณ์ เพลงดนตรี ศิลปวัฒนธรรมฯลฯ
• ศึกษาวิจัยเรื่องเพลงลาวดวงเดือน ตีพิมพ์ในหนังสือลาวดวงเดือนของสำนักพิมพ์ศิลปวัฒนธรรม เครือหนังสือพิมพ์มติชน
• ศึกษาวิจัยเกี่ยวกับเครื่องดนตรีแคน ตีพิมพ์เป็นหนังสือเรื่องศิลปะการเป่าแคน : มหัศจรรย์แห่งเสียงของบรรพชนไท
• ศึกษา วิจัยงานประวัติศาสตร์ท้องถิ่น ตีพิมพ์เป็นหนังสือเรื่องพื้นเมืองชลบถ (ชำระและบันทึกประวัติศาสตร์อำเภอชนบทและอำเภอใกล้เคียง จังหวัดขอนแก่น)
• จัดรายการวิทยุ “เพลงไทยจากรัฐสภา” ทุกเย็นวันเสาร์ เวลา 18.00-19.00 น.ทางสถานีวิทยุรัฐสภา FM 87.5 MHz
• สนใจและชำนาญด้านวิชาการดนตรีไทยและดนตรีพื้นบ้านของไทย

Paron Yuenyung

Thai and Eastern Music Department

• Room Number: A305.14
• Phone:
• Email:

ประวัติการศึกษา

•   (ศศ.บ )มหาวิทยาลัยเกษตรศาสตร์
•   (ศศ.ม)  กำลังศึกษาวิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล

ประสบการณ์ทำงาน

•   อาจารย์พิเศษโรงเรียนกรุงเทพคริสเตียน
•   อาจารย์พิเศษโครงการไทยประกันชีวิตสรรค์สร้างเยาวชนดนตรีร่วมสมัย ในโรงเรียนสังกัด สพฐ จำนวน10 โรงเรียน
•   ปัจจุบันทำหน้าที่หัวหน้าภาควิชาดนตรีไทยและดนตรีตะวันออก วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล

ผลงาน และรางวัลที่ได้รับ

•   ชนะเลิศการเดี่ยวระนาดเอก ระดับจังหวัดนนทบุรี
•   ได้รับโล่รางวัลนักดนตรียอดเยี่ยม จากมหาวิทยาลัยรังสิต
•   ได้รางวัลเหรียญเงินเซ็ทเทรดเยาวชนดนตรีแห่งประเทศไทย ครั้งที่10
•   ได้รับรางวัลเหรียญเงินเซ็ทเทรดเยาวชนดนตรีแห่งประเทศไทย ครั้งที่11
•   ได้รางวัลชนะเลิศเหรียญทองเซ็ทเทรดเยาวชนดนตรีแห่งประเทศไทยครั้งที่12
•    soloist ให้กับวงดุริยางค์ฟีลฮาร์โมนิกแห่งประเทศไทย(TPO) ณ กรุงโตเกียว ประเทศญี่ปุ่น
•    เดี่ยวระนาดเอกถวายสมเด็จพระเทพรัตนสุดาสยามบรมราชกุมารี จุฬาลงกรณ์มหาวิทยาลัย
•    เดี่ยวระนาดเอก ในนาม ‘ศิษย์เกตุคง’ รายการจุฬาวาทิตครั้งที่152
•    จัดตั้งวงดนตรีร่วมสมัย ‘วงดุริยกวีและวงเฟื่องฟ้า’
•    ศิลปินของมูลนิธิจักรพันธ์ โปษยกฤษ
•    มือระนาดวง ‘boythai band ‘
•    แสดงคอนเสริต์ ในงาน ครบรอบ50ปี ความสัมพันธ์เมืองพี่เมืองน้อง
•    ณ กรุงวอชิงตัน ประเทศสหรัฐอเมริกา
•    แสดงคอนเสริต์ ร่วมกับ วงAun@Hide ณ เมืองเซนได ประเทศญี่ปุ่น
•    แสดงคอนเสริต์ one Asia ร่วมกับประเทศในกลุ่มอาเซียน ณ ปราสาทนครวัด ประเทศกัมพูชา
•    แสดงคอนเสริต์ ckacking bamboo ณ กรุงฮานอยและโฮจิมิน ประเทศเวียดนาม
•    แสดงคอนเสริต์ งานAsia music festival ณ เมืองซาราวัก ประเทศมาเลเซีย
•    แสดงคอนเสริต์ ในงานสงกรานต์ย่านไทยทาวน์  บนถนนฮอลลีวูด ลอสแองเจอลิส ประเทศสหรัฐอเมริกา

Rit Subsomboon

Conducting Department

• Room Number:
• Phone:
• Email:

Yuttapon Sakthamcharoen, Pop Orchestra

Conducting Department

• Room Number: A 206.04
• Phone: Ext. 215
• Email: pamanui@hotmail.com

Pamornpan Komolpamon

Conducting Department

• Room Number: A206.02
• Phone: 213
• Email: pamornpan.k@gmail.com

Pamornpan Komolpamorn is currently on a faculty of conducting department at College of Music, Mahidol University, where she works as a conductor of the Mahidol Symphonic Band, Mahidol Concert Band and Thailand Philharmonic Pop Orchestra. She is also the founder, the director, and the conductor of Amass Chamber Ensemble (ACE).

A graduate in Wind Conducting with her principle teacher, Dr. Christopher Hughes from College of Music, Mahidol University, Komolpamorn has been appear as the conductor with the several ensemble during her study. She was a guest conductor of Mahidol Wind Symphony, Mahidol Symphony Orchestra and the residence conductor of Bangkok Silpakorn Wind Orchestra.She also was a conductor of Bangkok Silpakorn Wind University Orchestra, Mahidol University Symphonic Band, Mahidol University Concert Band, Mahidol Guitar Orchestra, Assumption Convent School Band and Thai Youth Wind Orchestra.
Komolpamorn has been interested in conducting since 2005 and began her study in the Principle of Conducting with Dr. James Sherry, Prof. Goesta Mueller and Mr. Pinai Preechaporn.

Komolpamorn was participated to the conducting master classes with Dr. Jeannine Wagar and Dr. Dennis Fisher. She was also one of seven invited participants at the 2008 “Tomorrow Musical Leaders”, conducting workshop with Mr. Bundit Ungrangsee. Pamornpan was a guest conductor for the Project Unity Music Camp to conduct the Unity Orchestra with chief conductor, Mr. Bundit Ungrangsee.

Prior turning into the conducting, Komolpamorn was admitted as a freshman at the College of Music, Mahidol University in 2004 where she holds Bachelor of Arts with Summa Cum Laude in trumpet performance with Dr. Joseph Bowman. Currently, she is serving as a visiting instructor of trumpet and assistant conductor at the Assumption Convent School Band. She is also an instructor of trumpet at Aum-Aree Music School.

Education background

• 2008 – B.M. (Trumpet Performance) Mahidol University, college of music
• 2012 – M.A. (Instrumental Conducting) Mahidol University, college of music

Teaching areas

•           Large Ensemble
•           Principle of Conducting
•           Conducting Minor
•           Chamber Ensemble
•           Orchestra Pop

2. Research/Creative Works

Publication

Bowman, Joseph L., ed. Excerpts from – Historical Trumpet Discography. International

Trumpet Guild Journal. , Vol. 34, No. 1 (October 2009), pp. 50-52.

(Cooperator, Layout and Formatting)

Recording

Ut-Za, Zurazak, Of Faith & Reminiscences, “Winds of Salaya” (2012)

Mahidol Symphonic Band, Conductor

Performance

• 2010-present – Amass Chamber Ensemble (Director / Conductor)

3. Academic Services / Performance (outside)

Adjudicator

• 2004 – Unity Symphony Orchestra: Audition Adjudicator
• 2011-present  – Thailand International Music Examination (TIME) (Adjudicator)
• 2012 – Settrade Competition

Conductor

• 2004 – Unity Symphony Orchestra (Guest Conductor)
• 2008 – Pesante String Chamber (Guest Conductor)
• 2009-present – Bangkok Silpakorn Wind Orchestra (Resident Conductor)
• 2009 – Silpakorn University, Faculty of Music Symphonic Band (Guest Conductor)
• 2009 – Christ Choir Christmas Celebration for the Vatican Embassy (Conductor and Trumpet)
• 2009 – Bangkok Youth Wind Orchestra (Guest Conductor)
• 2010 – Pop Orchestra Concert “Woman Project Women” (Conductor)
• 2011, 2012 – Ya-la Youth Symphony Music Camp (Guest Conductor)
• 2012 – Dr. Sax Chamber Orchestra Music Camp (Guest Conductor)
• 2012, 2013 – Young Thai Artist Award (World Premiere) (Conducting for composition competition)

Trumpet Clinician

• 2004 – Satee Samuthphagran School Samuthphagran, Thailand (Admire Brass / trumpet)
• 2005 – Official of Royal’s Cups Sukothai,Thailand (Admire Brass / trumpet)
• 2005, 2006 – Official of Royal’s Cups Nan, Thailand (Admire Brass / trumpet)
• 2006  – Chonburi, Thailand (Admire Brass / trumpet)
• 2006, 2007 – Tark, Thailand (Admire Brass / trumpet)
• 2007 – Official of Royal’s Cups Angthong, Thailand (Admire Brass / trumpet)

4. Thesis Advisor: –

5. Others 

Conducting Professional Experience

• 2004-2013 – Assumption Convent Symphonic Band (Assistant Conductor)
• 2008 – Pesante String Chamber (Guest Conductor)
• 2009, 2011-present  – Mahidol University Concert Band
• 2009-present – Bangkok Silpakorn Wind Orchestra (Resident Conductor)
• 2009 – Silpakorn University, Faculty of Music Symphonic Band (Guest Conductor)
• 2009 – Bangkok Youth Wind Orchestra (Guest Conductor)
• 2010 – present  – Amass Chamber Ensemble (Director/Conductor)
• 2010 – 2012 Mahidol Wind Symphony (Graduate Assistant Conductor)
• 2011- present  – Thailand Philharmonic Pop Orchestra
• 2011- present  – Mahidol University Symphonic Band
• 2011, 2012 – Ya-la Youth Symphony Music Camp (Guest Conductor)
• 2012 – Dr. Sax Chamber Orchestra Music Camp (Guest Conductor)
• 2012 – Mahidol University Wind Symphony
• 2013 – present – Mahidol University Brass Band

Festival & Project

• 2012 – Thailand International Wind Band and Ensemble Competition (Arts Director and Project Manager)
• 2013 – Mahidol University Concerto Competition 2013
• 2013 – Thailand International Wind Band and Ensemble Competition (Project Manager)

Dr. Thanapol Setabrahmana

Conducting Department

• Room Number: A206.02
• Phone: 213
• Email: thanapol.set@mahidol.ac.th

The second-place winner of the 2013 American Prize in Conducting, Thanapol Setabrahmana was praised by the judge as “a first class musician” with “good control over his scores and very solid technique”. He has recently been appointed as the Director of Bands at the College of Music, Mahidol University, where he currently serves as the conductor of Mahidol Wind Symphony.

Dr. Setabrahmana is a conductor whose experience and expertise cover a broad range of repertoire including orchestral, wind ensemble, operatic, choral, and contemporary music. He has conducted and led ensembles in performance in a number of different countries such as the Czech Republic, France, Romania, Spain, Thailand, and the United States. Through several international conducting masterclasses, competitions, and guest conducting invitation; he had the privilege to conduct prestigious ensembles such as the Bohuslav Martinů Philharmonic Orchestra, the Chamber Philharmonic of Catalonia, the “Mihail Jora” Philharmonic Orchestra of Bacau, the Gwinett Chamber Orchestra, the members of West Virginia Symphony Orchestra, the Café Momus Contemporary Ensemble, and the Eastman Wind Ensemble.

Prior to his recent appointment, Setabrahmana held the position of an assistant conductor of the Cincinnati Youth Wind Ensemble. He was also on the faculty of the University of Cincinnti College-Conservatory of Music (CCM) Preparatory Division, teaching conducting and musicianship. During his studies in the United States, he served as a doctoral conducting associate for CCM Wind Studies and a graduate assistant conductor of the New England Conservatory (NEC) Wind Ensembles. He regularly conducted the CCM Wind Orchestra, Chamber Winds, Chamber Players, Brass Choir, as well as the NEC Wind Ensemble and Jordan Winds. During his undergraduate studies at Mahidol, he was the assistant conductor for Mahidol Symphonic Band, Symphony Orchestra, as well as the music director of Mahidol Young Artists Band.

His principal teachers include Charles Peltz, William Drury, Glenn D. Price, Terrence Milligan, and Christopher Hughes. He was coached by several internationally recognized conducting pedagogues such as Ovidiu Balan, Michael Haithcock, Donald Hunsberger, Leonid Korchmar, Gustav Meier, Larry Rachleff, Donato Renzetti, Timothy Reynish, H. Robert Reynold, Donald Schleicher, and Mark Shapiro, among others.

Thanapol Setabrahmana received a doctoral degree in conducting (with music history cognate) from the University of Cincinnati College-Conservatory of Music, a master’s degree in conducting (graduated with Academic Honor) from the New England Conservatory of Music, and a bachelor degree in music composition (graduated with first class honor) from the College of Music, Mahidol University.

Sooksan Ratanapol

Woodwind Department

• Room Number:
• Phone:
• Email:

Wisuwat Pruksavanich

Woodwind Department

• Room Number:
• Phone:
• Email:
• Website: http://www.wisuwat.com

Wisuwat Pruksavanich’s Hard Fairy released on November 2012. Performing magnificently to explore every possible sound of saxophone, he received high acclaim by James J. Ogburn, Chair of Music Composition and Theory Department at Mahidol University’s College of Music:

“…His sensitivity, comprehension, and the indisputable mastery of his ​

execution captivate me, not to mention his technical prowess in the ​

challenging musical language of contemporary composition…”​​​​​​​​​​​​​​​​​​​​​​​​​​​​​

Wisuwat Pruksavanich is the first Thai saxophonist in contemporary classical music to become a Yamaha Artist. He has made his name on the world stages as soloist in Narong Prangcharoen’s world premiere “The Dawn of Darkness” at Ki Zu Na Concert 2012, Sumida Triphony Hall, Tokyo Japan. As a member of Siam Saxophone Quartet, he performed world premieres, Robert Lemay’s Ligne(s) médiane(s) and James J. Ogburn’s Gliese 581g at the 16th World Saxophone Congress 2012, St Andrews Scotland.

Born in Thailand in 1985, Wisuwat grew up in Hatyai, Songkhla and began saxophone practice in Saengthong Vitthaya School Marching Band at the age of ten. The passion for contemporary classical saxophone music led Wisuwat to move from Hatyai to the College of Music, Mahidol University where he met his inspirational professor, Mr. Shyen Lee, for pre-college, undergraduate and graduate programs.

Over the years, Wisuwat attended master-classes and workshops with world famous artists such as Jean-Marie Londeix, John Sampen, Roger Greenberg, Claude Delangle, Jean-Pierre Baraglioli, Chien-Kwan Lin, Richard Dirlam, William Street, Keiji Munesada, Joseph Luloff, Federico Mondelci, Eric Nestler, Eugene Rousseau, Yang, Jean Yves Fourmeau, Vince Gnojek, Richard Ducros, Christian Lauba and John Myung.

Christian Lauba, a French composer, while randomly watching youtube came upon a video performed by Wisuwat — Hard too Hard, one of Christian’s toughest compositions. He invited Wisuwat to join his master class in Lisbon, Portugal.

Wisuwat also obtained several prizes at national and international level in Saxophone related music competitions: 1st Prize from 9th Asian Symphonic Band Competition 2007, 1st Prize, Thailand Yamaha Big-Band Competition 2000, 2nd Prize, from 8th Osaka International Music Competition Osaka Japan 2007 and so on.

Today, Wisuwat is a saxophone instructor at Mahidol University’s College of Music and a saxophonist in Siam Saxophone Quartet, Sax and String Quintet as well as a contra-bassoonist in Mahidol Wind Symphony and a bassist (sideman).

Grzegorz Grzeszcyk

Woodwind Department

• Room Number:
• Phone:
• Email:

Hiroshi Matsushima, Flute

Woodwind Department

• Room Number: D 302.07
• Phone: Ext. 355
• Email: mshms@mahidol.ac.th

HIROSHI MATSUSHIMA has been a Resident Artist and Professor of Flute at the Mahidol University College of Music since the fall of 2002. Prior to his arrival in Thailand, Mr. Matsushima has appeared at major music festivals in Europe, such as Reichenau/Bodensee, Rheingau, MDR-Musiksommer and Schleswig-Holstein. He has performed as Flutist of the Asian Youth Orchestra, Hof Symphony, Munich Symphony, Munich Chamber Orchestra and Philharmonia of the Nations in Germany.

An avid proponent of new music and music of the Japans, Hiroshi Matsushima has commissioned and performed works by notable composers. Residing in Thailand, he has not ceased to contribute to introduce Japanese music culture, having collaborated with musicians of Japanese traditional instruments and been sent to Chiangmai and Yangon as a cultural mission by the Japan Foundation.

Hiroshi Matsushima is highly regarded as a thoughtful, engaging, and challenging teacher. He is frequently asked to teach master classes and has been serving as an artist/faculty of Southeast Asian Youth Orchestra and Wind Ensemble (SAYOWE) since its foundation in 2003.

A graduate of the Staatliche Hochschule fur Musik Karlsruhe and guest student at the Hochschule fur Musik und Darstellende Kunst Mozarteum in Salzburg, Matsushima has extensively studied with Renate Greiss-Armin, Matthias Allin and Irena Grafenauer. While spent in Europe, Hiroshi Matsushima also studied with Andrea Lieberknecht, Andreas Blau, Dieter Flury, Peter-Lukas Graf and Jean-Pierre Rampal. In his native Japan, Mr. Matsushima studied with Etsuro Sano and Kanichi Tanaka.

Agrita Lakute, Flute

Woodwind Department

• Room Number: D 302.10
• Phone: Ext. 359
• Email: agrita_l@yahoo.com

Agrita Lakute earned the Art Masters Degree in the flute performance in the Latvian Academy of Music (former Soviet Union). She studied the flute performance with the Principal Flute of the Latvian National Opera – Prof. Imants Sneibis (Republic of Latvia), also with Prof. Carlo Janss (Luxembourg), Prof. Craig Goodman (USA/France) and Prof. William Bennett (England).

Agrita Lakute worked as a Principal Flutist in the Liepaja Symphony Orchestra (1992-2001) and in the “All Baltic Stars Symphony Orchestra” (1998, 1999 ). She has also played concerts with more than 30 different conductors, for example, Laurent Petitgirard (France), Enrique Batiz (Mexico/Latin America), Gustavo Plis- Sterenberg (Argentina/ St. Petersburg/Russia), Anders Berglund (Sweden), Pauls Megi and Peters Sauls (Estonia), Domarka (Lithuania) and other conductors. Agrita Lakute took part in both – solo and symphony orchestral tours (principal flute) in Spain, Sweden, Germany, Malaysia, Denmark, Switzerland, Finland, Ireland, England, Holland, Poland and Hungary.

She has been a guest Principal Flutist in the Latvian National Opera for P. Tchaikovsky “Swan Lake” and “Sleeping Beauty”. She has won two grant from “Art life International Fund” (Paris/France) for seminar studies in flute performance. She won the Prize of the Latvian Ministry of Culture in the “Andrejs Jurjans Competition of Performing Artists”. Her students are winners of national and international competitions. She has also taught Flute Master Class in Malaysia. She has the numerous classical music projects “Western – Asian Bridge”, concerts and book manuscript “Flute performance”.

Now she is a member of Woodwinds Faculty in the College

Shyen Lee, Saxophone

Woodwind Department

• Room Number: D 302.09
• Phone: Ext. 358
• Email: shyenl@gmail.com

Shyen Lee is the saxophonist from Taiwan. He dedicates himself in pioneering toward developing pedagogy, traditional and modern repertoire and various forms for saxophone performance.

He currently serves as the professor of saxophone in Mahidol University, Thailand. Also he is appointed to be Organizer and Artistic Director of the 2nd International J-M Londeix International Competition and World Saxophone Congress XV.

Shyen Lee appeared as solo recitalist in various concert halls including Lincoln Center, Paine Hall in Harvard University as well in Montreal, Minneapolis, Paris, Fermo (Italy), Ljubljana, Kiev, Bangkok, Beijing, Shanghai, Taipei and other cities all over China and Taiwan. With Thailand Philharmonic Orchestra, he was the soloist for the Concerto by H. Tomasi under the baton of Jeannine Wagar in the season of 2006-07.

Shyen Lee premiered pieces by John Harbison, Larry Bell, Gunther Schuller, and Bernard Rands. In addition to performing saxophone repertoire by western composers, he also commissioned pieces by leading Chinese composers including Lei Liang, Yiu-Kwong Chung, Tzyy-Sheng, and Che-Yi Lee.

To promote saxophone performance in Asia, he organizes saxophone summer camps in Bangkok, Taiwan and China every year. In 2006, he acted as the organizer and the composition presenter of Thailand International Composition for Saxophone.

Shyen Lee studied with Kenneth Radnofsky in New England Conservatory (BM, 96) and Dr. John Sampen in Bowling Green University (MM, 98).

Cassandra Fox-Percival, Clarinet

Woodwind Department

• Room Number: D 302.05
• Phone: 084-801-9947
• Email: cassieaf@gmail.com

Appearing in solo recitals and chamber recitals, Cassandra Fox-Percival has performed throughout the United States, Italy, Thailand, Philippines, Malaysia, Myanmar and China.  She joined the music faculty at Mahidol University, College of Music in 2007.  In addition to instructing the clarinet studio and directing the Mahidol Clarinet Choir, she teaches Clarinet Literature and Pedagogy classes.  Before coming to Thailand, Ms. Fox-Percival was the Clarinet Instructor at the Ann Arbor School for the Performing Arts, and was on the summer faculty at the Cazadero Performing Arts Camp and Laughing Horse Music Festival in Washington.

Ms. Fox-Percival was a member of the Thailand Philharmonic for 6 years playing Bass Clarinet and Clarinet.  Additionally she plays with the Faculty Woodwind Quintet and the newly formed Classic Trio.  Ms. Fox-Percival received her Masters of Music Degree from University of Michigan and a Bachelor of Music Degree from University of Oregon.  Her primary teachers include Deborah Chodacki, Fred Ormand; University of Michigan; Dr. Wayne Bennett, University of Oregon; Monica Kaenzig, Los Angeles Philharmonic, Yehuda Gilad, USC and bass clarinetist Dennis Smylie of the Aspen Music Festival.

Ms. Fox-Percival is the Thailand representative for the International Clarinet Association (ICA) and was head of their 2013 committee for “International Access Initiative.”  She has attended the International Clarinet Festival in Atlanta, Georgia (2006), Kansas City, Kansas (2008), Los Angeles, California (2011) and Assisi, Italy (2013).  Ms. Fox-Percival has given guest Master classes in Thailand, Myanmar, Malaysia, Indonesia, Philippines, China and the Americas.  Additionally she has been the clarinet instructor of SAYOWE (The Southeast Asia Youth Orchestra and Wind Ensemble) since 2007 and was given a research grant to study “The Effects of SAYOWE on Music in Southeast Asia” in 2012.

The accomplishments of her clarinet students include attending Conservatoire de Versailles in France, attending Royal Academy of Music in London, attending University of Music and Arts in Graz, 2nd clarinet in Thailand Philharmonic Orchestra, 1st prize in Settrade Competition 2014(pre-college division), 1st and 2nd prize in Thailand’s First International Clarinet Competition 2013 (pre-college division), 3rd prize in Thailand’s First International Clarinet Competition 2013 (adult division), 1st prize in 13th Osaka Japan International Music Competition 2012, 1st prize TIWEC (Thailand International Wind Ensemble and Chamber Music Competition) small ensemble competition 2012 and 2010.  Recently, under her direction, Four Corners Quartet performed at the International Clarinet Association 2013 Clarinet Festival in Assisi, Italy.

Dr. Christopher Schaub, Bassoon

Woodwind Department

• Room Number: D302.08
• Phone: 08-5317-0010
• Email: chrisschaub@gmail.com

Assist. Prof. Dr. Christopher Schaub joined the staff of Mahidol University in 2007, where he currently serves as Associate Dean for Academic Affairs and Research and Chair of the Doctor of Philosophy Program. He additionally instructs the bassoon studio, coaches chamber music, teaches lecture classes in music theory, research methodology, and performance practice, and also plays in the faculty woodwind quintet. Dr. Schaub is also an instructor for SAYOWE (Southeast Asian Youth Orchestra and Wind Ensemble) and a founding board member of the Asian Double Reed Association (ADRA). In August of 2011 he hosted the first international conference of the ADRA, held at the College of Music, Mahidol University.

Along with administrative and teaching duties, Dr. Schaub is active as a bassoonist. He is principal bassoon of the Thailand Philharmonic Orchestra (TPO), Thailand’s leading orchestral ensemble. The TPO performs 60 concerts per year and is regularly engaged to perform outside of Thailand. In February of 2009 Dr. Schaub performed the Weber Bassoon Concerto in F Major and in August of 2011 performed the Mozart Symphony Concertante, both with the TPO. Other playing opportunities include regular faculty recitals and woodwind quintet concerts. Dr. Schaub has many research interests, including bassoon pedagogy and literature, as well as the development of woodwind teaching and playing in Thailand. He was awarded a research grant from Mahidol University to publish a website devoted to the study of bassoon orchestral excerpts (www.bassoonexcerpts.org), which will be published in 2015.

Dr. Schaub received his B.S. degree in music education from Towson University. From Florida State University he received both the M.M. and D.M. degrees in bassoon performance, as well as the Music Theory Pedagogy Certificate. His principal teachers include Dr. Gene Griswold and Jeff Keesecker.

Education background

• 2006 – D.M. (Bassoon Performance) Florida State University, USA
• 2002 – M.M. (Bassoon Performance) Florida State University, USA
• 2000 – B.S. (Music Education) Towson University, USA

Teaching areas:

• Bassoon Performance, Small Ensembles, Pedagogy, and Literature
• Music Education
• Performance Practice
• Research Methodology
• Music Theory

2. Research/Creative Works

Schaub, C. (2012). BassoonExcerpts.org – A Research project for the creation of a new website for the study of the famous orchestral excerpts for bassoon. Salaya, Thailand: Mahidol University.

Schaub, C. (2007). The new practical method for bassoon. Salaya, Thailand: College of Music, Mahidol University.

3. Academic Services (outside)

– Masterclass, The Shanghai Conservatory, Shanghai, China (2011)

– Masterclass and Concert, University de Santo Thomas, Manila, Philippines (2009)

4. Thesis Advisor

– Prayut Meenatthap, Ph.D. Dissertation, The Early Years of Music Business in Thailand (1850-1950), 2013 (Major Advisor)

– Wittaya Woramit, Ph.D. Dissertation, Thai Film Music from 1999-2009 (Co-Advisor)

– Sakda Tamseewan, M.A. Thematic Paper, The Piano Latin Style and Improvisation of Chick Corea, 2013 (Major Advisor)

– Chatchapon Jiamjanyong, M.A. Thematic Paper, Graduate Flute Recital, 2012 (Major Advisor)

– Yongsit Yongkamol, M.A. Thematic Paper, Graduate Saxophone Recital, 2012 (Major Advisor)

– Pongpan Ungkasupon, M.A. Thematic Paper, Master’s Violin Recital, 2012 (Major Advisor)

– Tzu Yun Huang, M.A. Thematic Paper, Graduate Saxophone Recital, 2012 (Major Advisor)

– Kittima Molee, M.A. Thematic Paper, Master’s Bassoon Recital, 2012 (Major Advisor)

– Thanis Sonkloe, Graduate Voice Recital, 2011 (Co-Advisor)

– Yosawee Thongpae, M.A. Thematic Paper, An Analysis of the Walking Bass Line of Gary Peacock, 2011 (Co-Advisor)

– Krichapol Inthanin, M.A. Thematic Paper, An Analysis of Schott Henderson’s Style of Jazz Fusion, Case Study: Minor Blues, 2011 (Co-Advisor)

– Theerasin Sangiamsri, M.A. Thematic Paper, The Improvisation of Kenny Garrett, 2010 (Major Advisor)

– Wisuwat Pruksavanich, M.A. Thematic Paper, Graduate Saxophone Recital, 2010 (Major Advisor)

– Suphaprat Santithammarak, M.A. Thematic Paper, Graduate Trombone Recital, 2010 (Co-Advisor)

– Suppaporn Suwanpakdee, M.A. Thematic Paper, Graduate Violin Recital, 2010 (Co-Advisor)

– Tinnakorn Soithongsuk, M.A. Thematic Paper, Graduate Guitar Recital, 2010 (Co-Advisor)

– Han Nah Son, M.A. Thematic Paper, Graduate Piano Recital, 2010 (Co-Advisor)

– Annop Ruangmanee, M.A. Thematic Paper, Graduate Viola Recital, 2010 (Co-Advisor)

– Pongsiri Kajornvakin, M.A. Thematic Paper, A Method to Approach Jazz Guitar in the Styles of Kurt Rosenwinkel, Ben Monder, and Gilad Hekselman, 2010 (Co-Advisor)

– Thayarat Sopolpong, M.A. Thematic Paper, Graduate Percussion Recital, 2009 (Major Advisor)

– Casey Koh Hong Im, M.A. Thematic Paper, Graduate Clarinet Recital, 2008 (Major Advisor)

– Apirat Praphanwong, M.A. Thematic Paper, Graduate Violin Recital, 2008, Major Advisor)

– Jakkrit Maliwan, M.A. Thematic Paper, Characteristics of Nationalism in the Flute Works of Albert Franz Doppler, Bohuslav Martinu, and Sergei Prokofiev, 2008 (Major Advisor)

 5. Others

– Board Member, Asian Double Reed Association

– Host, 1st Asian Double Reed Association Conference and Competition

Cooper James Wright

Woodwind Department

• Room Number:
• Phone:
• Email:

Dr. Wannapha Yannavut, Percussion

Brass & Percussion Department

• Room Number: A 402 , Percussion Studio: A 412
• Phone: ext. 428 , Mobile: +66 84 150 5509
• Email: wyannavut@gmail.com, wyannavut@hotmail.com

Dr. Wannapha Yannavut started her professional percussion education in 1986 at Regina Coeli College School in Chiangmai, studying with Mr. Chumpol Channarong and Ms. Nanhathai Vitayanantapornkul. Later she went on to study with Mr. Pinai Preechaporn at Montfort College High School. From 1997-2000, she veered away from music, studying Thai language and literature at Prince of Songkhla University, Pattani Campus. During that time she was a member of the music club. After finishing her bachelor’s degree, she returned to music, earning the Master of Art (Music) Degree in Percussion Performance with Mrs. Kae Reed and Mr. Shane Constant at Mahidol University, College of Music. In 2016, she received the Doctor of Musical Arts in Percussion Performance and Pedagogy from the University of Iowa, studying with Dr. Dan Moore. Additionally, she studied with Dr. John Parks for one month at the Florida State

Since 2006, she is an artist/instructor of percussion at Mahidol University and director of the Integrated Percussion Ensemble. She was also principal percussionist of the Thailand Philharmonic Orchestra from 2006-2012 and was promoted to timpanist in 2009-2012. In 2007, she was invited to play as a soloist with the Mahidol Wind Symphony. Currently, she is an artist/instructor of percussion at Mahidol University College of Music, and directs the Integrated Percussion Ensemble.

EDUCATION

The University of Iowa, School of Music, Iowa City, IA, USA

Doctor of Musical Arts in Percussion Performance and Pedagogy, May 2016

Secondary area in Conducting

Mahidol University, College of Music, Thailand

Master of Arts (Music) Degree in Percussion Performance, February 2006

Prince of Songkhla University, Pattani Campus, Thailand

Bachelor of Arts Degree in Thai Language and Literature, March 2001

Music Instructors

– Dr. Daniel Moore 2013-2016

Director of The Percussion Program, The University of Iowa

– Dr. John W. Parks IV 2008

Assistant Professor of Percussion, The Florida State University

– Mrs. Kae Reed 2001-2006

Professor of Percussion, College of Music, Mahidol University

Director of Integrated Percussion Ensemble

– Mr. Shane Taylor Constant 2003-2004

Professor of Percussion, College of Music, Mahidol University

– Mr. Shawn Kelly 2002-2003

Professor of Drums, College of Music, Mahidol University

– Mr. Supawat Panpum 2001

Professor of Percussion, College of Music, Mahidol University

– Mr. Pinai Preechaporn 1995-1996

Professor of Music, Montfort College Band

– Mr. Chumpol Channarong, Ms. Nanhathai Vitayanantapornkul 1990-1994

Professor of Music, Regina Ceoli College School Band

PROFESSIONAL APPOINTMENTS

– Percussion Instructor, College of Music, Mahidol University 2006-Present

– Director of the Integrated Percussion Ensemble, College of Music Mahidol University, 2006-Present

PERFORMING EXPERIENCE

International Appearances

– Mahidol Percussion Duo, Percussive Arts Society International Convention, An International Showcase Concert, as Thai representative, Percussive Arts Society International Convention, Indianapolis, 22 November 2014

– Member of Iowa Percussion: East-West Percussion Ensemble, Percussive Arts Society International Convention, World Ensemble Competition Winner, Percussive Arts Society International Convention, Indianapolis, 15 November 2013

Professional Ensembles

– Thailand Philharmonic Orchestra: Principal Percussion/Timpani 2009-2012, Principal Percussion 2007-2012, Percussion 2005-2007, Extra Percussion 2013-Present

– Malaysian Philharmonic Orchestra: Extra Percussion 2011

– Bangkok Symphony Orchestra: Extra Percussion 2008

– National Symphony Orchestra: Extra percussion 2007

– West Side Story, Bangkok: Guest Timpani/Percussion 2006

– Pan Asia Symphony Orchestra, Bangkok, Thailand: Percussion 2003

Professional Soloist/Solos

– Thomas Beverly Ocotillo, solo performance on multi-percussion, seasonally, variable electronics, and video piece, The New York City Electroacoustic Music Festival, 2014

– Gary D.Ziek Concerto for Percussion and Percussion Ensemble (Soloist), Mus’Art Percussion Ensemble, Jurong GRC, Singapore, 2008

– Ney Rosauro Concerto for Marimba and Wind Ensemble (Soloist), Mahidol Wind Symphony, Capt. Prateep S. BALRSM Conductor, 2007

– Ney Rosauro Concerto for Marimba and Percussion Ensemble (Soloist), Integrated Percussion Ensemble, Kae Hashimoto Conductor, 2006

– Minoru Miki Marimba Spiritual (Soloist) with 3 percussionists, Integrated Percussion Ensemble Concert, Salaya, Thailand, 2003

Mahidol University, College of Music (2001-2006)

– Mahidol Wind Symphony: Percussion 2005

– Mahidol Wind Camerata: Percussion 2004-2005

– Mahidol University Band Concert: Percussion 2004-2005

– Mahidol Wind Ensemble: Percussion 2003-2004

– Mahidol University Symphony Orchestra: Percussion 2002

– Mahidol Symphonic Band: Principal Percussion 2001-2002

– Integrated Percussion Ensemble: Soloist, Graduate Conductor, and Percussion 2001-2006

Youth Ensemble (2003-2004)

– South East Asian Youth Orchestra and Wind Ensemble: Percussion 2004

– South East Asian Youth Wind Ensemble: Principal Percussion 2003

RECORDING/PUBLICATION

– Guest Percussionist on “Saxowatdeekrap” by Shyen Lee, 2010

– “Cracking Bamboo” Mahidol Music Journal, Vol. 18 No. 3, November 2012, pp. 52-55.

– “TBPC 2011” Mahidol Music Journal, Vol. 16 No. 10, June 2011, pp. 88-90.

– “Professional Percussionist” Mahidol Music Journal, Vol. 16 No. 3, November 2010, pp. 74-77.

PROFESSIONAL CLINICIAN

– Guest Clinician and Tutor at Thai Youth Orchestra, Bangkok, Thailand 2012

– Percussion Seminar, Lecturer, Mahidol University 2012

– Music Pedagogy Seminar in Percussion, Lecturer, Mahidol University 2011

– Tutor at South East Asian Youth Orchestra and Wind Ensemble 2010, 2006-2008

– Guest Clinician at Sompoi Pittayakom, Srisaket, Thailand 2010

– Percussion Clinic in Thailand International Wind Ensemble Competition 2009

– Workshop: Classical and Contemporary Percussion on the 7 th ASEAN Youth Cultural Forum 2009

– Guest Clinician at Yala Municipality Youth Orchestra Music Summer Camp 2009

– Guest Clinician short term-study for Percussion Teacher of Yala Municipality Youth Orchestra 2009

– Percussion Master Class at University of Santo Tomas, Conservatory of Music, Manila, Philippines 2008

– Percussion Master Class at Music Department, Burapha University 2007

– Master Class at South Asian Youth Orchestra and Wind Ensemble 2006-2008

– Master Class at Asian Symphonic Band Competition 2006-2007

COMMITTEES

Mahidol University, College of Music

– Search Committee, Assistant Director of Bands, 2011

– The Settrade Music Competition, 2010, 2007-2008, 2012

– Brass and Percussion Scholarship Audition, Committee, 2010-2012

– Music Entertainment Scholarship Audition, Committee, 2010

– Search Committee, Assistant Director of Bands, 2009

– The 12 th Osaka International Music Competition, 2011

– The 10 th Osaka International Music Competition, 2009

– Thailand Marimba Competition, 2009

– Search Committee, Assistant Director of Bands, 2008

– Scholarship Committee, 2006-Present

– School Audition Committee, 2006-Present

– SAYOWE Audition Committee, 2006-Present

Outside Committee

– Music Seminar, “Nurture of Thai’s Children Musical Talented Project”, Committee, 2010

– Austria Music Scholarship Audition Committee, 2009

– The 7^th ASEAN Youth Cultural Forum, “Percussion and Dance: Tradition meets

contemporary”, Committee, 2009

– Photisarn Phittaya Music Contest, Committee, 2009

HONORS/ORGANIZATIONS/AWARDS

– Alternate winner and finalist, the UI Concerto and Area Competition 2014, Emmanuel

Sejourne Marimba Concerto and Orchestra, the University of Iowa, School of Music,

Nov 2014

– GSS (Graduate Student Senate) Travel Funds Award, the University of Iowa, 2014

– World Ensemble Competition Winner, Iowa Percussion: East-West Percussion Ensemble Percussive Arts Society International Convention, Indianapolis, (a group member), Nov 2013

– Instructor Development Scholarship, Mahidol University, 2013-present

– Voted, “Best Musician of TPO” on November 2010

– Thailand Brass and Percussion Conference – Co-Chair, 2009 and 2011

– Thailand Marimba Competition – Chair, 2009

– Percussive Art Society (PAS) Member, 2005-present

– Passed to the final round (last 5 Bands) of Concert Band Competiton at Seri Center,

– Bangkok, Thailand w/ Regina Ceoli College Band, Chiangmai, Thailand, 1995

– The Champion, the Gold Medal of Thailand Marching Band Competition (T.M.B), Bangkok, Thailand, 1995

ARRANGMENTS/COMPOSITIONS

– Mang Poo Tom Dok, Traditional Northeast Thai folk song, arranged for percussion ensemble, 2016

– Krao Talung Dance, Traditional Thai folk song, arranged for percussion ensemble, 2016

– Bats Eat Bananas, Traditional Thai folk song, arranged for mallets percussion quartet (excerpt), 2016

– Oh I Say by H.M. King Bhumibol, arranged for steel band, 2015

– Long Mae Ping Fantasia, Traditional Northern Thai folk song, arranged for percussion ensemble, 2015

– Long Mae Ping Fantasia, Traditional Northern Thai folk song, arranged for solo marimba, 2014

– Bats Eat Bananas, Traditional Thai folk song, arranged for percussion ensemble, 2013

Suparchai Sorathorn

Brass & Percussion Department

• Room Number: A401.01
• Phone: + (66) 84-724-3981
• Email: suparchai04@hotmail.com

Suparchai Sorathorn has been on the faculty of the College of Music at Mahidol University since 2013 and a principle horn of the Thailand Philharmonic Orchestra since 2006. At Mahidol he serves as a professor of horn and chamber music such as Horn Quartet. He is an active member of the International Horn Society. Suparchai is now coaching for Patumwilai High School Band. Suparchai has been a musician for Bangkok Symphony Orchestra and many chambers in Thailand. He holds degrees from the Sripatum University and now studying for graduated degree at Bannsomdej University. His primary teachers include Vanich Potavanich, Surapol Thanyaviboon, Nipat Kanchanahud, Vichan Chinnavirojpaisarn and also took course with Hans pizka, Philip Mayer, Stefan Dohr, and Douglas Hill.

Education Background

•          Present – M.M. in Administration of Music Education from Bannsomdej University
•          2004 – B.M. in Communication Arts (Broadcasting and horn performance) from Sripatum university

Teaching Areas

•          Applied horn
•          Chamber music
•          Orchestral repertoire

Work and Academic Services

Orchestra

•         Thailand Philharmonic Orchestra, Principle Horn, 2006 – present
•         National Symphony Orchestra of Malaysia, 1^st Horn,2002-2005
•         Bangkok Symphony Orchestra, Assistant Principle Horn, 1995-2005
•         Kualalumper Symphony Orchestra, 1^st horn,1997-2002
•         Asian Youth Orchestra, Horn player, 1996-1997

Selected Performances

•         Brass and percussion conference – Guest Artist Solo Performance, College of Music, Mahidol University (2011)
•         Thailand Horn Seminar – Guest Artist Solo Performance and Masterclass, Srinakharinwirot University (2010)
•         Wind Instrument Festival – Guest Artist Solo Performance and Masterclass, College of Music, Rangsit University             (2010)
•          Thailand Brass Festival at Silpakorn University – solo performance and masterclass (2009)
•          Brass Festival – Artist Solo Performance and Masterclass, Mifa Music Academy (2001)

Teaching and Coaching

        Horn and Brass Ensemble

•         Music department Thai Army, 2013
•         Srinakarinviroj University, 2005
•         Panakorn University, 2003
•         Music department Thai Navy, 2002 – 2004
•         Assumption convent school, 2000
•         Kasetsart University, 1999 – 2007
•         Watsutthiwararam school, 1989 – present

Band Conductor and Horn section

•          Suranari school, 2012
•          Assumption Sriracha school, 2007 – 2008
•          St. Joseph Bangna school, 2005
•          Patumwilai school, 2002 – present
•          Satitkasetsart school, 2000 – 2005

Other

       Student Accomplishments

•         Members of Siam Sinfonietta – Wisa Nilphutsa
•         Horn Instructor at Kasetsart University – Nantawat Waranich
•         Member of Asian Youth Orchestra 2007 – 2008 ­– Chaianan Wan-in, Nantawat Waranich, Komson Dilokkunanant
•         Frist&Third horn in Thailand Philharmonic Orchestra – Chaianan Wan-in, Nantawat Waranich
•         Thailand Wind Ensemble Competition, First Prize (2009) – Horn Pure (Varaporn Sukpordee)
•         Horn Teacher at International School Bangkok– Varaporn Sukpordee
•         Yamaha Thailand Wind Ensemble Competition, Fourth prize (2008) – Assumption Sriracha school

Alongkorn Laosaichuea

Brass & Percussion Department

• Room Number:
• Phone:
• Email: dizzonanz87@gmail.com

Alongkorn Laosaichuea was born in Ubonratchathani, Thailand on September 25, 1987. He was first exposed to music by playing trumpet at the age of ten. He began formal studies at the Pre-College Program at the College of Music, Mahidol University.  He also holds Bachelor’s and Master’s Degrees in Music Performance from Mahidol University. Throughout his studies at Mahidol, Alongkorn studied trumpet with Sompop Puengpreeda and Joseph Bowman. He additionally studied jazz with James Sherry and David Hart.

Alongkorn has participated in masterclasses with trumpet artists such as Reinhold Friederich, Langston Fitzgerald III, Bill Pfund, Jeff Corner, and Carole Reinhart. He was the finalist of the ITG youth competition 2005 and won the ITG Young Artist scholarship in the same year. Alongkorn has chamber music experience in ensembles such as iBrass, MU-TE, and TPO Brass Quintet. He was a member of the Southeast Asian Youth Orchestra and Wind Ensemble (SAYOWE) from 2005-2007. Alongkorn was invited to perform at the 2007 ITG Conference in Boston, Massachusetts and the 2013 ITG Conference in Grand Rapids, Michigan with the Mahidol University Trumpet Ensemble (MU-TE).

Currently, Alongkorn is a full-time faculty at the College of Music of Mahidol University and second trumpet in Thailand Philharmonic Orchestra.

Kitti Sawetkittikul, Euphonium and Tuba

Brass & Percussion Department

• Room Number: A 405.12
• Phone: Ext. 406
• Email: boongy123@yahoo.com
• Website:

Kitti Sawetkittikul  has been on the faculty of the College of Music at Mahidol University since 2006  and a member of the Thailand Philharmonic Orchestra since 2005. Kitti and Mahidol University had the honor to host the Tuba Mania International Festival 2013 (TMIF). He is member of International Tuba Euphonium Association (ITEA). At College of music, Mahidol University he serves as Instructor of Tuba-Euphonium, Tuba-Euphonium literature and pedagogy.

Education Background

•          2009-M.A. (Music Performance) Mahidol University, thailand
•             2000-B.M.(Music Education) chulalongkorn, Thailand

Major Teachers

•         Cristof Kiene, Mahidol University, 2004-2005.
•         J.D. Salas, Mahidol University, 2003-2004.
•         Surapol Thunyavibul, Chulalongkorn University, 1996-2000.

Teaching Areas

•           Applied Tuba and Euphonium
•           Tuba and Euphonium literatuer and pedagogy
•           Chamber music

Academic Services

• Tuba and Euphonium literatuer and pedagogySolo Performance: TubaMania International Conference, Mahidol University College of Music, March 26, 2013.
• Solo Recital: September 1, 2010, Mahidol University College of Music, Bangkok, Thailand.
• Chamber Concert: BrassArts Bangkok, Pattaya, Thailand, Pattaya Marriot Resort, 18 May, 2010.
• Chamber Concert: BrassArts Bangkok, MACM, 24 December, 2010.
• Master Classs: Thailand International Wind Ensemble Competition, Mahidol University College of Music, 27 November, 2010.
• Master Class, Solo Performance: Thailand Brass and Percussion Conference, Mahidol University College of Music, 29 July, 30 July, 2009.
• Faculty Ensemble Performance: BrassArts Bangkok, Goethe Center Auditorium, Bangkok, Thailand, Dec. 20, 2008.
• Faculty Ensemble Performance: BrassArts Bangkok “Brass Bash”, Mahidol University College of Music, Dec. 4, 2008.
• Solo Recital: August 3, 2007, Mahidol University College of Music, Bangkok, Thailand.
• Solo Performance: Faculty Ensemble Performance (BrassArts Bangkok): SAYOWE (Southeast Asian Youth Orchestra and Wind Ensemble”, October 1-14, 2008. Mahidol University, Bangkok, Thailand.
• Faculty Ensemble Performance: BrassArts Bangkok, Mahidol University College of Music, July 1, 2008.
• Chamber Concert: BrassArts Bangkok, Mahidol University College of Music, 19 June, 2008.
• Master Classs: Thailand International Wind Ensemble Competition, Mahidol
• Faculty Ensemble Performance: BrassArts Bangkok, Mahidol University College of Music, January 14, 2008.
• 2009-M.A.

Sompop Puengpreeda, Trumpet

Brass & Percussion Department

• Room Number: A 405.07
• Phone: Ext. 401
• Email: mootrumpet@hotmail.com
• Website: http://www.mahidoltrumpetstudio.com

Sompop Puengpreeda is Lecturer of Trumpet at Mahidol University College of Music, where he has taught since 1996. He teaches applied trumpet, studio classes and serves as teacher/mentor for the College of Music’s Young Artists Program. Puengpreeda is trumpet player in the Thailand Philharmonic Orchestra. Prior to joining the TPO in 2005, he was a member of the Bangkok Symphony Orchestra from 1987-2003. Equally comfortable performing jazz and commercial music, he has performed with well known groups such as Charoenkrung Brass Ensemble, Maitai Chamber Orchestra, Chalermraj Big Band, Kasikorn Band and the Siam Kolkarn Big Band. He is also in demand as a jazz pianist, and performs regularly for a variety of functions and events. Since 2008, Sompop became conductor of the Bangkok Milal Missionary Choir, whom he has conducted and performed with in many provinces in Thailand and many countries around the world. Highlight performance have included a concert in 2003 at New York’s famous Carnegie Hall. Puengpreeda received a Bachelor in Music Education from Chulalongkorn University, and  Master of Arts in Solo Performance at Mahidol University where he studies with Dr. Joseph Bowman. Previous teachers have included Wisit Jitrangsan, Yuth Punsa-ard, Manu Hothai and Henry Nowak.

Education Background

•          2010 – M.A. (Music)  in Trumpet Performance from the Mahidol University
•       1987 – B.Ed. (Music) from Chulalongkorn  University

Teaching Areas

•          Applied Trumpet
•          Trumpet literature and pedagogy
•          Brass Orchestal and Chamber literature
•          Trumpet Ensemble

Research and Creative Works

• Puengpreeda, S. and Bowman, J. (2011) Correct Trumpet Playing Video Series.
              (Watch here – http://www.mahidoltrumpetstudio.com/media.php )

Academic Services

Selected Performances

•          Thailand Philharmonic Orchestra (trumpet) 2007 – present
•          “Brass Arts Bangkok” Quintet (2^nd trumpet) 2007 – present
•          Thailand Philharmonic Orchestra (principal trumpet) 2005 – 2007
•          Brass Arts Bangkok Brass Quintet (trumpet) 2007 – present
•          Chaopraya Sympony Orchestra (piano) 2006
•          Bangkok Milal Missionary Choir (Conductor, pianist) 2002 – present
•          Kasikorn Big Band (trumpet, pianist) 2001 – present
•          Untitled Jazz Band (Trumpet) 2001 – 2007
•          Mahidol University Jazz Faculty Band (Trumpet) 2001-2003
•          Bangkok Symphony Orchestra (trumpet, pianist) 1988 – 2006
•          Chaopraya Sympony Orchestra with GMM Grammy Artist “PACK 4”, GMM Grammy, (piano) 2006.
•          Chalermraj Big Band (pianist, arranger) 1995 – 2004
•          Dusit-thani Hotel (jazz pianist) 1996-1997
•          That’s It House Band (Trumpet, Piano) 1998 – 2002
•          Bangkok Big Band (Trumpet) 1997
•          Benny’s Jazz Band (Piano) 1995 – 1997
•          Anoma Swizzotel (pianist) 1995
•          Siam Kolkarn Big Band (trumpet, pianist, arranger) 1993 – 1994
•          Salaya Philharmonic Orchestra (principal trumpet) 2003
•          Maitai Chamber Orchestra (trumpet) 1988 – 2000
•          Grammy Light Orchestra (Principal trumpet) 1997
•          Charoenkrung Brass Ensemble (2nd trumpet) 1988 – 1989
•          Mitr Sumpan Brass Band (Alto Horn) 1989
•          Thai Youth Orchestra   (trumpet, french horn) 1987 – 1988
•          5^th Asian Youth Music Workshop, Thailand (Asist. 1^st  trumpet) 1987
•          Chulalongkorn University Band (Band Master,Principal Trumpet) 1983 – 1987
•          Siam Wind Orchestra (French Horn) 1982
•          SK Jazz Band (Principal Trumpet) 1981 – 1982
•          Suankularb Military Band (Principal Alto Horn, French Horn) 1978 – 1982

Activities, Events, Presentations

Art Administration Experience

•          Head of Entertainment Music Program, College of Music, Mahidol University, 2003-2005

o    Managed curriculum, activities, and entrance exams.

•          School Manager, Fit-Flex Music School, 1998-2000

o    Managed for academic affairs, all music teachers

•          Academic affairs, KPN Music Academy, 1999-2000

o    Working on music curriculum, method books, marketing plan

•          Academic Affairs – Recorder, Yamaha Music Thailand 1995-1997

o    Manage recorder curricurum, method books, for primary school, Teacher Training

Recordings

•          Milal Missionary Choir, “Thank You Lord”, 2010, conductor.
•          Sompop Puengpreeda, “Count Your Blessing”, 2010, pianist.
•          Thailand Philharmonic Orchestra, 2005 – 2007, 1st trumpet.
•          Music Studio, Advertisement Spot, Atomic Studio, since 2004, trumpet, flugel horn.
•          Milal Missionary Choir, Live Concert “Sing & Rejoice”, 2005, pianist, trumpet.
•          Milal Missionary Choir, Live Concert, 2004, pianist.
•          Chalermraj Big Band, King Bhumipol’s Composition, 2003, pianist.
•          Jirasak Panpoom, “Cat In The Mood” GMM Grammy, 2002, trumpet, flugel horn.
•          Danu Huntrakul, vol. 1-2, GMM Grammy, 1999 – 2000, 2^nd trumpet, Alto saxhorn.
•          Grammy Light Orchestra, 1997, 1st Trumpet.
•          Siam Kolkarn Big Band, 1993 – 1994, 3^rd trumpet.
•          Maitai Chamber Orchestra, 1985, 2^nd trumpet.
•          Charoenkrung Brass Ensemble, Tamtawan, Cecilia school, 1988, 2^nd trumpet.

Service and Committees

Thesis Advisor

Other

Philip Brink, Trombone

Brass & Percussion Department

• Room Number: A 405.04
• Phone: Ext. 415
• Email: basstrb3@gmail.com

Philip was raised and educated in Illinois, attending Northwestern University. Following university he traveled to Chile for the US Peace Corps, teaching music and playing in early music groups. As a teacher Philip has worked at the Universidad Católica de Chile, the University of Illinois, the University of Alaska-Fairbanks, the University of Calgary, Canada, the Hong Kong Academy for Performing Arts [HKAPA] and most recently Illinois State University.

Philip was a member of the Calgary Philharmonic Orchestra and the New Mexico Symphony before joining the Hong Kong Philharmonic as Principal Bass Trombonist, a position he held for 12 years. Family concerns brought him back to Chicago where he was an active teacher and freelancer with area orchestras and dance bands. While in Chicago, Philip played with the Chicago Sinfonietta, Chicago Philharmonic and the Chicago Symphony.

Apart from his teaching duties, involving private lessons, Trombone Literature and Pedagogy and Trombone Choir, he is also Low Brass Principal of the Thailand Philharmonic. In 2009, with the TPO, he played the premiere of the Concerto for Bass Trombone by American composer Kerry Turner, which was written for Mr. Brink.

Education

• Doctor of Musical Arts in Trombone, The Juilliard School, one year study    1978-1979
• Doctor of Musical Arts in Composition, University of Illinois, ABD                 1973
• Master of Music, Northwestern University                                                 1967
• Bachelor of Music, Northwestern University                                               1966

Teaching areas:

• Applied trombone lessons
• Recital preparation
• Trombone ensemble

Creative work:

• Compositions for trombone: Exegesis, Balooze, etc.
• Arrangements for student groups
• Faculty recital performances

Academic services(outside):

• Adjudication
• Performances
• Master classes

Publications of original compositions and arrangements

• Concerto for Trombone and strings [piano reduction] Chicago, M.M. Cole                        1972
• Jesu Christes Milde Moder [SATB chorus], Burlingame, CA, Thomas House                      1972
• Exegesis, for unaccompanied Bass Trombone, Nashville, Brass Press                               1973
• Arrangement of Bach Chaconne for Trombone Quartet, self-published                             2003

Performance/ Orchestra

Since 2000:

• Chicago Symphony Orchestra                                                                                      2003
• Chicago Sinfonietta and Joffrey Ballet                                                                           2003
• Sinfonia da Camera, Urbana, IL [won position in August 2005] regular since                    2005
• Peoria Symphony [won position in August 2004] regular since                                        2004
• Illinois Philharmonic Orchestra: substitute since 2001; regular since                                2003
• Northbrook Symphony Orchestra: substitute from 2001; regular                                 2002-2004
• Ralph Wilder Orchestra: Trombone part-time since 1995; full-time                             2001-2005
• Elmhurst Symphony Orchestra, Elgin Symphony Orchestra, Illinois Symphony, Symphony II:
• Substitute and/or bass trombonist

Prior to 2001:

• Hong Kong Philharmonic Orchestra: Principal Bass Trombone                                    1988-2000
• New Mexico Symphony Orchestra: Principal Bass Trombone                                      1986-1988
• Seattle Opera, Pacific Northwest Wagner Festival (Der Ring des Nibelungen):
• Bass and Contrabass Trombone                                                                     1977-1987,  1991, 1995
• Calgary Philharmonic Orchestra: Principal Trombone                                                1975-1978
• Aspen (Colorado) Chamber Symphony: Principal Trombone                                           1971

Performance/ Chamber Music

• Mahidol Faculty Brass Quintet “Brass Arts Bangkok”                                                  2007-present
• Southwest Brass Quintet, Phoenix, AZ: Bass Trombone                                             1987-1988
• Puget Sound Brass Quintet, (Faculty, U. of Puget Sound): Bass Trombone                  1982-1986
• Washington Brass Quintet (Pacific Lutheran U.): Bass Trombone                                1981-1985
• Seattle Brass Ensemble: Bass and Tenor Trombone                                                 1979-8193
• State Department tour of South and Central America, Sept.-Nov.                                   1982

Performance/ Solo Recitals

• Mahidol Faculty Recitals:                                                                       2008, 2009, 2010, 2011, 2012
• Solo recital at Washington State University, Pullman, WA                                              2004
• Soloist in tours with the Mount Prospect, IL, Community Band;England 1997, Paris          2004
• Hong Kong Philharmonic: Soloist in works by Christopher Coleman                                1999
• and Joshua Chan                                                                                                      1996
• Music of Christopher Coleman                                                                                    1997
• Hong Kong APA, Chinese University: RTHK Radio 4 recital Series                                   1993

Faculty/Graduate recitals in Seattle,1983; Vancouver, UBC [soloist in music of Andrew Imbrie], 1983; Tacoma, WA, Pacific Lutheran University, 1982; Bellingham, WA, Western Wash. Univ. 1983 and 1980; Brisbane, Australia, 1981; Juilliard School, NYC, 1979; Calgary, Canada: University of Calgary,  1973-78

Recordings

• Four of a Kind 2 includes my arrangement of the Bach Chaconne in d minor for trombone quartet. [Summit Records DCD 345]
• Hong Kong Philharmonic “Stravinsky Collection Vol. 1” [GMNC0101]
• Hong Kong Philharmonic “Stravinsky Collection Vol. 2” [GMNC0102]
• Hong Kong Philharmonic “Stravinsky Collection Vol. 3” [GMNC0103]
• Hong Kong Philharmonic “Tan Dun: Symphony 1997”. [Sony: SK 63368]
• Hong Kong Philharmonic “Stravinsky/ Le Baiser de la Fée” [Virgin 7243 5 61281 2 5]
• Seattle Symphony, Wagner Ring excerpts, released 1984. [Delos Records –DE 3182]

Commissions/ Premieres

• Concerto for Bass Trombone and Orchestra by Kerry Turner: commissioned                          1999
• Sonata for Bass Trombone and Piano by Bruce Barger: commissioned                             1998
• A Hurried Darkness by Christopher Keyes: commission completed                                    1998
• Of Men and Machines by David Dzubay: commission completed                                       1989
• Scampata #3 by Christopher Coleman, for Bass Trombone and Percussion
• World Premiere Performance by Leung Hung-Wing, percussion, and myself                      1997

Other Experience

Vocalist

• Tenor Soloist: First Presbyterian Church, Seattle, WA                                                1982-1984
• Tenor Soloist: University Presbyterian Church, Seattle, WA                                        1979-1981
• Tenor Soloist: Christ Church, Calgary, Canada                                                          1974-1975

Computers

• Computer Techniques Teacher/Troubleshooter/ Music Notation Producer:
• Various, Hong Kong                                                                                                1988-2000
• Systems Programmer/Analyst: General Electric Specialty Component
• Manufacturing Center; Seattle, WA                                                                          1983-1986
• Moved from contract Systems Programmer into full-time employment in less than one year. Automated backup procedures, was responsible for process control, data conversion and user interface projects.
• Applications programmer in FORTRAN: Tundra Biome Research Center,
• University of Alaska, Fairbanks                                                                                   1971
• Applications Programmer in Cobol: TransUnion Corporation; Chicago, IL                        1970

Language

• Spanish Interpreter for ILS and InterpreNet, Chicago, IL                                            2003-2007
• Adult Spanish conversation instructor, Stevenson High School                                        2003

Kyle Acuncius, Percussion

Brass & Percussion Department

• Room Number: Office: A402 Studio: A412
• Phone: +(66) 86-371-1735
• Email: Kyle.Acuncius@gmail.com

Kyle Acuncius was appointed professor of percussion at Mahidol University and Timpanist of the Thailand Philharmonic Orchestra in 2012.  Before joining the TPO he held positions as Principal Percussionist with the Terre Haute Symphony and Section Percussionist with the Ann Arbor Symphony.  He has also performed with the Syracuse Symphony, Rochester Philharmonic, Owensboro Symphony, Columbus Philharmonic, Rome Festival Orchestra, OSSIA, Musica Nova, Contemporary Directions Ensemble, Latitude 49 and the Eastman Wind Ensemble. He has performed as a soloist and chamber musician throughout the United States, Europe, and Asia including international tours with the Eastman Percussion Ensemble and the University of Michigan Symphony Band.  His primary teachers include John H. Beck, John Tafoya, Kevin Bobo, Michael Spiro, Richard Holmes, Ian Ding, Brian Jones, Jonathan Ovalle and Joseph Gramley.  Kyle is an active member of the Percussion Arts Society (PAS) and serves as a member of their International Committee.

Education Background

•          2012 – Specialist Degree (Percussion Performance) University of Michigan
•          2011 – M.M.  (Chamber Music) University of Michigan
•          2010 – M.M.  (Percussion Performance) Indiana University
•          2008 – B.M.  (Percussion Performance) Eastman School of Music
•          2004 – Diploma (Percussion Performance) Interlochen Arts Academy

Teaching Areas

•          Applied Percussion
•          Percussion Literature and Pedagogy
•          The Integrated Percussion Ensemble
•          Orchestral Repertoire

2. Research and Creative Works
3. Academic Services

Selected Performances

• Performance (Chamber), “Thailand International Composition Festival”, Mahidol University, July 8-13, 2013.
• Performance (Faculty Solo Recital), “Multiple Personalities”, Mahidol University, June 24, 2013.
• Performance (Faculty and Student Recital),  “Percussion Night”, MammaMia, June 27, 2013.
• Performance (Chamber), “Thailand International Wind Ensemble Competition”. Mahidol University, November 14-18, 2012.
• Performance (Chamber), Shyen Lee Faculty Recital, Mahidol University, January 28, 2013.
• Performance (Chamber), Lauren Toner Guest Artist Recital, Mahidol University, January 10, 2013.
• Performance (Orchestral), The Ann Arbor Symphony Orchestra, Ann Arbor Michigan, seasons 2010-2012.
• Performance (Orchestral), The Terre Haute Symphony Orchestra, Terre Haute Indiana, seasons 2008-2010.

• Performance (Chamber), Vencedores Samba Bateria, Ann Arbor, MI.

University of Michigan Graduation Commencement, April 18, 2012.

Event on Main, June 21, 2012

Necto/Fat Tuesday February 21, 2012

University of Michigan “Collage”, February 21, 2012

Eastern Washtenaw Multicultural Center, December 15, 2011

MPOW Outreach Workshop, November 17, 2011

Zeta Zigma Chi Benefit Concert, November 13,2011

Gallup Park Charity Performance, October 16, 2011

University of Michigan Parents Weekend Tailgate, September 26, 2011

Kerrytown Concert House, August 28, 2011

NECTO/Fat Tuesday, March 8, 2011

Band-O-Rama, October 28, 2010

• Performance (Chamber), Latitude 49 at Fresh Inc. Festival,

Carthage College, Kenosha Wisconsin, Jun 3-17, 2012

University of Wisconsin Parkside, June 17, 2012.

Ravinia Arts Center at Bennett Gordon Hall, June 16, 2012.

Rush Hour Concert Summer Series, Chicago Illinois, June 12,2012

• Performance (Chamber), Latitude 49 New Music Ensemble Debut Performance, April 20, 2012.
• Performance (Chamber Recital), University of Michigan, March 20, 2012.
• Performance (Solo Recital), McKendree University, Lebanon, Illinois, March 4, 2012.
• Performance (Solo Recital), Lewis and Clark College, Godfrey, Illinois, March 2, 2012.
• Performance (Solo Recital), Lindenwood University, St. Louis, MO, February 6, 2012.
• Performance (Solo Recital), Greenville College, Greenville, Illinois, February 25, 2012.
• Performance (Chamber), World Percussion Ensemble, University of Michigan, March 12, April 9, October 22, December 3, 2011; February 9, April 11, 2012.
• Performance (Wind Ensemble), University of Michigan Symphony Band, Walt Disney Concert Hall, Los Angeles, May 14, 2012
• Performance (Wind Ensemble and Chamber), China Tour: University of Michigan Symphony Band, May 7-29, 2011.

Zhejang University

Shanghai Jiotong University

Shanghai Grand Theatre

Xian Music Hall

Lianoning University

Shenyang University

National Center for the Performing Arts (Beijing)

Tianjin Concert Hall

Renmin University.

• Performance (Chamber), Percussion Ensemble, University of Michigan

Senior Graduate Showcase, March 27, 2012

Composer Portrait: Sydney Hodkinson, January 28, 2012

Steve Reich: 75^th Birthday Celebration, December 4, 2011

Ginastera Festival, December 9 2011

Woodcuts, October 23, 2011

Crescendos, January 22, 2011

Expatriations, October 26, 2010

• Performance (Chamber), Peace Corp Performance: Fontomfrom Drumming, Michigan Union, October 14, 2010
• Performance (Solo Recital), Jacob School of Music, Indiana University, April 28, 2010.
• Performance (Chamber), Eastman Percussion Ensemble

5^th International IPEW, Bjelovar, Croatia, January 7-13, 2008.

Bumfest, Zalec, Slovenia, January 8-12, 2008.

Activities, Events, Presentations

• Performance (Percussion Ensemble), “Reich and Tiersen”, Mahidol University, September 10, 2013.
• Performance (Percussion Ensemble), “Duets”, Mahidol University, July 24, 2013
• Wei-Chen Lin (Marimba Masterclass and Recital), Mahidol University, July 16-17, 2013.
• Master Class/Lecture, “The Importance of Marking Your Score”, Mahidol University, June 26, 2013.
• Thierry Miroglio and Ancuza Aprodu (Percussion Master Class and Duo Recital), Mahidol University, June 14-16, 2013.
• Performance (Percussion Ensemble), “Strange Beautiful Music”, Goethe Institute Bangkok, March 13, 2013.
• Takayoshi Yoshioka (Percussion Master Class and Recital), Mahidol University, February 9-16, 2013.
• Reiko Shiohama (Marimba Duo Recital), Mahidol University, February 9-16, 2013.
• Performance (Percussion Ensemble), “Strange Beautiful Music”, Mahidol University, January 31, 2013.
• Master Class/Lectures, “Afro-Cuban Styles: “Clave and Conga Tone”, “Rumba”. “Popular Styles and Instruments”, Mahidol University, January 4, 11, and 18, 2013.
• Presentation, “Recovering Timpani Mallets”, Mahidol University, December 28, 2013.
• Master Class/Lecture, “From Practice to Performance: How to Practice Efficiently”, Mahidol University, December 14, 2012
• Master Class/Lecture, “Timbre and Tone on Mallet Percussion Instruments”, Mahidol University, November 30, 2012.
• Master Class/Lecture, “Ensemble Etiquette, Preparation and Performance”, Mahidol University, November 16, 2012.
• “Cracking Bamboo Festival”, Mahidol University, September 30, 2012
• Master Class/Lecture, M-Pulse Percussion Seminar, University of Michigan, 2010-2012

Service and Committees

• Percussive Arts Society: Member of International Committee (2013)
• College of Music: Brass and Percussion Audition Committee (2012)
• College of Music: Brass and Percussion Scholarship Committee (2013)
• College of Music: Brass and Percussion Concerto Competition Preliminary Round (2013)

4. Thesis Advisor

5. Other

Recent Student Accomplishments

• Thitiphan Laksanapakhin – Mahidol Concerto Competition Finalist (2013). Section Percussionist with TPO
• Kraisit Suwanalo –Section Percussionist with TPO
• Kantapong Rakbankerd – Mahidol Scholarship Recipient (2012-2013)
• Teeraboon Paisarn – Percussionist in Salaya Modern Ensemble (2013), Percussionist with TPO
• Shea Holman – Percussion Major at University of Michigan (2013)
• Michael Ahearn – Percussion Major at Indiana University (2010)

Recordings

• University of Michigan Symphony Band – “Two Jades” (Equilibrium)
• Eastman Wind Ensemble (featuring the Canadian Brass) – “Manhattan Music” (Sony)
• Interlochen Arts Academy – “Interlochen Percussion Ensemble” (Interlochen)

Recent Commissioned Works

• Roshanne Etezady – “Bohemoth” for percussion and saxophone (2013)
• Elliot Cole – “Solo Vibraphone” (2013)
• Thomas Zirkle – “Suite for Toy Piano and Percussion” (2013)
• Alejandro Viñao – “Book of Grooves” for Marimba Duo (2011)
• John Serry – “Groundlines” for Solo Marimba (2010)
• Halim El-Dahb – “Sailing Wind” for Solo Vibraphone (2009)
• Eric Schwartz – “Still Life” for Solo Marimba (2009)

Professional Development

• Fresh Inc. Music Festival
• California Brazil Camp
• Kwasi Ampene and the National Dance Company of Ghana
• Explorations of Afro-Cuban Drum and Dance
• Pierre Monteux Conducting Seminar
• Leigh Howard Stevens Marimba Seminar
• Alan Abel Orchestral Percussion Seminar
• Brevard Music Center
• Mark Yancich Timpani Seminar
• Rome Festival Orchestra (Italy)
• Cloyd Duff Timpani Seminar

Professional Affiliations

• Percussive Arts Society (PAS) International Committee Member

Assist. Prof. Dr. Joseph Bowman, Trumpet

Brass & Percussion Department

• Room Number: A 405.03
• Phone: Ext. 414, Mobile – +6683-279-3999.
• Email: joseph.bow@mahidol.ac.th
• Website: http://www.music.mahidol.ac.th/mahidoltrumpetstudio/

Joseph Bowman has been Professor of Trumpet at Mahidol University College of Music in Bangkok, Thailand since 2003, where he teaches applied trumpet, performs with the faculty ensemble BrassArts Bangkok, and teaches trumpet literature, pedagogy and orchestral repertoire. Prior to his appointment, he served on the faculty of the University of Tennessee at Martin, and as a graduate teaching assistant at Arizona State University.

A member of the Thailand Philharmonic Orchestra since 2008, Bowman has previously performed with the Memphis Symphony, the Phoenix Symphony, and many regional orchestras.  He has given solo performances and master classes across the United States, Asia, and Europe. Recently, he performed as a soloist with the Thailand Philharmonic Orchestra, appeared in recital at the 2009 International Trumpet Guild Conference, and given master classes at the Central Conservatory in Beijing, the National University of Singapore, and the Hanoi Conservatory in Vietnam.  As a performer, Bowman has recorded for Summit, D’Note, and Naxos American.

Bowman is a member of the Board of Directors for the International Trumpet Guild, and Vice President of the Thailand Trumpet Guild.  In 2005, Bowman and Mahidol University had the honor to host the 2005 International Trumpet Guild Conference in Bangkok, which was a tremendous success and drew critical acclaim. He has served ITG in many capacities over the past decade, including as youth web editor from 2001-2008. An avid writer, he has over sixty publications in the International Trumpet Guild Journal, The Instrumentalist, Mahidol Music Journal and the NACWPI Journal.

Dr. Bowman received a DMA and MM from Arizona State University, and a BM from the University of Cincinnati. His teachers have included David Hickman, Samuel Pilafian, Alan Siebert, Marie Speziale, Vince DiMartino, and Pat Harbison.  He lives in Bangkok with his wife Lisa, and his son Alexander.  Joe is a Jupiter Performing Artist/Educational Ambassador.

 Education background

•           2002 – D.M.A. (Solo Performance) Arizona State University, USA
•           1999 – M.M. (Solo Performance) Arizona State University, USA
•           1997 – B.M. (Trumpet Performance) University of Cincinnati, USA

Teaching areas:

•           Applied trumpet
•           Trumpet literature and pedagogy
•           Brass orchestral and chamber literature
•           Trumpet ensemble

Research/Creative Works (since 2009)

• Puengpreeda, S. and Bowman, J. (2011) Correct Trumpet Playing Video Series.
  (Watch here – http://www.music.mahidol.ac.th/mahidoltrumpetstudio/media.php )
• Bowman, Joseph L., ed. 2009.  Historical Trumpet Discography. International Trumpet Guild.http://www.trumpetguild.org/pdf/2009journal/200910DiscographyOnline.pdf

• Bowman, Joseph L., ed. Excerpts from – Historical Trumpet Discography. International Trumpet Guild Journal. , Vol. 34, No. 1 (October 2009), pp. 50-52.

Published Articles (since 2009)

• Bowman, J. (2013) Professional Development Resources for University Music Lecturers: The Curriculum Vitae and Documenting Teaching Excellence. Mahidol Music Journal, 18 (10), 48-49.
• Bowman, J. (2013) Preparing for Undergraduate Music Auditions: The Audition and Afterwards. Mahidol Music Journal, 18 (9), 38-41.
• Bowman, J. (2013) Preparing for Undergraduate Music Auditions: Choosing the Right Music Program for You and The Audition Application Process. Mahidol Music Journal, 18 (8), 30-35.
• Bowman, J. (2013) Preparing for University Music Auditions: Language Skill and the “Other” Academic Classes (i.e. Grades are Important!). Mahidol Music Journal, 18, (7), 40-43.
• Bowman, J. (2013) Preparing for University Music Auditions: Music Theory, Ear Training, and Listening! Mahidol Music Journal, 18 (6), 48-51.
• Bowman, J. (2013) Preparing for University Music Auditions: Scales, Sight reading, and Piano Lessons. Mahidol Music Journal, 18 (5), 36-39.
• Bowman, J. (2012) Preparing for University Music Auditions: Introduction and Private Lessons. Mahidol Music Journal, 18 (4), 38-43.
• Bowman, J. (2012) Finding Purpose and a Mission – Life in Thailand: Part 6 – The Search for  “Greatness”. Mahidol Music Journal, 18 (3), 30-32.
• Bowman, J. (2012). Finding Purpose and a Mission – Life in Thailand: Part 5- Thinking    Critically. Mahidol Music Journal, 18 (2), 32-33.
• Bowman, J. (2012) . Finding Purpose and a Mission – Life in Thailand: Part 4 – React vs Respond . Mahidol Music Journal, 18 (1), 48-49.
• Bowman, J. (2012). Finding Purpose and a Mission – Life in Thailand: Part 3 – English,    Tinglish, Thaiglish, Thai. Mahidol Music Journal, 17 (4), 36-37.
• Bowman, J. (2012). Finding Purpose and a Mission – Life in Thailand: Part 2 – Culture Shock. Mahidol Music Journal, 17 (3), 50-51.
• Bowman, J. (2012). Finding Purpose and a Mission – Life in Thailand. Mahidol Music Journal, 17 (2), 50-53.
• Bowman, J. (2011). Trumpet Pedagogy Challenges in Thailand.  International Trumpet Guild       Journal, 34 (4 ), 69-70, 90.
• Bowman, J. (2009). Musical Development at an International Level.  Mahidol Music Journal, May 2009, 40-45.
• Bowman, J. (2009). Recognizing and Correcting ‘Reverse Tonguing’. International Trumpet Guild Journal, 33 (3), 74, 80.

Academic Services (Since 2009)

• Presentation, “Preparing for University Music Study” International Trumpet Guild Conference, Grand Rapids, MI, USA, 11 June 2013.
• Master Class, Kunitachi College of Music, Tokyo, Japan, May 27, 2013
• Master Classes, Central Conservatory of Music, Beijing, China, April 4-5, 2013
• Performance (Solo), Kennan Trumpet Sonata with Mahidol Wind Symphony, Mahidol University, February 12, 2013.
• Performance (Chamber) and Adjudicator, “Thailand International Wind Ensemble Competition”. Mahidol University, Nov. 14-18, 2012.
• Performance (Lecture Recital and Chamber), “Thailand International Trumpet Seminar”, Chulalongkorn University, August 19, 2012.
• Performance (Lecture Recital) “Hindemith Trumpet Sonata”, Mahidol University, August 14, 2012.
• Performance (Chamber), “Thailand International Composition Festival” Mahidol University, July 10, 2012.
• Performance (Solo and Chamber), “A Cool Brassy Night with Friends”, Mahidol University, January 11, 2012.
• Performance (Solo), Master Class, Clinic: “Thailand Trumpet Seminar” – Chulalongkorn University, July 1-3, 2011.
• Performance (Solo and Chamber): “Thailand Brass and Percussion Conference”, Mahidol University, June 15-18, 2011.
• Presentation: “Professional Development for University Music Lecturers”, Silpakorn University Faculty of Music, Bangkok, Thailand May 15, 2011
• Solo Performance: Thailand Philharmonic Orchestra, December 17-18, 2010, Mahidol University , Bangkok, Thailand.
• Presentation, Solo Performance Faculty Ensemble Performance (BrassArts Bangkok): SAYOWE (Southeast Asian Youth Orchestra and Wind Ensemble”, October 1-9, 2010. Mahidol University, Bangkok, Thailand.
• Panel Discussion Member: “Thailand’s Current Classical Music Situation and Future Directions” Galyani Institute, 4 September 2010.
• Chamber Concert: Mahidol Faculty Composers Concert, Mahidol University College of Music, 31 August, 2010
• Concert Performance, Panel Discussion Member: International Trumpet Guild Conference, Sydney, Australia,  6-10 July, 2010.
• Chamber Concert: BrassArts Bangkok, Pattaya, Thailand, Pattaya Marriot Resort, 18 May, 2010
• Chamber Concert: BrassArts Bangkok, MACM, 24 December, 2010.
• Master Classs: Thailand International Wind Ensemble Competition, Mahidol University College of Music, 27 November, 2010.
• Master Class, Solo Performance: Thailand Brass and Percussion Conference, Mahidol University College of Music, 29 July, 30 July, 2009.
• Recital Performance: International Trumpet Guild Conference, Harrisburg, PA, May 30, 2009.
• Adjudicator: International Trumpet Guild Youth Solo Competition, Harrisburg, PA, May 29, 2009
• Performance/Master Class: Siam Paragon – Campus for the General Public, Mahidol University, May 9, 2009.
• Performance/ Artist Faculty: Thailand Brass Festival, Yamaha Auditorium, March 18-20, 2009.
• Performance: Thailand Philharmonic Orchestra, Mahidol University College of Music, March 13-14, 2009.
• Solo Performance: Mahidol Wind Symphony, Mahidol University College of Music, February 6, 2009.
• Performance: Thailand Philharmonic Orchestra, Mahidol University College of Music, January 30-31, 2009.
• Faculty Ensemble Performance: Chamber Orchestra, Mahidol University College of Music, January 7, 2009.
• Faculty Ensemble Performance: Chamber Orchestra, Mahidol University College of Music, January 5, 2009.

Thesis Advisor

• Chitrangsan, W. (2011) The Origins and Developments of Trumpet Teaching in Thailand from 1868 to 2010. (Unpublished master thesis). Mahidol University, Salaya, Nakhon   Pathom, Thailand.
• Hirunrux, S. (2011) Model Musicianship and Educatorship Standards for Thailand’s Music Educators. (Unpublished doctoral thesis). Mahidol University, Salaya, Nakhon Pathom, Thailand.

Other

• Board of Directors – International Trumpet Guild (2009-2017)

Selected for inclusion in “Trumpet Greats: A Biographical Dictionary” (Hickman Music Editions – 2013)

Dr. Daren Robbins, Horn

Brass & Percussion Department

• Room Number: A 405.11
• Phone: Ext. 405
• Email: darenrobbins@gmail.com

Daren Robbins has been on the faculty of the College of Music at Mahidol University since 2008 and a member of the Thailand Philharmonic Orchestra since 2009. At Mahidol he serves as chair of the Brass and Percussion Department as well as professor of horn, brass literature and pedagogy, and chamber music. He is an active member of the International Horn Society where he serves as Regional Coordinator for Thailand, Editor of Online Music Sales library, and has performed at numerous regional and international IHS events. Daren is the creator of hornexcerpts.org which is the most visited horn-related website on the internet, coach of Horn Pure, the award-winning horn ensemble comprised of students from his studio, and founder and host of the Thailand Brass and Percussion Conference. He holds degrees from the University of Wisconsin–Madison, the University of North Texas, and the University of Iowa. His primary teachers include Douglas Hill, William Scharnberg, and Kristin Thelander.

Education Background

• 2002 – D.M.A. in Horn Performance from the University of Wisconsin–Madison
• 1998 – M.M. in Horn Performance from the University of North Texas
• 1996 – B.M. in Horn Performance and Pedagogy from the University of Iowa

Teaching Areas

• Applied horn
• Horn literature and pedagogy
• Chamber music
• Orchestral repertoire

2. Research and Creative Works

Publications

• Horn Pure: a victorious trip to IHS Symposium, Brisbane – Mahdiol Music Journal 2010
• www.hornexcerpts.org – A website based on my dissertation. It is the most popular horn-related website on the internet, receiving in excess of 500 unique visits a day.
• Orchestral Horn Excerpts – This excerpt book accompanies the website www.hornexcerpts.org. Nearly 1000 copies        have been sold to date. Currently published by BrassArts Unlimited.

Successful Grant Proposals

• A New Method for Horn: written specifically for Thai students and teachers (2010-2011) – This is a grant to writeand publish the first method for horn in the Thai language and incorporating traditional Thai melodies.
• Horn Pure: a tour of rural Thailand (2010-2011) – This was a travel grant to take my award-winning student ensemble to three rural communities in Thailand to give concerts and educational clinics.

3. Academic Services

Selected Performances

•          Guest Recital and Masterclass (4/2013) – University of Iowa
•          TubaMania International Conference (3/2013) – Danielsson Concertante Suite for tuba and horn quartet withTim Buzbee, Melbourne Sympony
•          Faculty Solo Recital (3/2013) – Hidden Treasures
•          Faculty Woodwind Quintet Performance – Hindemith Kleine Kammermusik and Janáček Mladi. (1/2013)
•          Faculty Chamber Performance – Jane Vignery’s Sonata for Horn and Piano (8/2012)
•          Thailand International Composition Festival – chamber music performance of Eric Moe’s Tri-Stan(7/2012)
•          International Horn Symposium, Denton, TX – Contributing Artists Performance (5/2012)
•          Faculty Recital – Brahms Horn Trio and Ewazen’s Ballade Pastorale and Dance (1/2012)
•          Guest Recital and Masterclass – Yong Siew Toh Conservatory of Music, Singapore (10/2011)
•          JERIN Festival Orchestra, Jakarta Indonesia – 3rd horn (10/2011)
•          Asian Double Reed Association – featured soloist with Thailand Philharmonic Orchestra (Mozart Sinfonia Concertante) (8/2011)
•          Featured Soloist with Integrated Percussion Ensemble (Burritt, Traveling Music) (8/2011)
•          Faculty Chamber Recital – Mahidol University Wind Quintet (7/2011)
•          Thailand Brass/Percussion Conference – Featured Artist with Music of Eric Ewazen (6/2011)
•          Thailand Brass/Percussion Conference – performance with faculty brass ensemble and quintet
•          Guest Recital and Masterclass – Burapha University (2/2011)
•          CD Recording – “Saxowadikrap” with Shyen Lee and MU Wind Quintet (1/2011)
•          Faculty Chamber Recital – Mahidol University Wind Quintet (1/2011)
•          Thailand Horn Seminar – Guest Artist Solo Performance and Masterclass, Srinakharinwirot University (10/2010)
•          Facutly Chamber Concert – Composer’s New Music Concert
•          Facutly Chamber Recital – Hindemith Music For Brass, Two Harps and Piano (9/2010)
•          Faculty Chamber Recital – Mahidol University Wind Quintet (8/2010)
•          International Horn Symposium, Brisbane Australia – Contributing Artist Performance (7/2010)
•          Guest Musician – Malaysian ADF Festival Orchestra (11/2009)
•          Faculty Solo Recital – Mahidol University (6/2009)
•          Faculty Chamber Recital – BrassArts Bangkok recital (6/2009)
•          Pattaya Music Society Recital Series – BrassArts Bangkok Quintet recital (5/2009)
•          Faculty Chamber Winds – performance of Dvorak Serenade and Mozart Gran Partita (12/2009)
•          TubaMania Bangkok – performance with BrassArts Bangkok (12/2009)
•          Faculty Chamber Recital ­– Mahidol University Woodwind Quintet (9/2009)­
•          Thailand Brass and Percussion Conference – solo performance, performances with BrassArts Bangkok and Mahidol Faculty Brass Ensemble (7/2009)
•          Faculty Recital – BrassArts Bangkok Brass Quintet (6/2009)
•          Thailand Brass Festival at Silpakorn University – solo performance and masterclass (March 2009) Faculty Solo Recital – Mahidol University (7/2008)

Activities, Events, Presentations

•         Coordinator and Host of TubaMania International Festival 2013
•         Host of recital and masterclass by Virtuoso Horn Duo (Kerry Turner and Kristina Mascher), August 2012
•         Host of Black Bayou Brass residency at Mahidol University, June 2012
•         Interviewed for feature article in Horn World, October 2011
•         Host of Thailand Brass and Percussion Conference 2011
•         Host of Zagreb (Croatia) Philharmonic Brass Ensemble Concert (2010)
•         Southeast Asia Youth Symphony Orchestra (2010) – horn clinician
•         Host of guest masterclass and concerto performance by Christoph Ess, Principal Horn of Bamburg Symphony (2010)
•         Hosted 2010 Christmas Eve Horn Extravagnaza at Mahidol University
•         Host of Thailand Brass and Percussion Conference at Mahidol University (July 2009)
•         Faculty Member of Southeast Asia Youth Orchestra and Wind Ensemble (2008)
•         Host of guest masterclass by David Thompson, principal horn of Barcelona Symphony and Vice President of International Horn Society (2008)
•         Host of guest masterclass and recital by Boston Brass (2008)
•         Hosted guest masterclass by Jeff Nelsen, hornist of Canadian Brass and Indiana University (2008)

Service and Committees

•          Editor for International Horn Society’s Online Music Library, 2010-present.
•          Regional Coordinator for Thailand, International Horn Society, 2009-present.
•          Chair of Brass and Percussion Department, Mahidol University College of Music. 2008-present.
•          College of Music Audition Committee, Brass and Percussion, 2008-present.
•          Academic Committee, College of Music, 2009-present
•          Adjudicator, Osaka International Music Competition, Bangkok Regional Round, 2012
•          Chair of Search Committee, Percussion Instructor 2012
•          Adjudicator, Osaka International Music Competition, Bangkok Regional Round, 2011
•          Search Committee, Assistant Director of Bands, 2011
•          Search Committee, Voice Position, 2011
•          Mahidol University Concerto Competition Adjudicator, 2010
•          SetTrade Solo Competition Adjudicator, 2010
•          Concerto Competition Finals Adjudicator, Mahidol University College of Music, 2009, 2010
•          Search Committee, Assistant Director of Bands, 2009
•          Academic Planning Committee, Mahidol University College of Music, 2008-2009
•          Undergraduate Curriculum Committee, Mahidol University College of Music, 2009-2010

4. Thesis Advisor

5. Other

Student Accomplishments

•         Members of Siam Sinfonietta – Panfan Panyparu, Thanapak Poonpol
•         Horn Instructor at Narttasilp College of Dramatic Arts – Wongwarit Nippitwittaya
•         Osaka Chamber Music Competition, finalist (2012) ­– iBrass Quintet
•         Member of Asian Youth Orchestra 2012 ­– Thanapak Poonpol
•         Featured Ensemble at International Horn Symposium 2012 – Horn Pure
•         Horn teacher at Burapha University, Thailand – Prasert Rachmanee
•         Fourth horn in Thailand Philharmonic Orchestra – Prasert Rachmanee
•         Osaka Chamber Music Competition, finalist (2011) – iBrass Quintet
•         Horn Pure tour of Thailand Universities, Srinakaharinwarot University, Asia-Pacific International University, Burapha University
•         Ohio Light Opera orchestra member (2011) – Matt Taylor
•         Osaka Chamber Music Competition, finalist (2010) – Horn Pure (select student horn ensemble)
•         International Horn Symposium Ensemble Competition, First Prize (2010) – Horn Pure (select student horn ensemble)
•         Osaka Solo Competition, finalist (2009) – Seagame Supradit
•         Thailand Wind Ensemble Competition, First Prize (2009) – Horn Pure (select student horn ensemble)
•         Horn Teacher at International School Bangkok (2009) – Varaporn Sukpordee

Dr. Phuttaraksa Kamnirdratana, Harp

Strings and Chamber Music Department

• Room Number: D402.09
• Phone: 02-800-2525 ต่อ 448
• Email: phuttaraksa@hotmail.com

Award-winning harpist and pianist Phuttaraksa Kamnirdratana is an active performer and educator. She was appointed the harpist of the Thailand Philharmonic Orchestra in 2014. In addition, Phuttaraksa joined the faculty of Mahidol University where she instructs the harp studio, coaches chamber music ensembles, lectures academic music classes and serves as a thesis advisor.

She was also awarded a Mahidol University, research grant in 2015. Phuttaraksa has performed solo and chamber music all across Asia, Europe, and United States play everything from classical, jazz, and pop style.

She has shared the stage with such artists as Chick Corea, Dave Grusin, Bobby McFerrin, Prince Royce, and Pitbull just to name a few. In addition to her live performing Phuttaraksa has recorded commercial music and movie soundtracks as well as participated in many Grammy Award nominated albums. She previously performed as both harpist and pianist for several orchestras in Florida.

She was the mentor for the harp section of the Ars Flores Symphony Orchestra. Prior to returning to Thailand, Phuttaraksa was a member of Miami Symphony Orchestra from 2007-2014. Phuttaraksa’s talents are not limited to the stage or studio. Some of her other work has included editing harp music for publishing companies.

In a brief look at Phuttaraksa’s eduction, she received her Doctoral of Musical Arts degree in Harp Performance in 2012 and Master of Music degree in 2009, both from University of Miami. In addition to her diplomas, she received the Award of Merit and was granted a full scholarship with a graduate assistantship position. While at the University of Miami, she had opportunity to perform across the United States with wide array of ensembles including Chamber Music, Symphony Orchestra, Wind Ensemble, Jazz ensemble, Jazz Orchestra, Pops Band, Pops Orchestra, Opera, 21st Century Ensemble and Electronic Music

Ensemble. Phuttaraksa received her Bachelor of Arts in Piano Performance in 2007 from Mahidol University, where she was recipient of the Merit Scholarship. At the same time as her undergraduate studies, she held position as a member of the Thailand Philharmonic Orchestra from 2005-2007, performing on both harp and piano. In 2006, Phuttaraksa won the Yamaha Asia Scholarship for Piano.

Phuttaraksa has studied privately with some of the finest harpists around the world which include Deborah Fleisher, Marguerite Lynn Williams, and Jie Zhou. In addition, she has participated in Masterclasses with acclaimed harpists including Helga Storck, Isabelle Perrin, Catrin Finch, and Elinor Bennett. For piano, her principal teachers include Signe Klava, Gudrun Mueller, Jun Komatsu, Amawasee Yuttawong and masterclasses with Boris Berman.

Maria Chiossi

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email: mariachiossi@hotmail.com
• Website: www.mariachiossi.net

Maria Chiossi started playing the harp at the age of nine when she entered the Conservatorio of Brescia, her hometown, as a student of the Italian harpist Anna Loro. At the age of 13 she won the first prize at the Victor Salvi International Harp Competition and in 2002 she performed for the Victor Salvi Foundation as one of the best Italian graduates in her year.

While studying the harp she cultivated her interest in philosophy, graduating with Honours from the University of Padua, with a dissertation entitled ” The nature of the musical time”.

Maria entered Trinity College of Music, London on a postgraduate scholarship studying with Gabriella Dall’Olio in which she was also awarded a scholarship from the Italian cultural association “ Il Circolo”. Whilst studying she was chosen to play as soloist with Trinity College of Music String Ensemble with whom she toured England, Italy, Slovenia and Germany playing Mozart Flute and Harp concerto.

She has participated in several master classes with renowned harpists such as Letizia Belmondo, Xavier De Maistre, Frances Kelly, Judith Liber, Alison Martin, Isabelle Perrin, Fabrice Pierre, Luisa Prandina, Park Stickney, David Watkins, Hugh Webb and Sioned Williams.

Before being appointed principal harpist with the Thailand Philharmonic Orchestra in May 2014, she regularly freelanced with many orchestras in Europe like the Oxford Philomusica, the Southbank Sinfonia, the Orchestra del Regio di Parma, I solisti Veneti, the Orchestra Verdi of Milan, the Orchestra dell’ Arena di Verona, Orchestra Italiana del Cinema, the Goteborg Opera House, The NorrlandsOperan, the Gran Teatre del Liceu in Barcelona, the Oviedo Filarmonia, the Symphonic Orchestra of Navarra, the Real Filarmonia de Galicia, the Orchestra Sinfonica de Madeira, the Orchestra Sinfonica del Principato de Asturias and the Orchestra Sinfonica de Porto among others.

In June 2008 she was one of the four harp finalists for the Orchestra L.Cherubini created and conducted my Maestro Riccardo Muti, with whom she played with on several occasions, and in July 2009 she traveled to Doha, after being selected as a finalist for the Qatar Symphony Orchestra.

From 2008 till 2011 she played as Principal Harpist with the Latvian Symphony Orchestra and toured with the Orchestra and Mischa Maisky all around Japan. She was a former member of the Orchestra Italiana del Cinema with whom she toured China and played a live broadcasted concert at the Great Hall of the People in Beijing conducted by Nicola Piovani.

In September 2010 she entered the Barenboim-Said Orchestral Academy in Seville where she received classes with Stephen Fitzpatrick and Alexandra Clementz, both principal harpists of the Staatoper in Berlin.

In January 2011 she won the audition for the Youtube Symphony Orchestra, having been chosen by members of the London Symphony Orchestra and the Berliner Philarmoniker. She performed at the Sydney Opera House on the  of March 2011 conducted by Michael Tilson Thomas in a concert that was 20th broadcasted live all over the world.

In January 2013 she was the principal harpist of “ Be my love “ the European Tour of the renowed tenor Joseph Calleja, and she performed at Theatre Champs Elysées, Munich Philarmonie, Praga Smetana Saal, Vienna Konzerthaus, Amsterdam Concertgebouw and Baden Baden Festspeilhaus.

She worked as visiting Professor at the Youth Orchestra of Andalucia in Spain where she mentored young harpists both in orchestra and solo’s repertoire. Since May 2014, she serves as harp instructor at Mahidol University College of Music.

Jan Spacek, Double Bass

Strings and Chamber Music Department

• Room Number:
• Phone: 092-9586287
• Email: honza.spaca@gmail.com

Maris Arents

Strings and Chamber Music Department

• Room Number: D 402.06
• Phone: Ext. 445
• Email: maris.arents@gmail.com

Petr Spacek, Cello

Strings and Chamber Music Department

• Room Number:
• Phone: 0929586294
• Email: petr.spacek1993@gmail.com

Tapalin Charoensook

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email: tapalin12@gmail.com

Martin Grund

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email:
• Website:

German cellist Martin Grund began studying the instrument with his father and at local music schools in his hometown, Stralsund. Early musical successes include a Third Prize at the “Central Competition of Young Talents” and an opportunity to perform with the Radio Music School Orchestra in the former German Democratic Republic. Mr. Grund’s formal studies took place with Prof. Brunhard Boehme at the Hochschule “Franz Liszt” in Weimar where in 1992 he obtained a degree in music performance and a pedagogical certificate. After a bonus year he also attained a postgraduate degree at the “Franz Liszt”. His training also encompassed participation in master classes in solo and chamber repertoire and a position as a substitute cellist in the Erfurt Philharmonic Orchestra.

As a freelance musician Mr. Grund has performed with many chamber, opera and symphony orchestras, notably the Staatskapelle Weimar and in the Berlin based “Quintetto de Camera”. In 1998 he became a member of the Thuringia Philharmonic Orchestra Gotha/Suhl, frequently recording and touring with group in well-know concert halls including the Philharmonie Köln and the Concertgebouw in Amsterdam.

Mr. Grund’s teaching career began in local schools in Rudolstadt and Ilmenau. Since 2000 he has been an active international educator. Between 2000-03 he was a guest lecturer at the College of Music, Mahidol University in Thailand where his duties included teaching a wide variety of performance subjects, mentoring, participation in recordings and special projects and serving as a department chair. From 2007 to 2013 he served as a guest professor of violoncello at the German School of Music Weimar at Kangnam University in South Korea. In 2013 Prof. Grund returned to College of Music, Mahidol University where he teaches violoncello, coaches ensembles, and performs in chamber music concerts.

Stefanie Waegner

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email: squeakywaegner@hotmail.com

Stefanie Waegner (nationality: British and German) studied cello with Emma Ferrand at the Royal Northern College of Music in Manchester, UK, and at the Music University in Graz, Austria (cello with Kerstin Feltz, chamber music with Chia Chou), where she obtained a double Masters´degree in solo performance and chamber music in 2007. She also participated in chamber music master classes with Michael Bochmann, Martin Hornstein, members of the Vermeer Quartet, Johannes Meissl and Christopher Rowland.

She has performed extensively as principal cellist and soloist with numerous chamber orchestras, such as Ensemble Klanglust, the Bamberg University Chamber Orchestra, the Graz Baroque Orchestra and the Salonorchestra Graz.

An enthusiastic chamber musician, she has founded various professional ensembles (in particular piano trios, string quartets and cello/ piano duets), performing in the USA, UK, Taiwan, Italy, Austria, Germany and Spain, and winning prizes at international chamber music competitions in Greece and Austria. For many years she was promoted by the Yehudi Menuhin Foundation “Live Music Now” and the “Vita Activa Foundation”, performing regularly in their  musical outreach programmes.

Stefanie is a member of the faculty of the Franconian Chamber Music Academy (Germany) as well as  the Centre for Music Education and Outreach (Vienna). From October 2011 she is part of the faculty of the Chamber Music Academy (CMA) at Mahidol University.

Marcin Tomasz Szawelski, Cello

Strings and Chamber Music Department

• Room Number: D 302.11
• Phone: Ext. 360
• Email: mszawelski@hotmail.com

Marcin Tomasz Szawelski, a native of Gdansk, Poland, started his musical education at age of 7 with Andrzej Filar. He graduated with Master of Arts diploma from Stanislaw Moniuszko Academy of Music in Gdansk, Poland (2005), where he studied cello performance, chamber music and music pedagogy under Krzysztof Sperski, Anna Prabucka-Firlej and Tadeusz Samerek.  He also took masterclasses with Stefan Popov, Maria Tchaikovska, Peter Leisegang and Roman Jablonski.

Mr. Szawelski has received many awards, such as: 1st prize in Competition for young Cellists in Malbork (1992), 2nd prize in national Competition for Young Musicians in Wloszakowice (1995) and 4th award in national Competition for Chamber Ensemble in Wroclaw (1999).Currently Marcin T. Szawelski is a cello and chamber music instructor at the College of Music, Mahidol University in Thailand. He is a member of  Thailand Philharmonic Orchestra (TPO) and Mahidol University Baroque Orchestra. With those ensembles he gave more than 200 concerts in recent years. Mr. Szawelski is a founding member of Salaya International Chamber Music Society (SICMS), a group of musicians devoted to chamber music. He is also a permanent member of Thailand Music Educators Association (TMEA). Since 2007 he serves as a cello instructor for SAYOWE (Southeast Asian Youth Orchestra and Wind Ensemble).

Juris Lakutis, Cello

Strings and Chamber Music Department

• Room Number: D 302.04
• Phone: Ext. 353
• Email: jurislakutis@yahoo.com

Mr. Juris Lakutis, a winner of the Latvian National Competition, earned a Soloist, Orchestra Soloist and Pedagogue Diplome at Lavia’s Riga Conservatory . He studied cello performance under the Latvian professor Eleonora Testeleca, a winner of the Tchaikovsky International Competition in Moscow. Mr. Lakutis has performed as a soloist with the Via Tercia Ensemble and with the Latvian Philharmonic.

Mr. Lakutis has extensive experience as an orchestral player having been the principal cellist of the Latvian Philharmonic’s Chamber Orchestra and the Liepaja Symphony Orchestra, as well as a long time member of the Latvian National Symphony. Orchestral tours have taken him to perform around the world in countries such as Russia, USA, Italy, Spain, Portugal, Bulgaria, Hungary, France, England, Germany, Holland, Norway, Sweden, Finland, Corsica, Japan, Thailand, and Malaysia. Mr. Lakutis’s vaste international performing experience has led him to collaborate with many remarkable conductors and soloists such as Pavel Kogan, Mischa Maisky, Igor Zhukov, Gidon Kremer, Sviatoslav Richter, Terje Mikkelsen, and Gennady Rosdesvensky, among others.

An active chamber music player Ms. Lakutis has been a member of the Difference String Quartet and pursued chamber music studies in France with members of the Ysaÿe String Quartet. Currently he is a member of String Faculty in the College of Music at Mahidol University, and principal cellist in the Thailand Philharmonic Orchestra. His students have won international competitions in Latvia and national competitions in Thailand.

Dr. Juckrit Charoensook

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email: Charoensook.zax@gmail.com

Servio Bona

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email: serviovino@gmail.com

Juris Madrevich

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email: juris.madrevich@gmail.com

My musical education started many months before my birth. I was born in musician family – my father Arthur Madrevich was the principal violinist of Latvian National Orchestra for almost 25 years. He was educated in Latvian and Paris Conservatoire, where he met my mom – student of fashion design. From age of 5 I had the first violin lessons with my dad, but later went to the special music school for talented children. I remember the atmosphere of this school – mostly important was your success in your instrument playing and school supports this effort. I had special individual program that allows me to practice 6, 7 up to 10 hours per day. Among my school mates were many later very famous artists. I can point only couple of the names: Maris Jansons, Gidon Kremer, Emanuil Borok, Phil. Hirshhorn and many others.

In my students years I had a special interest to chamber music but in the same time I had opportunity to perform with Latvian national Orchestra and Latvian Youth orchestra many Violin Concertos: Mozart No. 3, Ant. Dvorak, P. Tchaikovski, Latvian Composer J. Kepitis, Hungarian composer Janos Viski. But my major interest was focused on chamber music and this opportunity was given me by Prof. Hermann Brown – Virtuous pianist and perfect ensemble player. On that time radio broadcasts use mostly life performance and I was so happy to play many sonatas with this fantastic pianist. In the same time I had a unique possibility to get some master classes with the world famous violinists as D. Oistrakh and Leonid Kogan. Those musicians were regular guests in Riga’s concert life and my father as a concertmaster of orchestra invites them for small party in our home.

This was unforgettable experience. I remember my admiring of Carmen Fantasy by Fr, Waxman played by L. Kogan. I decided to study this piece but behind the “iron curtain” this was not possible to buy this music abroad and I started to write this music by listening. Happily in the same time was concert of L. Kogan and when he come to our house I told him about my problem. Specially I need the first passage of that piece and Maestro wrote for me this passage by himself!!!!, more than this – he asked to play this music and gave my many advises how to perform this it.

When I was the 5th year student the Latvian Government organized the first professional string quartet and I was very proud to be invited in this project. After 2 years of very active concert life and many hours of practicing we took part in Moscow Quartet competition. Our mentors in Moscow were Prof. Mostras and Grigorian. This competition gave us 2nd place and selected our ensemble for string quartet competition in Bruxeles. Service in Soviet army not allowed us to fulfill this plan.

After one and half year our string quartet was the base of national Chamber Orchestra. This ensemble was between few ensembles that have the right to perform abroad. Here is not possible to show all famous musicians and countries where we performed. For more than 20 years I was the principal violist of this ensemble. All things had to be changed after Soviets crushed. Young Latvian State had no money and especially for music. Need to find way how to survive. I organized my ensemble and according the times named this as “Crazy Strings” WE performed music from baroque to jazz. In a short time we become very popular and were invited to Germany, Sweden, Finland, recorded some CDs. All this happily finished after I had an opportunity to come to Thailand. I am very happy here and try to make my students too to be happy with the music.

Danny Keasler

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email: msdkl@mahidol.ac.th, hindemith28@gmail.com

Danny Keasler is the Lecturer in Viola and Artist in Residence at Mahidol University in Salaya, Thailand and is also a member of the Thailand Philharmonic Orchestra.  He also teaches string literature and pedagogy at Mahidol University.

Danny Keasler received his Doctorate in Viola Performance from Florida State University.  At FSU, he was a graduate assistant.  His duties were performance based, and he performed in over forty chamber concerts in addition to numerous solo and orchestral performances.  While at FSU, he was Chairman of the Florida State College of Music Allocation Committee which was responsible for funding the colleges’ many student organization.  Also an avid singer, he was selected for FSU’s top graduate Chamber Choir under the direction of Dr. Andre Thomas.

During his academic pursuits, Danny studied viola with Dr. Pamela Ryan, Dr. Alvaro Gomez, and Dr. Routa Kromouvitch-Gomez.  He has performed in master classes for Patricia MaCarthy, Jeffrey Irvine, Kenneth Martinson, Daphne Gerling, William Goodwyn, and Robert Burns. He’s orchestral experience includes Thailand Philharmonic Orchestra, Tallahassee Symphony Orchestra, Augusta Symphony Orchestra, Columbus Symphony Orchestra, Mobile Symphony Orchestra, Pensacola Symphony Orchestra, Sinfonia Gulf Coast, Northwest Florida Symphony Orchestra, and Albany Symphony Orchestra.

In addition to his academic and performance experience, Dr. Keasler has also served as a quality assurance technician and musician with MakeMusic Inc. which creates the leading music notation program Finale and music practice program SmartMusic.  He also served as Personnel Manager of Sinfonia Gulf Coast based out of Destin, Florida and was responsible for contracting and coordinating performances that were held throughout northwest Florida.

Renee Spady

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email:

Renee Spady enjoys a varied and exciting career as an international soloist, orchestral and chamber player, and professor at Mahidol University. She began studying violin when she was seven in her hometown, Steamboat Springs, Colorado, and started performing in professional orchestras by the time she was fourteen. Since then, she has acted as assistant concertmaster and concertmaster at various music festivals and professional orchestras in Italy, Germany, the U.S, and Thailand.

Renee graduated cum laude from the University of Northern Colorado in 2012, earning her B.M. in violin performance under the guidance of pedagogue Richard Fuchs. She performed as concertmaster of the UNC Symphony, which won Downbeat Magazine awards for “Best Classical Ensemble” and “Best U.S. College Orchestra.”

Renee continued her studies in Boston with Rictor Noren, earning a Graduate Performance Diploma at the Boston Conservatory. During her time at the conservatory, she won the concertmaster audition and enjoyed many solo opportunities in the Symphony Orchestra and Opera and Chamber Orchestras. She also performed in several local Boston orchestras while she was in school and was a member of a professional quartet that specialized in videogame music. Boston is where Renee truly developed as an artist in the city’s wonderful creative and intellectual atmosphere.

Renee has been mentored outside school by many successful performers and feels grateful to have been especially impacted by members of the Philadelphia Orchestra, the Boston Symphony, Joshua Bell, David Kim, John Sant’Ambrogio, Kim Fischer, Herold Klein, Joe Conyers, Ronan Lefkowitz and Joseph Silverstein.

Renee appeared as a soloist with the Steamboat Springs Orchestra, the Hemenway Strings led by Lynn Chang, the String Orchestra at the Boston Conservatory and was a prizewinner in the Aurora Symphony Concerto Competition.

In 2015, Renee moved to Bangkok and became a member of the Thailand Philharmonic Orchestra. She looks forward to continuing to collaborate with wonderful musicians, learn from people around the world, and help develop the minds of young, aspiring artists.

Kamolmas Charoensook

Strings and Chamber Music Department

• Room Number:
• Phone: 081-750-1785
• Email: fang_violin@hotmail.com

กมลมาศ  เจริญสุข  (ไวโอลิน)
กมลมาศ  เจริญสุข  เกิดที่กรุงเทพมหานคร  เมื่อวันที่ 14  มกราคม  พ.ศ. 2530  เป็นบุตรสาวของรองศาสตราจารย์ ดร.สุกรี เจริญสุขและนางอริยา เจริญสุข   คุณพ่อเป็นผู้ก่อตั้งวิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล  โครงการวิจัยพรสวรรค์ศึกษา และมูลนิธิอาจารย์สุกรี เจริญสุข    คุณพ่อและคุณแม่เป็นผู้ให้การสนับสนุนการเรียนดนตรีอย่างจริงจัง   กมลมาศเริ่มเรียนไวโอลิน

เมื่ออายุ 7 ปี กับอาจารย์พูนสุข กุหลาบวงษ์ อาจารย์ประกอบ มกรพงษ์ อาจารย์สิทธิชัย เพ็งเจริญ Ms.Mate-Racz Csilla Mrs. Inga Causa และ Mr. Johannes Nittka  กมลมาศมีโอกาสได้เรียน Master class กับศิลปินที่มีชื่อเสียงหลายท่านเช่น Judit Szasz, Vilmos Olah, Albert Fichser, Matheos Kariolou และ Thomas Helge Rosenkraz เป็นต้น ในปี พ.ศ. 2552-2553 กมลมาศได้มีโอกาสเป็นนักเรียนแลกเปลี่ยน ได้ไปศึกษาที่ Hochschule für Musik Franz Liszt Weimar ประเทศเยอรมัน

กมลมาศมีผลงานการแสดงสม่ำเสมอทั้งการแสดงเดี่ยว Recital   การแสดง Chamber Music และการแสดงเดี่ยวร่วมกับวงออร์เคสตร้า กมลมาศได้เข้าร่วมการประกวดดนตรีและได้รับรางวัลจากการแข่งขันในระดับประเทศและนานาชาติ อาทิ รางวัลเหรียญทองจากการประกวดเยาวชนดนตรีแห่งประเทศไทย  รางวัลชนะเลิศในการบรรเลงวง String Quartet จาการประกวด Thailand String Competition  ผ่านเข้าสู่รอบรองชนะเลิศการประกวดดนตรีที่เมือง Oldenberg ประเทศเยอรมัน  นอกจากนี้เธอได้รับรางวัลชนะเลิศร่วมกับเพื่อนๆในวง Dr. Sax Chamber Orchestra จากการแข่งขันดนตรีระดับนานาชาติ The International Youth Chamber Music Competition (IYCC) เมือง Interlaken  ประเทศสวิตซ์เซอร์แลนด์  เมื่อวันที่ 29 กันยายน พ.ศ. 2548

ปัจจุบันกมลมาศ เป็นอาจารย์ภาควิชาเครื่องสายที่ วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล เป็นสมาชิกวงดุริยางค์  The Thailand Philharmonic Orchestra  และเป็นรองหัวหน้าวงและเป็นหัวหน้ากลุ่มไวโอลินแนวที่ 2 ของวง Dr. Sax Chamber Orchestra  กมลมาศได้เดินทางกับเพื่อนๆไปแสดงทั้งในประเทศและต่างประเทศ ได้แก่  ประเทศจีน  ออสเตรีย  ฮังการี  เยอรมัน  สหรัฐอเมริกา  แคนาดา ญี่ปุ่น สวิตเซอร์แลนด์ และอิตาลี  นอกจากนี้กมลมาศยังเคยเป็นสมาชิกวงของวงดนตรีในระดับนานาชาติ อาทิ วงดุริยางค์ฟีลฮาร์โมนิคสันติภาพโลก วงดุริยางค์เยาวชนแห่งชาตินอร์เวย์ วงดุริยางค์เยาวชนเอเชียตะวันออกเฉียงใต้ เป็นต้น

Dr. Yavet Boyadjiev (Violin)

Strings and Chamber Music Department

• Room Number: D 302.14
• Phone: Ext: 363
• Email: yavetboyadjiev@gmail.com
• Website: www.yavetboyadjiev.com

Dr. Yavet Boyadjiev, violinist

Described by the New York Music Review as possessing “great charm” and “exuberant virtuosity,” Cuban-born violinist Yavet Boyadjiev is a passionate chamber music collaborator, a devoted violin pedagogue, and an avid music researcher.

Dr. Boyadjiev has been a faculty member of Mahidol University College of Music in Thailand since 2009, and served as the institution’s String Department Chair from 2009 to 2012. She also teaches in Italy during the summer months, at the Cremona International Academy and Festival. Previously she taught at the Midori Foundation, the Juilliard School, Brooklyn College, the Kauffman Center, Hartwick College Music Festival, and the Manhattan School of Music Summer Camp. She has given master classes at the University of South Dakota, Special Music School of America at the Kauffman Center, and Payap University, and often adjudicates in competitions such as the Bangkok Regional Round of the Osaka International Music Competition, the Settrade Music Competition, and the Cremona International Academy String Competition.

Yavet Boyadjiev made her debut at Carnegie Hall’s Weill Hall as winner of the Artists International Presentation Award, and leads a diverse concert career that has taken her around the world. Some highlights include performances at the New York’s Music in Midtown Concert Series, the Niagara Falls International Music Festival, the international festival and conference Ralph Vaughan Williams (1872-1958): Fifty Years On (New York), the Jewish Museum Concert Series, the Look and Listen Festival, and the Thailand International Composition Festival, among others. In Bangkok, she has performed with the new-music group Contemporary Enclave and as a founding member of the Bangkok Piano Trio. She is a member of the Boyadjiev/Cesarczyk violin and guitar duo and is currently commissioning music for the ensemble.

Dr. Boyadjiev’s musical training was shaped by great violin pedagogues such as her father Radosvet Boyadjiev, Grigory Kalinovsky, and Daniel Phillips. She studied chamber music with pianists Sara Davis Buechner and Robert McDonald, and theory and research with Nils Vigeland, Joseph Straus, and her mentor Allan Atlas.

Born into a family of prominent musicians, her studies began at the age of seven at the Manuel Saumell Conservatory for gifted children, in Havana. She holds a Bachelor of Music Degree (Summa cum Laude) from the Instituto Superior de Arte (Havana) with special mention as “the most outstanding student in teaching.” She received a Master of Music degree from Manhattan School of Music under a full scholarship, and completed a Doctor of Musical Arts degree at the City University of New York Graduate Center, where her dissertation, “José White Laffita (1835-1918): A Biography and a Study of his Six Études, op. 13,” was nominated for the Barry S. Brook Dissertation Award, in 2015. Dr. Boyadjiev’s scholarly work has appeared in the Journal of the Viola Society of America, Mahidol Music Journal, and the Encyclopedia of Cuba: People, History, Culture. (Westport, CT: Greenwood Press, 2003). Presently, she is preparing publications, which focus on the musical career of José White, Cuba’s most prominent violinist of the nineteenth century.

Areas of teaching: 

Violin, Chamber Music, Violin Pedagogy, String Literature.

Research interest: 

José White, 19th-century Cuba, Violin Pedagogy, French School of Violin.

Educational background:

• (2015) Doctor in Musical Arts, City University of New York Graduate Center
• (2000) Master of Music, Manhattan School of Music (New York)
• (1996) Bachelor of Music, Instituto Superior de Arte (Havana)

Awards:

• (2015) Mahidol University Research Grant.
• (2015) Nomination: Barry S. Brook Dissertation Award, City University of New York.
• (2009, 2010, 2011, 2012, 2013, 2014) Dean Harrison Fellowship Award, City University of New York.
• (2006, 2007, 2008, 2009) CUNY Fellowship, City University of New York.
• (2002) Artists International Presentation Award – Carnegie Hall Debut.
• (1996) Outstanding Student in Teaching, Summa Cum Laude, Golden Title, Instituto Superior de Arte (Havana).

Publications:

• “José White Laffita (1835-1918): A Biography and a Study of his Six Études, op. 13.” DMA Diss., The City University of New York, 2015.

• “A report from the Cremona International Music Academy 2013.” Mahidol Music Journal, 19/8 (2014), 42-45.

• “The viola in Thailand: An Interview with Ajarn Choochart Pitaksakorn, National Artist.” The Journal of the Viola Society of America, 1 (2012), 49-56.

• “Philharmonic Orchestra of Havana.” In Encyclopedia of Cuba: People, History, Culture, ed. Luis Martínez-Fernández, 2 vols. Westport, CT: Greenwood Press, 2003.

• “Punto Cubano.” In Encyclopedia of Cuba: People, History, Culture, ed. Luis Martínez-Fernández, 2 vols. Westport, CT: Greenwood Press, 2003.

Inga Causa, Violin

Strings and Chamber Music Department

• Room Number: D302.03
• Phone: Ext. 352
• Email: inga.causa@gmail.com

Violinist Inga Causa earned her musical education in Latvia. She started to practice violin at the early age of 6.Inga studied at the Riga Special Music School named after Latvian composer Emils Darzins .This school gives to the world famous cellist Misha Maisky,violinist  Gidon Kremer and conductor Maris Jansons. For  11 years Ingas  teacher was one of the best violin professors in the former Soviet Union, prof.Izrail Abramiss

.After Inga continued her education at the Latvian Music Academy with prof.Juris Shvolkovskis where she graduated  with Merit at 1990. Ms.Causa received Master Degree at Violin Performance, Pedagogy and Chamber Music.

At the young age of 18 Inga started to work at the Latvian National Opera orchestra for 4 years. From 1993-2003  she was a principal of the II violin group at the Latvian National symphonic orchestra. Inga enjoys orchestra playing, she was a member to numerous chamber orchestra groups, including “Rigas Kamermuziki” and “ Rigas Philarmonic”.She also loves to play with a quartet. As a first violin of the string quartet” Difference” she won the prestigious opportunity to study with Ysaye String Quartet in France.

With different orchestra groups Inga has traveled through Europe and Asia.As a principal of II violin section of the Latvian National Symphonic Orchestra Inga performed under the baton of the world famous conductors as  M. Jansons, J.Kakhidze, V.Sinaisky, K.Simonov, T.Mikkelsen and many others.  On November 2003 she arrived to Thailand to became a teacher of violin, ensemble and quartet at the Mahidol University. Her students usually are between the winners of prestigious competitions in Thailand.

Currently Inga is a Concertmaster of II violins of the Thailand Philharmonic Orchestra. She is a member of this prestigious orchestra since it’s foundation at 2005.

Sittichai Pengcharoen, Violin

Strings and Chamber Music Department

• Room Number: D 302.01
• Phone: Ext. 350
• Email: mssittichai@mahidol.ac.th

Sittichai Pengcharoen, born in 1966 in Thailand, began studying the violin with Dr. Paradee Traiwittayakul and Dr. Pratak Prateeprasen at the Dramatic Arts College of Bangkok, later on continuing his studies with Col. Prof. Choochart Pitaksakorn at Chulalongkorn University.

His early success as a child prodigy gave him many opportunities of solo performances with the most notable Symphony Orchestras in Thailand. He was granted a scholarship to study with Rudolf Werthen and Henri Raudales at the Conservatory of Ghent, Belgium. He then went on to the Detmold Music Academy in Germany to study with Christoph Poppen and Ulf Wallin. He was one of the special fund students of Erick Friedman at Yale University. He also attended master classes with many renowned violinists such as Alexander Schnider, Yuri Mazurkevid, Cyrus Forough, Takeshi Kubayashi, Clarence Mayerschough, Lucas David, Shoko Aki, Alberto Lysy, Moche Mervich and Linda Rosenthal.

Sittichai Pengcharoen’s public performances include numerous recitals and orchestral works. As a soloist, he is regarded as one of the best Thailand has ever heard. He has appeared as concertmaster of the Thai Youth Symphony Orchestra, Ibycus Chamber Orchestra, Bangkok Symphony Orchestra, National Symphony Orchestra of Thailand, as well as the World Symphony Orchestra in the Republic of Korea. For many years he was a violin instructor at Chulalongkorn University and Kasersart University. He currently holds the position of violin professor at the College of Music, Mahidol University, and is the concertmaster of the Thailand Philharmonic Orchestra.

Paraschos Paraschoudis

Strings and Chamber Music Department

• Room Number:
• Phone:
• Email: cma.mahidol@gmail.com

Greek violinist Paris Paraschoudis currently serves as Chair of the Chamber Music Academy (CMA) on the faculty of the College of Music at Mahidol University.  A native of Thessaloniki, Greece, Mr. Paraschoudis was awarded a Bachelor of Music degree in violin performance and a Bachelor of Music degree in instrumental pedagogy from the Hochschule für Musik Nürnberg-Augsburg in Nürnberg; a Master of Music degree in violin performance from Bowling Green State University, Ohio; and is currently a Doctoral candidate in violin performance with a minor area in music composition at Louisiana State University (LSU).

Tsui-Ping Wei

Classical Voice Department

• Room Number: D 202.01
• Phone: Ext. 255
• Email: nancytpwei@hotmail.com

Nancy Tsui-Ping Wei is a Taiwanese born American now resides in the Kingdom of Thailand. As a youth vocalist, Nancy received awards from several Young Artist’s Vocal Competitions. She continued vocal study at Tainan Woman’s College of Arts and Technology, and later immigrated to USA where she earned her Bachelor and Master degree at the University of Houston, and George Mason University respectively.

Currently the Chair of Classical Voice Department, Nancy has been on the faculty of College of Music, Mahidol University since 1995. Nurturing young vocal talents has been her focus. Under her studio tutorage, her students are the honor graduates and the recipients of the international and national scholarships. Her students are the winners and finalists in the national and international competitions, and have been invited to the 1st Prize and 2nd Prize Winners’ Concerts in Carnegie Hall, and Kosciuszko Foundation Auditorium in New York. In 2009, 2010, and 2012 her students were the 1st Prize Winners in the Osaka International Music Competition, and in 2009, 2011 and 2012, the 1st Prize Winners of Thailand Settrade Music Competition. In 2011, 2012, and 2013, her students won the prestigious Thai-Austrian Scholarships to study in the University of Mozarteum, and University of Music and Performing Arts Vienna. Among others, her students are soloists in Thailand Philharmonic Orchestra, Thailand Opera and Musical Theater Company, Bangkok Opera, and Bangkok Symphony Orchestra.

Her principal teachers include Chen Li-Shiang, Tsai Shun-Mei, and Jean Preston. In theory and composition her teachers were David White and Glenn Smith. Her compositions have been performed at Tainan Fu-Shing Radio Station, George Mason University and in the public recitals.

Nancy has been on judging committees for several regional and international competitions. In 2011, she received the honorable ASEA-UNINET Thai-Austrian scholarships Teacher Exchange Program in University of Music and Performing Arts in Vienna, Austria. She is a National Certified College Faculty by Music Teachers National Association, USA since 1992. Besides teaching, Nancy performs recitals and gives workshops and master classes.

Education:

• George Mason University (Composition), 1992
• University of Houston (Composition & Theory, Voice), 1990
• Tainan Woman’s College of Arts & Technology (Vocal Performance), 1986

Current Teaching Areas:

• Applied Voice, Opera Workshops, Vocal Chamber Music

Research /Creative Work (Brief version):

• Annual Opera Productions of the Voice Department
• Students International and National Competitions
• Faculty Concerts (Every semester)
• Student Concerts and Recitals (Every Semester)

Prasong Pon-intra

Classical Guitar Department

• Room Number: A 206.06
• Phone: Ext. 217
• Email: prasong_lex@hotmail.com

เริ่มเรียนกีตาร์ กับ อาจารย์ภูวนัย จิระวิชา ที่โรงเรียนดนตรียามาฮ่า สาขาแจ้งวัฒนะ ต่อมาได้เข้าศึกษาต่อในระดับปริญญาตรี ที่วิทยาลัยครูสวนสุนันทาเมื่อ พศ 2534 และได้ศึกษาวิชากีตาร์กับ อาจารย์ขจร  ถ้ำทอง และอาจารย์ลำเนา เอี่ยมสะอาด พร้อมทั้งได้ศึกษา private guitar กับ อาจารย์สุวิช กลิ่นสมิทธิ์ ต่อมาได้ศึกษาในระดับปริญญาโท  ที่วิทยาลัยดุริยางคศิลป์ โดยได้ศึกษาวิชากีตาร์กับอาจารย์สุวิช กลิ่นสมิทธิ์ และ Pillipe Villa และได้เข้าทำงานที่วิทยาลัยดุริยางคศิลป์ตั้งแต่ พศ 2548 จนถึงปัจจุบัน

Education:

• 2538 – ปริญญาตรี ดนตรีศึกษา มหาวิทยาลัยราชภัฏสวนสุนันทา
• 2548 – ปริญญาโท ดนตรีปฏิบัติ มหาวิทยาลัยมหิดล

Teaching Areas:

• Major Performance
• Small Ensemble

Other Academic Services:
1. Homeroom Teacher M 6/3.
2. คณะกรรมการคัดเลือกนักเรียนสอบเข้าวิทยาลัยดุริยางคศิลป์ ม.หิดล ปี พ.ศ. 2556
3. .คณะกรรมการคัดเลือกทุนการศึกษาวิทยาลัยดุริยางคศิลป์ ม.หิดล ปี พ.ศ. 2556
4. คณะกรรมการสอบสัมภาษณ์นักเรียนเข้าใหม่วิทยาลัยดุริยางคศิลป์ ม.หิดล ปี พ.ศ. 2556

Suvich Klinsmith

Classical Guitar Department

• Room Number: D402.07
• Phone: Ext. 446
• Email: suvichk@gmail.com

Dr. Rattanai Bampenyou

Classical Guitar Department

• Room Number:
• Phone:
• Email:

Nalin Komentrakarn

Classical Guitar Department

• Room Number: A 206.05
• Phone: Ext. 216
• Email: nalin_mahidol@yahoo.com

Nalin graduated her Master Degree from College of Music, Mahidol University in 2003 and Bachelor Degree from Kasetsart University. Her teachers are Vidhaya Vosbein, Tawee Maneejaruthas and Kamol Achariyasart. She took masterclasses with Eduardo Fernandez, Timothy Kain, Hucky Eichelmann and Irma Costanzo. She also received Performer’s Certificate (Guitar) and Licentiate Diploma (Guitar Performance) from Trinity College (London). Nalin was the second prize winner of Yamaha Guitar Festival 1994. She has appeared as a soloist with orchestra and also gave a regular solo and chamber music recital. Her works are CDs ‘Guitar Lai Thai I, II (Thai Traditional Music Arranged for Guitar). In 2007 she was awarded “Trinity Guildhall Awards for Excellence in Music Teaching”. Her next publication will be “Guitar Literature”.

At present she is a guitar faculty at the College of Music, Mahidol University. Besides of her guitar teaching, she teaches music theory as well. She is also a staff of Thailand Guitar Society.

Teaching Areas

• Guitar
• Guitar Ensemble
• Guitar Literature
• Theory

Research and Creative Works

•  Guitar Literature (Book)
•  Guitar Lai Thai I, II (CD)

Other Academic Services

• Adjudication of Settrade Music Competition
• Adjudication of Yamaha Thailand Music Festival
• Committee of Thailand Guitar Society
• Committee of Thailand Music Educators Association (TMEA)
• Committee of Asia International Guitar Festival (AIGF)
• Committee of Pattaya International Guitar Festival
• Guitar Literature Lecture
• Guitar Recital
• Chamber Recital

Thesis Advisors
1. Torpong Uttarapong – Classical Guitar Performance, Case Study Music Program, Bachelor of Art, Thaksin University  (2008)
2. Natthwat Khositditsayanan – Arrangement of Thai Popular Music for Classical Guitar, Intermediate Level (2009)
3. Methee Apinantham – Arrangement of King Bhumibol’s Songs for Classical Guitar Ensemble, Beginner and Intermediate Levels (2009)
4. Worawan Teeraworamongkol –The study of a junior guitar course, step 1, in Siam Kolkarn Music school, Yamaha music foundation of Japan, Thailand  (2009)

Dr. Paul Cesarczyk

Classical Guitar Department

• Room Number: A 206.07
• Phone: Ext. 218
• Email: pcguitarist@gmail.com
• Website: http://www.paulcesarczyk.com/

Dr. Paul Cesarczyk, Head of Guitar Department

Described by Guitar Review Magazine as an “artist of uncommon command and maturity, with a broad, singing tone,” the Polish-born American guitarist Paul Cesarczyk is an active exponent of both the contemporary and the traditional repertoire. He made his New York City debut at the age of seventeen at Carnegie Hall’s Weill Recital Hall, and has been concertizing since then throughout the United States, Europe, and Asia.

Paul Cesarczyk has appeared in concert with the Manhattan Guitar Quartet (as a founding member), the Speculum Musicae, the Cremona Festival Orchestra, The Claremont Ensemble, the New York City Opera Orchestra, the Manhattan Virtuosi, and the Thailand Philharmonic Orchestra. Mr. Cesarczyk has performed in many festivals including the Danish GuitarWave festival, playing the works of Per Nørgård, and the Long Island Guitar Festival, where he has performed Steve Reich’s minimalist masterpiece Electric Counterpoint, and David Leisner’s Sonata for violin and guitar. As a member of the Boyadjiev-Cesarczyk duo he performs alongside his wife, violinist Yavet Boyadjiev, and is currently expanding the contemporary violin and guitar repertoire with commissions.

Mr. Cesarczyk is the recipient of several prestigious awards including the Andres Segovia Award, the Aaron Copland prize from ASCAP (American Society of Composers, Authors, and Publishers), the Artists International Award, a Kosciuszko Foundation Prize, and an Artistic Excellence Award from the New York State Senate.

An active proponent of new music, Mr. Cesarczyk has worked with contemporary greats such as George Crumb, both at the George Crumb Festival in New York, and in collaboration with the composer for his “George Crumb 70th Birthday Album,” released by Bridge Records (1999). A composer in his own right, Mr. Cesarczyk’s Debut CD “Polish Folk Melodies” (2009), featured his arrangements of Polish music for the guitar. His most recent arrangements include music by the King of Thailand and can be heard on the CD “Ekachai Jearakul Plays the Music of His Majesty King Bhumibol Adulyadej,” Bangkok, Thailand (2011).

Mr. Cesarczyk began guitar studies with his father, and was educated in New York City, including at the prestigious La Guardia High School for the Performing Arts. He received Bachelor’s and Master’s degrees from Manhattan School of Music, and earned a Doctor of Musical Arts (DMA) degree, at the State University of New York at Stony Brook. His most influential teachers were guitarists David Starobin and Jerry Willard.

Since 2009, Paul Cesarczyk serves as the Guitar Department Chair at Mahidol University College of Music, in Thailand. He is also on the faculty of the Cremona International Music Academy and Competition, in Italy, during the summer months. His dedication to teaching has produced numerous prize winners in national and international competitions. Mr. Cesarczyk performs on a guitar made by John Price and uses Augustine strings exclusively.

Education background:

• 1999—B.M. (Guitar Performance) Manhattan School of Music
• 2001—M.M. (Guitar Performance) Manhattan School of Music
• 2008—D.M.A (Guitar Performance) State University of New York at Stony Brook

Teaching areas:

• Major Performance
• Small Ensemble
• Large Ensemble
• Guitar Pedagogy
• Guitar Literature
• Guitar Fret Board Harmony

2. Research/Creative Works

PUBLICATIONS

Cesarczyk, P. (2013). Aranjuez: The Guitar’s Most Famous Concerto played by Ekachai Jaerakul and the Thailand Philharmonic Orchestra. Mahidol University Music Journal, Vol. 18, No. 11, (June 2013).

(2013). Reviews [Review of the concert: The Lord of The Rings]. Mahidol University Music Journal, Vol. 18, No. 11 (June 2013).

(2013). Heitor Villa-Lobos and the Choro Tradition as Reflected in his Prélude No. 2 from Cinq Préludes (1940) for Guitar. Mahidol University Music Journal, Vol. 18, No. 6 (February 2013).

(2013). Reviews [Review of the CD Faces of Love]. Mahidol University Music Journal, Vol. 18, No. 10 (June 2013), pp. 58-9

(2013). A Pedagogical Analysis of Fernando Sor’s Lesson 20, Op. 31. Mahidol University Music Journal, Vol. 18, No. 1 (September 2012), pp. 8-15.

(2011). Legendary Classical Piano Solos (Composer Essays).  London: Music Sales Publications UK.

(2011. Legendary Classical Guitar Solos (Composer Essays).  London: Music Sales Publications UK.

(2010). Liner Notes [CD Jerry Willard’s A Night at the Opera]. Lyrichord Records, LEMS 8074.

(2010). Liner Notes [CD George Gershwin – That Certain Feeling]. Lyrichord Records, LYRCD 6006.

(2008). Recent Releases [Review of the CD Tantalus Quartet – Debut]. Guitar Review Magazine, No. 142, Spring 2008.

(2008). Liner Notes [CD Jerry Willard-The Baroque Guitar. Music of Sanz, Logy, Murcia and Roncalli]. Lyrichord Records, LEMS 8065.

(2007). An Interview with Luigi Attademo. Guitar Review Magazine, No. 135, Winter 2007, pp. 16-20.

(2006). Recent Releases [Review of the CD That Certain Feeling – George Gershwin for Guitar]. Guitar Review Magazine, No. 130, Winter 2006.

(2004). Liner Notes [CD Jerry Willard Plays. Four Centuries of Lute and Guitar]. Lyrichord Records, LEMS 8051.

(2003). Concerts in Review [Review of Robert Belinic – Debut]. Guitar Review Magazine, No. 127, 2003.

RECORDINGS 

Cesarczyk, P. (2011). Royal Guards’ March (Recorded by Ekachai Jearakul and Paul Cesarczyk). Ekachai Jearakul Plays the Music of His Majesty King Bhumibol Adulyadej (CD). Bangkok, Thailand: Thai Bev Recording.

(2008). Polish Folk Melodies (Paul Cesarczyk, guitar). Guitar Review Magazine CD. New York, New York: Albert Augustine, Ldt.

(1999). Star-Child (Paul Cesarczyk, bell-ringer). George Crumb 70th Birthday Album (CD). New Rochelle, New York: Bridge Records. BRIDGE 9095.

Academic Services (outside) 

ADJUDICATION

2013    Asia International Guitar Competition, Bangkok
Indonesia International Guitar Competition, Jakarta
2012    Asia International Guitar Competition, Bangkok
Settrade Music Competiton, Thailand
Pattaya Classical Guitar Festival and Competition, Thailand
2011    Asia International Competition, Bangkok
Korat International Festival and Competition, Thailand
Pattaya Classical Guitar Festival and Competition, Thailand
2010    Asia International Competition, Bangkok
Korat International Festival and Competition, Thailand
Settrade Music Competiton, Thailand
Bangkok International Festival and Competition
Yamaha Acoustic Guitar Competition, Thailand
Mahidol University Sight-Singing Competition

RECENT PERFORMANCES (2009-13)

2013
Indonesia International Guitar Festival and Competition, Jakarta, Indonesia
Solo guitar recital

Cremona International Academy and Competition, Cremona, Italy
Haydn: Guitar Quartet, Hob. III: 8
Vivaldi: Double Concerto for violin and Guitar RV 540

American University Alliance, Chiang Mai, Thailand
Solo guitar recital

Thailand International Composition Festival (TICF), Bangkok, Thailand
Guitar and string orchestra

Thailand Philharmonic Orchestra, Gudni Emilsson, conductor, Bangkok, Thailand
Mahler: Symphony no. 7, mandolin

Chamber Music Academy Faculty Concert, Mahidol University, Thailand
Performance of Haydn’s Quartet for Guitar and String Trio, Hob. III: 8

Faculty Woodwind Recital, Mahidol University, Thailand
Chamber performance with recorder

2012

International Guitar Festival and Competition, Pattaya, Thailand
Solo performance and chamber music recital

Guitar Faculty Recital, Mahidol University, Thailand
Performance of Schubert’s Quartetto for Guitar, Flute, Viola and Cello, D. 96

Graha Cantata Ruhan (Indonesia Guitar Society), Jakarta, Indonesia
Solo Recital

“Music in the Era of Louis IV”, Mahidol University Choir and Baroque Orchestra, Mahidol University, Bangkok, Thailand and Goethe Institute, Thailand
Lute, basso continuo

Early Music Recital III: “Music of the English Renaissance” Bangkok Baroque, Goethe Institute
Lute solo, chamber music

Asia International Guitar Festival (AIGF), Bangkok
Duo recital with violin, Boyadjiev-Cesarczyk Duo

Goethe Institute Auditorium, Bangkok
Duo recital with violin, Boyadjiev-Cesarczyk Duo

Thailand Guitar Society Hall, Bangkok
Duo recital with violin, Boyadjiev-Cesarczyk Duo

Asia-Pacific International University, Muak Lek, Thailand
Duo recital with violin, Boyadjiev-Cesarczyk Duo

Institute Francais d’Birmanie, Yangoon, Myanmar
Solo performance

International Guitar Festival and Competition, Pattaya, Thailand
Solo performance

2011

“A Sacred Evening in Salzburg”, Mahidol University Choir and Baroque Orchestra, St. Luis Church, Bangkok, Thailand
Lute, basso continuo

Thailand Philharmonic Orchestra, Ligia Amadio, conductor, Bangkok, Thailand
Soloist:
Mario Castelnuovo-Tedesco: Concerto no. 1, Op. 99
Antonio Vivaldi: Lute Concerto RV 93

Mahidol Guitar Faculty Concert, Mahidol University
Chamber and Solo Performance

International Guitar Festival and Competition, Korat, Thailand
Duo performance

Faculty Recital: Guitar Duos – Music of Domeniconi, Brouwer and Tedesco, Mahidol University
Chamber Music Recital

Contemporary Concert: George Crumb’s Mundus Canis, Mahidol University
Chamber music performance

Mahidol Guitars Night, Sangvian Indaravijaya Auditorium, Bangkok
Chamber Performance

Early Music Recital II: Works for Recorder and Lute, Mahidol University
Chamber Music Recital

Paul Cesarczyk: 500 Years of Guitar Music, Mahidol University
Solo Recital

Faculty Recital: Guitar Duos – Music of Piazzolla, Rodrigo and Takemitsu, Mahidol University
Chamber Music Recital

2010

Early Music Recital I: Music from the Middle Ages, Renaissance and Baroque, Mahidol University
Chamber Music recital

Thailand Philharmonic Orchestra, “Hollywood Night”, Mahidol University
Stanley Myers: Cavatina, soloist

Commemorative Concert for Hungarian Nationhood, Siam Paragon
Chamber music performance

International Guitar Festival and Competition, Korat, Thailand
Solo performance

Asia International Guitar Festival and Competition, Bangkok, Thailand
Solo Performance

Plucked Strings: Music for Lute, Mandolin, and Guitar, Assumption University, Thailand
Chamber Music performance

2009

Faculty Recital, Mahidol University, Thailand
Solo and Chamber Performance

Contemporary Music Recital, Mahidol University
Steve Reich’s Electric Counterpoint

Faculty Recital, Mahidol University, Thailand
Solo performance

Seminars/speaker/Masterclass

• 2013    Payap University, Chiang Mai, Thailand (Master Class)
• 2013    Cremona International Music Academy, Italy (Master Class)
• 2013    Indonesia International Guitar Festival, Jakarta (Master Class)
• 2012    Skola Gitara Jakarta, Jakarta, Indonesia (Master Class)
• 2012    Thailand Guitar Society, Bangkok (Master Class)
• 2011    “Guitar Teaching Techniques in the Upcoming Decade” Thai Teachers
•              Association Conference, Salaya, Thailand (Lecture)
• 2010    Siam Paragon Campus, Mahidol University, Bangkok (Master Class)
• 2008    William Paterson University, Wayne, NJ (Master Class)
• 2007    W.C. Post University: Long Island Classical Guitar Society. Brookville, NY (Master Class)

Thesis Advisor

• Sakda Tamseewan (2013) The Latin Styles of Chick Corea (M.A. Thesis Document).
• Teerawat Tunboot (2012) The Bass styles of Scott La Faro, Ray Brown and Larry Grenadier (M.A. Thesis Document).
• Sumetus Eambangyoon (2012) Graduate Guitar Recital (M.A. Thesis).
• Rattwit Rattakangjanapiboon (2012) Graduate Guitar Recital (M.A. Thesis).
• Therdpong Wan-Nawong (2011) Graduate Guitar Recital (M.A. Thesis).
• Krichapon Inthanin (2012) Analysis of Scott Henderson’s Jazz Fusion Improvisation (M.A. Thesis Document).
• Tinnakorn Soithongsook (2011) Graduate Guitar Recital (M.A. Thesis).
• Yosawee Thongpae (2011) Analysis of the Walking Bass Line in the Music of Gary Peacock (M.A. Thesis Document).
• Pongsiri Kajornvaekin (2011) A Method to Approach Jazz Guitar in the Styles of Kurt Rosewinkel, Ben Monder and Galad Hickelsman (M.A. Thesis Document).

STUDENT ACOMPLISHMENTS

• Ekachai Jaerakul (Thailand)

2nd prize International Guitar Competition in Kiev, Ukraine

1st prize III Culiacan International Guitar Competition 2010 in Mexico

1st prize 11th Antony International Guitar Competition 2010 in Paris France

1st prize 8th John Duarte International Guitar Competition in Rust Austria

1st prize 17th Anemos International Music Competition 2010 in Rome Italy

3rd prize International Guitar Competition 2010 in Fiuggi Italy

2010 Mozarteum Scholarship Award, Salzburg Austria

• Hitoshi Miyashita (Thailand, Japan)

1st prize 6th Kyznecov’s International Guitar Competition, Russia (youth category)

1st prize Asia International Guitar Competition, Thailand (junior category)
Best Thai Player Asia International Guitar Competition, Thailand (senior category)

1st prize 2nd Korat Guitar Competition
2nd prize (no 1st prize): Thailand International Guitar Competition

1st prize (Most Promising Junior Guitarist): Calcutta International Guitar Competition “Nikita Koshkin”, India (junior category)

2nd prize Philippine International Guitar Competition, Philippines

2nd prize 44th Tokyo City Guitar Competition, Tokyo, Japan

• Watcharaphon Nillaphong (Thailand)

2nd prize Yamaha Acoustic Guitar Competition 2010

2nd prize Korat International Competition 2011 (junior category)

• Padej Netpakdee (Thailand)

1st Prize (tie) Thailand International Guitar Competition 2009

3rd Prize Asia International Guitar Festival and Competition

• Napattorn Churaitasanee (Thailand)

1st Prize Junior Category Asia International Guitar Competition 2009

5th Prize Thailand International Guitar Competition 2009

3rd Prize International Guitar Competition VOLOS, Greece, 2010

• Natdanai Phuaphanprasong (Thailand)

1st Prize Thailand International Guitar Competition 2012

1st Prize Pattaya International Guitar Competition 2012

3rd Prize Pattaya International Guitar Competition 2011

3rd Prize Hua Hin International Guitar Competition 2012

Best Thai Player Prize Asia International Guitar Competition 2012

• Kawin Watanasuchart (Thailand)

1st Prize Burapha International Guitar Competition 2012

Rasikamon Siyapong

Piano Department

• Room Number:
• Phone:
• Email: rasikamon5@hotmail.com

Rasikamon Siyapong was born on 13^th May, 1992. She started her piano lesson at the age of 5. In 2006, she received The Best Performance of Bach 3-part Inventions Prize in the Nat 8^th Studio Piano Competition.

Then, she was accepted to be a piano major student at the Pre-College Program, College of Music, Mahidol University with Young Artist Scholarship in 2007. Later in 2008, she received Special Prize in the 8^th Bangkok Chopin Piano Competition. She graduated from the Pre-College Program with the Valedictorian Awards in 2010. In the same year, she was awarded Silver Medal Prize in the 14^th Settrade Youth Music Competition. In 2013, she participated in the 1^st Summer Piano Institute in Corfu, Greece, organized by Piano Plus Festival and Ionian University, Department of Music, and performed in The Thai Piano Recital at Attiko Conservatory of Athens. In 2014, she graduated from College of Music, Mahidol University majored piano performance with a first-class honors.

Her piano teachers are included Mr.Boonlhong Nithiuthai, Miss Akiko Fujie, Miss Eri Higashide and Assist. Prof. Dr. Eri Nakagawa.

She has performed in many solo and chamber music concerts. She has also played in numerous masterclasses with many international artists including Prof. Rolf-Dieter Arens, Prof. Tomasz Herbut, Dr. P’ng Tear Hwa & Dr. Lim Pei Sien, Prof. Kemal Gekic, Prof. Julie Bees, Prof. Susan Gray, Prof. Gustavo Romero, Mag. art  Istvan Bonyhadi, Prof. Lambis Vassiliadis, Dr. Robert Satterlee and Prof. Wolfram Schmitt-Leonardy.

She is currently a staff accompanist at College of Music, Mahidol University. Also, she received a scholarship within a framework of ASEA-Uninet and went to study as an exchange student at Mozarteum University in October, 2014.

Sornsuang Tangsinmonkong

Piano Department

• Room Number: A309
• Phone: 02-800-2525 ext. 320
• Email: Sornsuang.tan@mahidol.ac.th

Sornsuang Tangsinmonkong starts her piano lesson at the age of 5. In July 2000, she was invited to participate in the Chopin Festival in Busko, Poland and also had the opportunity to attend the masterclasses conducted by Prof. Barbara Hesse-Bukowska. In the following year, she gave her debut concert at the age of 17 at Thai-German Cultural Auditorium, Thailand. While study Bachelor degree at Chulalongkorn University, she was a piano accompanist and the concert leader of the CU Chorus. After she graduated from Chulalongkorn University, she decided to continue her piano study in master degree with Asst. Prof. Dr. Eri Nakagwa at College of Music, Mahidol University. Sornsuang received master degree majoring in piano performance in 2011 and joined the faculty as a keyboard skills and group piano class instructor for undergraduate and pre-college piano and non-piano majors. She was also responsible for revision of group piano curriculum for undergraduate and pre-college programs. In April 2013, she was invited to be a Juror of the piano competition (age not more than 15 years old category) held by The Office of the Private Education Commission, Ministry of Education. From August 2013, she continues her study in DMA in piano performance at West Virginia University.

Education background

• 2011 B.A. (Piano Performance), Mahidol University
• 2007 B.Sc. (Statistic majoring Information Technology for Business), Chulalongkorn University

Teaching areas:

• Keyboard Skills (Pre-College and Undergraduate)
• Piano Groups
• Private piano lessons

Research/Creative Works

Tangsinmonkong, S. (2011). Gradudate recital by Sornsuang Tangsinmonkong

(Master’s thesis). Available from Jiew Bangsue Music Library. (TP S714g2011)

Academic Services (outside)

for example:

– Adjudication

• Juror of Piano Competition held by The Office of the Private Education Commission, Ministry of Education (April 2013)

– Performances

• Piano Faculty Concert, Music Auditorium, College of Music, Mahidol University (Dec 2012)

– Seminars/speakers

“Meet the Pianists” Chintakarn Music Institute, Thailand (May 2011)

• Trained music school teachers about music interpretation and playing techniques in the comprehensive seminar

Recitals

– Piano Faculty Concert, Music Auditorium, College of Music, Mahidol University (Dec 2012)

– Piano Student Concert, Music Auditorium, College of Music, Mahidol Universtiy (Jan 2009 and Jul 2007)

– Debut Piano Recital, Thai-German Cultural Auditorium, Thailand (Dec 2001)

– Piano Recital,  The 6th Chopin Festival by Prof. Barbara Hesse-Bukowska, Busko, Poland (Jul 2000)

– Piano Recital Chopin Concert, Thai-German Cultural Auditorium, Thailand  (Aug 1999)

Teeranai Jirasirikul

Piano Department

• Room Number: D202.02
• Phone: 0-2800-2525 ext. 256
• Email: j.teeranai@gmail.com

Mr. Teeranai Jirasirikul is a Lecturer in Piano at the College of Music, Mahidol University. He teaches applied piano and small ensemble, and is also a staff accompanist.

In April 2012, Teeranai won the Best Accompanist Prize with the Mahidol University Choir (MU Choir), winning the 1st Grade Diploma from the XI Moscow International Children’s Youth Choir Festival “MOSCOW SOUNDS” in Russia. In April 2013, he won the Silver Band with MU Choir from the VII International Festival Siovakia Cantat 2013 in Bratislava, Slovakia.

Teeranai has vast performance experience and has won numerous scholarships and prizes throughout his study. In July 2007, Teeranai received a scholarship to join the Corfu Festival at the Ionian University in Greece, where he studied with Assist. Prof. Lambis Vassiliadis and Mr. Maxim Mogilevksy.  In 2008, he was awarded the Mazurka and Nocturne Prizes in the 8th Chopin Piano Competition held in Bangkok. In 2010, Teeranai was invited as a guest soloist to perform Gershwin’s Rhapsody in Blue with the Mahidol Wind Symphony at the 2010 Yamaha Australian National Band Championships in Hobart, Australia.

Teeranai has been conducting since 2005 and has studied Principal Conducting with Dr. James Cherry, Mr. Goesta Mueller and Mr. Shuichi Komiyama. From 2006-2009, Teeranai was Assistant Conductor of Mahidol Wind Symphony and Mahidol Symphony Orchestra. He participated in conducting master classes with world-renowned conductors such as Prof. Dennis Fisher, Mr. Bundit Ungrangsee and Mr. Gudni A. Emilsson.

In 2013, Teeranai was the Associate Director of Bands. He serves as conductor of the Mahidol Symphonic Band. He has appeared as a guest conductor with several ensembles including the St. Gabriel College Band, and served as the assistant conductor of the Siam Philharmonic Orchestra for the opera “La Bohème” in Bangkok, Thailand.

• 2008 B.A. (Piano Performance) Mahidol University
• 2012–M.A. (Piano Performance) Mahidol University
• Thai and English

Research/Creative Works

Research

Jirasirikul, T. (2012). Graduate piano recital (Master’s thesis). Available from Jiew Bagnsur Music Library. (TP T258g2012)

Creative Works

In 2010, performed as guest soloist in Gershwin’s Rhapsody in Blue with the Mahidol Wind Symphony in Hobart, Australia.

In 2011, conducted the premier composition composed for memorial of Fua Haripitak event.

In 2012, conducted and composed music for Buddhist event at Siam paragon hall. (มหกรรมงานโพธิ์ งานวัดลอยฟ้า)

In 2013, produced and arranged music of the Plum Blossoms Vol.2 (Plum Village songs for the practice of mindfulness)

In 2013, music arranger of the Duriyangkasin album.

Teeranai will perform as soloist and conductor in Gershwin’s Rhapsody in Blue with the Mahidol Saxophone ensemble in September 2013.

Student award

Accompanying Phuket Areesamarn (won the 3rd prize in Thailand Clarinet Competition)

Mr. Tharach Wuthiwan

Piano Department

• Room Number: A310
• Phone:
• Email: tharachw@gmail.com

Tharach Wuthiwan had his first music lesson at the age of 9 at Yamaha Music School in Khon Kaen studying Electone with Tung Techa-ai.  From his second year in Electone, he started to win prizes from every year he participated in the North Eastern Regional section of the annual Yamaha Music Competition and received scholarships to participate in Yamaha Music Camp in 1997 and 1998.

At the age of 14, he commenced piano tuition with Massirin Sarn-in and was awarded the Gold Medal Prize in the second year of his piano study from the same competition. He later received an opportunity to study with Dr.Kazuo Inoue at Yamaha Music Academy in Bangkok.

In 2004, He was accepted at College of Music, Mahidol University to study with Ms.Azusa Hokugo, Dr.Ramasoon Sitalayan and Dr.Eri Nakagawa. During this time he won a scholarship from Yamaha Music Foundation, Japan and he was selected to perform in the Honor Student Showcase Concert.

He has participated in a number of Master Classes with Gustavo Romero, Lambis Vasilliadis, Adam Gyorgy, Chung Lee, Sebastien Koch, Sara Beuchner, etc. Also, He has performed in various concerts both at Mahidol University and outside.

Tharach has graduated and continued his Master degree at College of Music, Mahidol University. Majoring in piano performance with Dr.Eri  Nakagawa with teaching assistantship.

Besides studying, Tharach serves as a part-time instructor at MCGP project at Siam Paragon since 2005 and a full-time instructor at College of Music, Mahidol University at Salaya since 2011. Young students of Tharach gained An Outstanding Performance Prize from Trinity-Guildhall Thailand Youth Piano Competition 2010, Distinctions from Trinity Grade Examination and students who prepared for university entrance auditions were accepted at Mahidol University and Rangsit University since 2009 to present consecutively.

Education background

• 2004-2008 B.A. (Music Performance), Mahidol University
• 2009-present Candidate of Master of Art (Music Performance), Mahidol University

Teaching areas:

• Keyboard Harmony (for piano major students)
• Keyboard Skills (for non-piano major students)
• Piano Group Class (for general public at MCGP)
• Private lesson for college students
• Private lesson for general public at MCGP

Research/Creative Works

• Curriculum revision and materials design for group keyboard class

Academic Services (outside)

Adjudication

• Examiner for MCGP Siam Paragon’s piano grade examination (2011-2012)

Concert

• Solo Performances: Debussy 150th anniversary (2012), Piano Faculty Concert (2012)
• Accompaniment: Une Flute a L’Opera with Chatchapon Jiamjanyong (2010)

Thesis Advisor

• An Expert Verification: Pornchanan Suravichai, “A Remedial piano sight-reading selfinstructional package for intermediate piano students”. (Thesis)
• Participant: Ni-on Tayrattanachai, “A study of Piano Pedagogy Course Content at Undergraduate level in Thailnad”. (Dissertation)

Yoshimi Matsushima

Department : Piano Department

• Room Number: D202.03
• Phone: 0-2800-2525 ext. 257
• Email: yoshimi443310@hotmail.com

Education background

• 1995—Bachelor of Music (Piano Performance) Musashino Music Academy, Japan

Teaching areas:

• Small Ensemble
• Vocal Coaching
• Accompanying for Voice
• Instrumental Accompaniment
• Coordinate ensemble for Students

Research/Creative Works

•  Private Study at Hochschule fuer Musik in Karlsruhe, Germany as auditor with Andre   Boainain
•  Master Class of Piano Duo at International Summer School in Tokyo, Japan with  Alexander Bakhchiev

Others 

• Instructor of Music at Kitakyushu High School, Fukuoka, Japan (1995-1999)
• Instructor of Music at Toyo High School, Fukuoka, Japan (1999-2000)
•  Accompanist of Kitakyushu City, Kokura Junior Chorus in Japan (1993- )
• Accompanist at Master Class in Voice and Piano Accompaniment by Prof. Franz Lukazovsky and Istvan Bonyhadi (2009-2012)

Arens Rolf-Dieter

Piano Department

• Room Number:
• Phone:
• Email:
• Website:

Born in 1945 in Zinnwald, Germany, Rolf-Dieter Arens was already taking piano lessons at the age of five. He studied piano and chamber music at the music academy “Felix Mendelssohn Bartholdy” in Leipzig and attended master classes given by Paul Badura- Skoda. From 1986 until 1991, he was a regular soloist with the Berlin Symphony Orchestra, and toured Europe with them. He has also had concert appearances all over the world both as a soloist and in chamber ensembles. In 1995 he founded the chamber association “Weimar Soloists”. Arens has worked with such renowned conductors as Kurt Masur, Herbert Blomstedt, Marek Janowski and Neville Marriner. He has taken part in numerous radio broadcasts and has made recordings for television and CD productions. Arens has also been active as a jury member at important international piano competitions, such as the the “Bach” of Lipsia, the “Beethoven” of Vienna, the “Casagrande” of Terni and the “Liszt” of Budapest, Utrecht and Weimar.

The name Franz Liszt also pops up frequently in the life of Arens: from 1986 until 2012, he has been professor of piano at the LISZT SCHOOL of Music Weimar, and has been the school’s president from 2001 until 2010. Since 2000, he is artistic director of the International FRANZ LISZT Piano Competition Weimar – Bayreuth, and has been artistic director of several Liszt festivals including the Thuringian Liszt-year 2011. Since 2006, he is founding member of the NEW LISZT FOUNDATION. In 2011, he was awarded the “Premio Liszt” in Grottamare (Italy). In addition, Rolf-Dieter Arens was artistic director of the summer music academy at the Hundisburg castle from 1993 until 1999 and again since 2007. As president of the “Culture Foundation Leipzig”, his latest project was the creation of a permanent Wagner exhibition in the Nikolai church in the birth town of the composer that opened up in May 2013. In 2014, Arens was awarded the “Thuringian order of merit”. In the academic year 2014/15 Rolf-Dieter Arens will be guest professor for piano at the Mahidol University in Bangkok (Thailand).

Bakhtiyor Allaberganov

Piano Department

• Room Number: D 202.04
• Phone: 0-2800-2525 ext. 258
• Email: Bakh72@mail.ru

Born to a musical family (his father was a renowned traditional Makom singer), Mr. Bakhtiyor Allaberganov started piano studies at the Special Music School for gifted children in Khorezm region, and shortly thereafter won the Young Pianist Competition of Uzbekistan. Later on he again won recognition in the International Piano Competition in Ashgabad, Turkmanistan. Mr. Allaberganov holds diplomas from the Tashkent State Conservatoire where he fulfilled his college and graduate studies as piano performer, piano teacher,  chamber music major,consertmeister. Mr. Allaberganov has participated in several festivals and competitions such as the Franz Liszt International Piano Competition in Utrecht, The Netherlands, and the International Piano Competition in Sao-Paulo, Brazil in 2001.

His experience as a piano teacher and collaborative pianist is extensive, having been staff accompanist at several musical institutions such as the Tashkent state Conservatoire,, the Mannon Uygur Tashkent State Institute of Arts and the The Glier Republican Music Academic Lyceum, as well as an assistant director and staff accompanist at the College for Stage and Circus Performers. Mr. Allaberganov has supported and coached numerous singers and string players through recitals and competitions in the former Soviet Union, Uzbekistan, as well as in Thailand. His main teachers have been Sarimsakova Rimma, Ofelia Yusupova, Marat Gumarov, and Nargiz Polatkhanova.

Currently, Mr Allaberganov is a piano teacher at Mahidol University College of Music, resident staff pianist of the Mahidol Symphonic and Chamber Choirs, and a member of the Thailand Philharmonic Orchestra.

Assist. Prof. Dr. Eri Nakagawa

Piano Department

• Room Number: A403
• Phone: 0-2800-2525 ext. 417
• Email: eri.nak@mahidol.ac.th

Eri Nakagawa, a native of Japan, has been on the piano faculty of College of Music, Mahidol University in Thailand since 1995.  Previously to her appointment at Mahidol she was Assistant Professor of Music Performance at Ball State University, Indiana, USA.  She received the 1992 Ball State New Faculty Creative Arts Award.    She has frequently performed as a recitalist and soloist with orchestras.  As a collaborative pianist and accompanist, she enjoys working with her colleagues at Mahidol and other distinguished musicians in Thailand and abroad.  Among her piano teachers were Koji Tanaka and the late Naoyuki Inoue, Mitchell Andrews and Pia Sebastiani.

Education background

• 1984 B.Ed. (Upper Secondary School Teacher Training Course in Music, Primary Instrument:  Piano) Osaka Kyoiku University, Japan
• 1885 Post Graduate (Piano Performance) Mukogawa Women’s University, Japan
• 1987 M.M. (Piano Performance; Chamber Music & Accompanying) Ball State University, USA
• 1997 D.A. (Piano performance) Ball State University, USA

Teaching areas:

• Piano

Research/Creative Works

– Faculty Piano Recital (1996) J. S. Bach Italian Concerto, Beethoven Sonata Op. 57, Mozart Sonata K. 576, Chopin Ballade Op. 52 and Liszt Mephisto Waltz

– CD (1999) J. S. Bach: Inventions and Sinfonias

– CD (1999) Piano Music for Children

– Seminar (1999) “J. S. Bach’s Inventions and Sinfonias”

– Soloist with Mahidol Wind Orchestra (2002) Gershwin Rhapsody in Blue

– Lecture (2004) “Chopin’s Editions” National Music Education Conference

– Faculty Piano Recital (2005) Bach Partita No. 2, Franck Prelude, Chorale and Fugue, 10 Etudes by Chopin, Debussy, Stravinsky, Kapustin, Liszt, Rachmaninoff: Scriabin, Liapunov and Saint-Saens

– TPO Soloist (2006) Mozart Concerto K. 466

– Faculty Piano Recital (2007) Berg: Sonata, Pataradetpisan: monochrome for piano, Schumann Humoreske and Chopin 4 Scherzi

– Faculty Piano Recital (2009) Schubert Sonata D. 894 and Chopin 4 Ballades

– TPO Soloist (2009) Rachmaninoff Concerto No. 3

– Faculty Piano Recital (2010) Schumann Fantasy and Chopin 24 Etudes, Opp. 10 & 25

– Faculty Piano Recital (2011) Beethoven Bagatelles Op. 129 and Sonatas, Opp. 109, 110 and 111

– TPO Soloist (2012) Prokofiev Concerto No. 3

– Faculty Piano Recital (2013) Bach Goldberg Variations and Rachmaninoff Sonata No. 2 (1913)

Academic Services (outside) 

– Lecture (1996) “How to Study Piano Accompanying”, Piano Festival, Srinakarinwirot University, Bangkok

– Concerto Performance (1997) Grieg Concerto, Nusantara Symphony Orchestra, Jakarta, Indonesia

– Concerto Performance (1999) J. S. Bach Concerto in G Minor, Budapest Chamber Symphony, National Theater, Bangkok

– Concerto Performance (2000) Rachmaninoff Concerto No. 2, Thüringen Gotha-Suhl Philharmonie, Thailand Cultural Center, Bangkok

– Concerto Performance (2002) Grieg Concerto, Ball State Symphony Orchestra, Ball State University, USA

– Solo Recital (2002) Haydn Variations, 3 Nocturnes by Field, Chopin and Barber, Faure Theme and Variations, Nagel Water Grokking (1992), Scriabin Sonata No. 4 and Rachmaninoff Sonata No. 2; University of Northern Colorado, USA

– Solo Recital (2002) Bruckner Conservatory in Linz, Austria

– Solo Recital (2002) Landesmuskischule Bad-Schallerbach, Austria

– Solo Recital (2002) Bösendorfer Saal, Vienna, Austria

– Lecture (2002) “The Importance of Ear Training in Music Education – Introduction to Japanese Ear Training Methods” Bruckner Conservatory, Linz, Austria

– Adjudication (2004-present): Osaka International Music Competition in Osaka, Japan

– Solo Recital (2006) Yong Siew Toh Conservatory of Music, Singapore

– Adjudication (2007) Kawai Piano Competition, Bangkok

– Solo Recital (2007) Ionian Academy Hall, Corfu, Greece

– Summer Academy Professor (2007) Corfu Festival, Greece

– Summer Acedemy Professor (2009, 2011, 2012) Moulin d’Andé International Masterclasses, Normandy, France

– Adjudication (2009) The 2nd International Piano Festival by People with Disability in Vancouver, Canada

– Adjudication (2010) The 3rd Singapore Performers’ Festival and Chamber Music Competition in Yong Siew Toh Conservatory of Music, Singapore

– Solo Recital (2012) Western Australian Academy of Performing Arts, Perth, Australia

– Concerto Performance (2012) Rachmaninoff Concerto No. 3, Thailand Philharmonic Orchestra, Sumida Triphony Hall, Tokyo, Japan

– Summer Academy Professor and Solo Recital (2013) The 1st Piano Institute, Corfu, Greece

Thesis Advisor

• Siri Sranoi, Master’s Recital Thematic Paper
• Tharach Wuthiwan, Master’s Recital Thematic Paper
• Wasawat Vanapitakong, Master’s Recital Thematic Paper

Others

  Student achievements

– Nattapol Tantikan: Second Prize in the 5th Piyabhand Sanitwongse National Piano Competition (2005)

– Boonyarit Anutariya: Third Prize in the 7th Bangkok Chopin Piano Competition (2005)

– Han Nah Son: First Prize in the 3rd ASEAN International Chopin Piano Competition, Malaysia (2008)

– Gun Chaikittiwatana: First Prize in the 2nd Bangkok Beethoven Piano Competition (2009)

– Ubolwan Piakaew: Maple Prize in the 2nd International Piano Festival by People with Disabilities in Vancouver, Canada (2009)

– Gun Chaikittiwatana: First Prize Trinity Guildhall National Youth Piano Competition (2010)

– Chanakan Chaikittiwatana: First Prize Trinity Guildhall National Youth Piano Competition (2010)

– Nicha Pimthong: The highest score in Thailand, Trinity Guildhall Licentiate Diploma in piano performance (2010)

– Gun Chaikittiwatana: Second Gold Medal Prize & Settrade Scholarship in the 14th Settrade Thailand Youth Music Competition (2011)

– Benjamas Kitnithee: The highest marks in Trinity Piano ATCL in Thailand (2011)

– Kwanchanok Pongpairoj: Second Gold Medal Prize & Settrade Scholarship in the 14th Settrade Thailand Youth Music Competition (2011)

– Gun Chaikittiwanata: Special Award in the best interpretation of a classical work in the 3rd International Franz Liszt Young Piano Competition in Weimar, Germany (2011)

– Chanakan Chaikittiwatana: Third Prize in the 1st Thailand International Mozart Piano Competition (2011)

– Nicha Pimthong: Third Prize in the 1st Thailand International Mozart Piano Competition (2011)

– Gun Chaikittiwatana: First Prize in the 9th Bangkok Chopin Piano Competition (2011)

– Rudsuda Saelim: Third Prize and Mazurka Prize in the 9th Bangkok Chopin Piano Completion (2011)

– Natnalee Suwanpotipra:  Concerto Category First Prize in the Thailand Steinway Youth Piano Competition (2012)

– Gun Chaikittiwatana:  Solo Category First Prize in the Thailand Steinway Youth Piano Competition (2012)

– Gun Chaikittiwatana: First Prize in the Bradshaw & Buono International Piano Competition (2012)

– Gun Chaikittiwatana: Gold Prize in the 13th Chopin International Piano Competition in ASIA, Japan (2013)

Awards

• Trinity Guildhall Award for Excellence in Music Teaching (2010)
• Best Instructor for The 3rd “Yangtze River” Chinese National Colleges and Universities Piano Show & Competition (2011)
• Teaching Award in the 13th Chopin International Piano Competition in ASIA (2013)

Dr. Wen-Hui Lily Lin

Piano Department

• Room Number: A405.05
• Phone: 0-2800-2525 ext. 424
• Email: wenhui.lily.lin@gmail.com

Dr. Wen-Hui Lily Lin joined the faculty of Mahidol University in 2010. She teaches private lesson, small ensemble, and keyboard literature class.

Dr. Lin has performed in Russia, Argentina, Spain, New York City, Stony Brook, Connecticut, Boston in the United States, Taipei, Kaoshiung, I-Lan in Taiwan, and Bangkok, Thailand as a soloist and collaborator. She has performed in recital halls including the Steinway Hall, Winter Garden in New York, Rachmaninoff Hall in Russia, Teatro Alberti in Argentina, and Benton Museum in Connecticut.  In 2006, Dr. Lin was invited to Argentina to perform with the Tucumán Symphony Orchestra under the baton of Roberto Buffo.  Her extended interest in Contemporary Music has led her to premiere works in the United States and also performed with the Hartt School Bass Ensemble at the “Bang on a Can” Contemporary Music Marathon in New York.  In 2012, Dr. Lin performed as a soloist for the Asian Premiere of Dr. James Ogburn’s Piano Concerto with the Contemporary Enclave Chamber Orchestra. Other performances include solo, chamber, collaborative concerts, and appearances at the Thailand International Composition Festivals.  She was invited to be the collaborative artist in the Asian Double Reed Assoiciation conference in 2011.

Dr. Lin received her D.M.A. in Piano Performance from the University of Connecticut in 2009.  She was a recipient of the Evelyn Bonar Storrs piano scholarship, University of Connecticut scholarship, as well as a Graduate Teaching Assistant in Collaborative Piano.  She received her M.M. from The Hartt School in Connecticut, and B.M. from Fu-Jen Catholic University in Taiwan.  Her principal teachers include Dr. Tongsuang Israngkun, Dr. Neal Larrabee, Dr. Paul Rutman, and Dr. Michael Dellinger.  She has participated in master classes with acclaimed musicians including Tigran Alikhanov, Alexandre Kobrin, Menahem Pressler, Oxana Yablonskaya, Miami String Quartet, Vermeer String Quartet, and Ida Kavafian.

Education —background

• 2002 — B.M. (Piano Performance) Fu-Jen Catholic University, Hsinchuang, Taiwan
• 2004 — M.M. (Piano Performance/Pedagogy) The Hartt School, University of Hartford, Hartford, Connecticut, USA
• 2009 — D.M.A. (Piano Performance) University of Connecticut, Storrs, Connecticut, USA

Teaching areas:

• Major Performance
• Keyboard Literature
• Small Ensemble

Research/Creative Works

Published Dissertation: 

Lin, Wen-Hui Lily. (2009). Towards a Historically Informed Performance of Johannes Brahms’s Fantasien, Opus 116 (Published Doctoral Dissertation). University of Connecticut, Storrs, Connecticut, USA.

Academic Services  

– Adjudicator for Settrade Competition (2012), Osaka Regional Competition (2010, 2011), TIPC Preliminary Round Audition (2011, 2013)

– Performances:

• Solo concert at Siam Society, Bangkok (2010), Goethe Institute, Bangkok (2010), Taipei, Taiwan (2011), Bangkok, Thailand (2012)
• Saxophone Concert (2010), Cello Concert (2010), Chamber Concert (2011), Flute Concert in Chiang Mai and Bangkok (2012)
• Concert with Sylvanus Ensemble in West Hartford, Connecticut (2010), Taipei, Taiwan (2010), Stony Brook, New York (2011), West Hartford, Connecticut (2011), Kaoshiung, I-Lan, Taipei, Taiwan (2011)

Thesis Advisor

–  Co-Advisor for Master and Ph.D dissertations at the College of Music, Mahidol University.

Others: Student Achievements

Helena Aung:

– 9th Bangkok Chopin Competition (2011), 3rd prize in third age category

– Full scholarship recipient to study at the University of Arkansas.

– Fullbright Honors program participant.

– Recipient of the Yamaha Scholarship, 2012.

Krerksakul Jaree:

– 2012 Settrade Competition, 1st prize 2nd place.

– Concerto Performance with TPO, 2013.

– Recipient of the Yamaha Scholarship, 2010.

Thanakarn Limtham:

– 9th Bangkok Chopin Competition (2011), Nocturne Prize in fourth age category

– Finalist at the 1st Ars Nova competition (2012) in Singapore.

– Finalist at the 1st Thailand Mozart Piano Competition (2011) in Bangkok, Thailand.

– Recipient of the Yamaha Scholarship, 2012

– Kakhanang Denkowit: Finalist at the 2nd Thailand Mozart Piano Competition (2012) in Bangkok, Thailand.

– Peemanat Kittimontreechai: 4th Malaysia Chopin Competition 2010, Concerto Special Prize.

Tawan Chiraseepanya

Popular Music

• Room Number:
• Phone:
• Email:

Teerapat Jantob

Popular Music

• Room Number:
• Phone:
• Email:

Teerapat Jantob was born on 12th December,1987, Thailand. He started his first music lesson on the electone at age 7. In 2004 he came to study at College of Music Mahidol University majoring in classical piano with aj.Gudrun Mueller and aj.Signe Klava Later, he had the chance to study jazz music with Aj. Darin Punthumgomon After he graduating highschool he changed his major to jazz piano under the instruction of aj.Darin Punthumgomon And aj.Teerapoj Plitakul Now he’s a full time teacher at College of music mahidol university in popular music department.

Prize

-1st prize True Audition & Overdrive Instrumental Band Contest#2 Year 2006 (from Overdrive Magazine)

– Got Best Keyboard Player from True Audition & Overdrive Instrumental Band Contest#2 Year 2006

– 1st prize Thailand Jazz competition#2 Year 2006 (Junior) King cup

– 1st prize Thailand Jazz competition#4 Year 2008 King cup

– 1st prize Thailand Jazz competition#4 Year 2008 (Individual Performance,Open Division) King cup

– Got Best Soloist 1st Prize Certification (Junior Division)Thailand Jazz Conference Solo Competition#1 2009

– Got Best Soloist 1st Prize Certification (Open Division)Thailand Jazz Conference Solo Competition#1 2009

– Got Best Soloist 1st Prize Certification (Open Division)Thailand Jazz Conference Solo Competition#2 2010

Aswin Narintrakul Na Ayudhaya

Popular Music

• Room Number:
• Phone:
• Email:
• Website:

Krichpol Inthanin

Popular Music

• Room Number:
• Phone:
• Email:
• Website:

กริชพล อินทนิน มีความสนใจและเริ่มหัดเล่นกีตาร์ด้วยตนเองในปี 1997 หลังจากที่สำเร็จการศึกษาในระดับมัธยมแล้ว ได้เข้ารับการศึกษาต่อในระดับอุดมศึกษาที่วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล ในสาขาดนตรีแจ๊ส ระหว่างปี 2000 – 2004 ได้ศึกษาวิชากีตาร์แจ๊สกับ Dan Phillips และ อ.ดริน พันธุมโกมล หลังจากสำเร็จการศึกษาในระดับอุดมศึกษาแล้ว ได้เริ่มต้นทำงานทางด้านวิชาการและเป็นอาจารย์พิเศษที่มหาวิทยาลัยศิลปากร และมหาวิทยาลัยมหิดลในภายหลัง กริชพล ได้เข้ารับการศึกษาต่อในระดับปริญญาโทในสาขาดนตรีปฎิบัติที่วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดลจนสำเร็จการศึกษาในปี 2012 และเข้ารับตำแหน่งอาจารย์ประจำในสาขา ดนตรีสมัยนิยมในเวลาต่อมา

ประวัติการศึกษา

• มัธยมศึกษาตอนปลาย โรงเรียนหอวัง
• ปริญญาตรี ศิลปศาสตร์บัณฑิต เอกดนตรีแจ๊ส วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล
• ปริญญาโท ศิลปศาสตร์บัณฑิต เอกดนตรีปฎิบัติ วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล

ประวัติการทำงาน

• ปี 2005-2006 อาจารย์พิเศษ สาขาดนตรีแจ๊ส วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยศิลปากร
• ปี 2005-2011 อาจารย์พิเศษ สาขาดนตรีสมัยนิยม วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดลปัจจุบัน เป็นอาจารย์ประจำ สาขาดนตรีสมัยนิยม วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล

วิชาที่สอน

• วิชาปฎิบัติเครื่องดนตรีเอก
• วิชารวมวงเล็ก

ความชำนาญ

• กีตาร์ไฟฟ้า
• เบส กลอง เปียโน
• การวิเคราะห์เพลง
• computer music
• ภูมิศาสตร์

Decha Inthapirat

Popular Music

• Room Number: D 402.11
• Phone: Ext. 450
• Email: decha.int@gmail.com

Tustawan Khaiseang

Popular Music

• Room Number: D 402.12
• Phone: Ext. 451
• Email: tk_improvise@hotmail.com

Tawan began teaching himself; how to play guitar at the age of 12.  In 1998, after finished his last year of high school, Tawan decided to continue his education at the College of Music, Mahidol University where he studied Classical Guitar with Mr. Suvich Klinsmith (his principle teacher). In 2001, Tawan graduated with a Bachelor of Music Degree in Music Industry and Technology.

In addition, during his undergraduate program, Tawan took a private lesson (1-year course) from Mr. Prart Aroonrungsi at Prart Music School as well as studied Jazz Guitar with Dan Phillips.

After completing an undergraduate degree, he began his first graduate work in the field of music education; as a music educator for Electric Guitar at Progress Center Rock School. Moreover, Tawan is working in the music industry as a member of the music team as well as a backup musician for many singers.

He was awarded the second prize from “Music Ensemble Competition”, which held by Thai itv channel, 1999

Currently he is a teacher for Practical Lessons (Electric Guitar) at Mahidol University, College of Music.

Poltarayuth Tippayuth

Popular Music

• Room Number: Room D405.12, Bhumibol Sangheet Building
• Phone: 081-440-1938
• Email: am_bass@hotmail.com

ประวัติการศึกษา (Education)

• คุณวุฒิที่ได้รับ :หลักสูตรศิลปศาสตรบัณฑิต
• สาขาวิชา : Tuba
• สถาบัน : College of Music Mahidol University
• ประเทศ : Thailand
• พ.ศ.(ที่จบการศึกษา) : 2549

ประสบการณ์การทำงาน (Work Experience)

• นักวิชาการกิจกรรม(ดนตรี) ฝ่ายกิจกรรม วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล 2549-2555
• วิทยากรค่ายดนตรีภาคฤดูร้อน MCGP Summer Music Camp 2008 วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล 2551
• วิทยากรค่ายดนตรีภาคฤดูร้อน MCGP Summer Music Camp 2009 วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล 2552
• ผู้ควบคุมวงลูกทุ่งศาลายา วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล 2549-2551
• ผู้ควบคุมวง Mahidol Pop Orchestra วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล 2549-2554
• ผู้ควบคุมวง TPO Pop Orchestra วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล 2554-2555
•  อาจารย์ประจำภาควิชาดนตรีสมัยนิยม วิทยาลัยดุริยางคศิลป์ มหาวิทยาลัยมหิดล 2555-ปัจจุบัน

ภาระงานสอน (Subjects Taught)

• ดศปบ 141 การรวมวงเล็ก 1 (Small Ensemble I)                                                                            1 (0-2-1)
• ดศปบ 142 การรวมวงเล็ก 2 (Small Ensemble II)                                                                           1 (0-2-1)
• ดศปบ 241 การรวมวงเล็ก 1 (Small Ensemble III)                                                                          1 (0-2-1)
• ดศปบ 242 การรวมวงเล็ก 2 (Small Ensemble IV)                                                                         1 (0-2-1)

งานวิจัยและผลงานสร้างสรรค์ (Research and Creative Work Projects)

ผลงานสร้างสรรค์ (Creative Work Projects)

1. อัลบั้ม ฉลามขึ้นบก ค่าย RMS 2548

2. อัลบั้ม H.M. BLUES HERITAGE 2549

3. ศิลปินรับเชิญ(นักร้อง)รายการดนตรีกวีศิลป์ ไทยพีบีเอส 2551 – ปัจจุบัน

4. นักแต่งเพลง และ ผู้เรียบเรียงเสียงประสานให้กับโรงเรียนและหน่วยงานต่างๆ 2551- ปัจจุบัน

5. ศิลปินรับเชิญ(นักร้อง)รายการเพลงลั่นทุ่ง ไทยพีบีเอส ปัจจุบัน

ความสนใจหรือความชำนาญ (Interests or Expertise)

•    การวิเคราะห์ประวัติศาสตร์บทเพลงไทยลูกทุ่งในอดีต
•    การวิเคราะห์ประวัติศาสตร์เพลงสมัยนิยมในอดีค
•    วงโยธวาทิต
•    บิ๊กแบนด์
•    วงลูกทุ่ง

งานบริการวิชาการอื่นๆ (Other Academic Services)

• เลขานุการภาควิชาดนตรีสมัยนิยม
• ผู้ประสานงานกลุ่มก่อตั้งสมาคมศิษย์เก่า วิทยาลัยดุริยางคศิลป์ มหิดล

Kitti Sripaurya

Popular Music

• Room Number: A 305.10
• Phone: Ext. 303
• Email: kitti1951@ymail.com

Education

• High school : Benjamarachootit Nakornsithamarat
• Certificate : Arranging 2-year course from Siam kolkarn Music school at Patumwan
• Bachelor degree : Mass Comunication from Sukhotaithamatirat University.
• Master degree : Cultural music from Institute of Mahidol University.

Working Experience

• 1974 – 78 : Member of Bangkok bank band as 3th trombone, Arranger and score copyist
• 1977 – 80 : Join the BEC band (TV 3) in variety show “Music square” as Bass trombone player, Arranger and score copyist
• 1981 – 87 : Playing Bass trombone, keyboard and leader of the Yamaha Sound, a big band under control of Siam kolkarn Co.,Ltd.
• 1987 – 92 : Run Home studio produce and record commercial music jobs

Subjects teaching

• History and Literature of Popular music (Western and Thai)
• Pop song writing
• Instrumentation, and arranging
• Jobs information for musician

Skills

• Music Arranging
• Singing for Demo music
• Computer music production

Interesting

• The Composition of His Majesty King Bhumibol Adulyadej
• Music technology

Printed Works

• King Songs music Notation for “Tha Stit nai duang jai niran” published by Jitrlada school, and office of Thai Identity and many more.

Music

• Do arrangements of “Bhum pandin navanmin maha raja” for celebrating the 72th year, “Po hang pandin” for celebrating the 80th year anniversary of the king, and many more for charity and commercial works. Receive of countless awards and certificates

Akarawit Piriyodom

Popular Music

• Room Number: D 402.13
• Phone: 452
• Email: chayan_pryd@hotmail.com

Kom Wongsawat, Drum Set, Piano

Jazz Department

• Room Number: A 405.01
• Phone: Ext. 408
• Email: komjazz@gmail.com
• Website: http://www.myspace.com/komjazz

Kom Wongsawat started his classical piano lessons at the age of six. Hıs strong interest in jazz during his high school days brough him to his formal jazz education at the College of Music, Mahidol University. While at Mahidol University, Kom studied jazz piano with Denny Euprasert, Darin Pantoomkomol, Krit Buranavitayawut, Noppadol Tirataradol. Furthermore, Kom also took jazz piano lessons with several other great musicians such as Danilo Perez, Randy Cannon, Taurey Butler, Dan Phillips, and Shuichi Komiyama, etc. During his stydy at Mahidol University, Kom started to perform professionally with a leading jazz band “Arnon’s Jazz Band” at Saxophone Pub, one of the leading jazz rooms in Thailand. Kom also has his strong interest in the art of jazz rhythm, which made him started to take on jazz drumsets seriously. He started to take private jazz drum lessons with Shawn Kelly and Chanutr Techatananant. During the past few years, Kom has won several music competition in Thailand, Wining the “Best Keyboard Player 2005” by Overdrive Magazine, “Best Outstanding Keyboard” in the Thailand Jazz Competition 2006, and his band received First Prizes from many Jazz Band Competitions (As a pianist and drummer). As a jazz performer, Kom has performed in various jazz festival with several international renowned jazz artists, including Sadao Watanabe and David Sanborn, to name a few. Currently, Kom Wongsawat is a full time jazz faculty member of The Jazz Department, College of Music, Mahidol University.

Taweesak Boonranapanitpan

Jazz Department

• Room Number:
• Phone: + (66)89 120 9133
• Email: pipejazz@gmail.com

STUDIED WITH

• Jazz Saxophone:   Krit Buranavitayawut, Shuichi Komiyama
• Classical Saxophone:   Roger Greenberg
• Composing / Arranging:   Vijit Chitrangsan, Daniel James Phillips, Kazuo Suzuki, Shuichi Komiyama

EDUCATION

• 2004 Bachelor of Arts (Music), Jazz Studies, College of Music, Mahidol University
• 2008 Master of Arts (Music), Music Performance, College of Music, Mahidol University

AWARDS/COMPETITION

• 2006 Semi-Final Round, Ensemble Performance, Thailand Jazz Competition # 1, Silpakorn University
• 2007 Consolation Prize, Ensemble Performance, Thailand Jazz Competition # 3, Silpakorn University
• 2008 Consolation Prize, Individual Performance, Thailand Jazz Competition # 4, Silpakorn University
• 2010Consolation Prize, Individual Performance, Thailand Jazz Competition # 6, Silpakorn University

PERFORMANCE EXPERIENCE

• 2004 International Saxophone Orchestra, performed in Thailand International Saxophone Conference, Bangkok Thailand
• Mahidol University Jazz Ensemble, performed in Bangkok Jazz Festival, Sanam Suepha, Bangkok Thailand
• 2005 Mahidol University Wind Symphony, performed in International Trumpet Guild Conference, Bangkok Thailand
• 2006 Thailand Saxophone Ensemble, performed in World Saxophone Congress XIV, Ljubljana Slovenia
• 2007 A Love Supreme Concert: The Music of  John Coltrane at The Stock Exchange of Thailand Buildind
• Judprakai Concert Series 24 # Sax Madness with Pomelo Town at Thailand Cultural Center
• 2009 Fah Talai jone (Contemporary Jazz Band), performed in Thailand International Jazz Conference I, Thailand
• Fah Talai jone (Contemporary Jazz Band), performed in World Saxophone Congress XV, Thailand
• Sprite Nonet (Jazz Big Band), participated in the commemoration of H.M. The King at The Thai Consulate, Ho Chi Minh City, Vietnam
• 2010 Sprite Nonet (Jazz Big Band), participated in the commemoration of H.M. The King at The Thai Consulate, Ho Chi Minh City, Vietnam
• 2011 Performed with Pomelo Town (Mahidol Faculty Jazz Band), in Thailand International Jazz Conference III, Thailand

CD RECORDING

• 2007 Yellowtail, with Karn Suriyasasin (Jazz Composer)

WORK / TEACHING EXPERIENCE

• 2007 –  2010 Part-time Instructor at The College of Music, Mahidol University
• 2008  –  2009 Part-time Music Teacher at Plearnpattana School
• 2008 – Present Saxophone Teacher at Saxsociety School
• 2011 – Present Saxophone Teacher at Music Moment Studio
• 2011 – Present Full-time Instructor at The College of Music, Mahidol University

Sarit Tanpensuk

Jazz Department

• Room Number:
• Phone:
• Email: neomu_90@hotmail.com

Annawin Kerdteesud

Jazz Department

• Room Number:
• Phone:
• Email: annawin_k@yahoo.com

Noppadol Tirataradol, Double Bass

Jazz Department

• Room Number: A 405.08
• Phone: Ext. 402
• Email: jazzcat1970@hotmail.com

Noppadol received a Bachelor of Fine Art Degree in Visual Arts from Chiangmai University and Master of Fine Arts Degree in Musicology from Mahidol University.

Work Experience:

• Guest Instructor at the Faculty of Fine Arts Chiangmai University (1994-1997)
• Assistant Director for Student Affairs at the Mahidol University College of Music (1999-2000)
• Deputy Director for Student Affairs and Activities at the Mahidol University College of Music (2001-Present)
• Instructor of Bass Studies at Mahidol University College of Music (1998-Present)

Work:

Conceptual Music:

• Solo Work “B5. NEVOHTEEB” at Chiangmai University (1996).
• “Five Musicians Five Composers” at Taepae Gate, Chiangmai (1997).
• “Sonata Visualization” at Chiangmai University (1997).
• Music performed with the White Face Theatre Group, Cultural Center, Bangkok (1998).
• Noise of Art I “Appear Disappear”, Cultural Center, Bangkok (2001).
• Noise of Art II “Measurable Ummeasurable”, Cultural Center, Bangkok (2002).

Jazz Music:

• Performed at the 13th Annual Asian Games (1998)
• Release 2 albums with Mahidol University Faculty Jazz Ensemble.
• “Music of His Majesty King Bhumibol Adulyadej” with Denny Euprasert and Krit Buranavitayawut (1999).
• “Celebrating Jazz concert” with Dan Phillips and Euprasert and Krit Buranavitayawut (2002).
• Guest Artist for “Cat in the Mood” album of Chirasak Panphum (2001).
• Jazz Faculty Concert I (1998)
• Jazz Faculty Concert II (1999)
• Denny and Friends (2000)
• A Modern Guitar Concert (2001)
• Celebrating Jazz (2002)
• Tribute to Coltran (2003)
• Concert and Workshop at Prince of Songkla University, Hat-Yai Campus

Teerapoj Plitakul, Piano

Jazz Department

• Room Number: A 405.09
• Phone: Ext. 1403
• Email: bumpjazz@hotmail.com

Graduate in Music Education from Chulalongkorn University continue Study at Swiss Jazz School(Bern) and Ecole de Jazz de Lausanne, Switzerland Join with Jazz department, Music Faculty, Mahidol University since 2001.Teach Jazz piano private lesson, Jazz Fundamental 1 and 2, Small band Ensemble, Jazz Literature. Performed with Brooki Gills (album Somwhere on Earth), Von Barlow, Kitt Lough, Silvia Howard, Koh Mr.Saxman(2nd Album), Groove Rider, Even of Love Album1-3, Kangsanova, Longineu Parsons etc….

Krit Buranavitayawut, Saxophone

Jazz Department

• Room Number: A 209.05
• Phone: Ext. 202
• Email: kritbu@yahoo.com

Krit Buranavitayawut received a Bachelor of Architecture degree from Silpakorn University in Bangkok, Thailand. He has been working in both music and architectural fields for many years with his strong belief that every kind of arts is united into one. He joined College of Music, Mahidol University as a full-time faculty member since 1999. His duties include teaching jazz saxophone, jazz theory, jazz pedagogy and coaching jazz combos. Krit ’s other duties include planning and equipping educational music facilities for College of Music, and Bhumibol Sankeet Building construction project management.

As the first-call bebop saxophonist, he has appeared in many jazz festivals and jazz concerts, leads William’s Jazz Band for more than ten years. A member of Mahidol University Jazz Faculty Ensemble, he has recorded the CDs: Music of His Majesty King Bhumibol Adulyadej, Celebrating Jazz concert. He has formed a jazz group named The Pomelo Town, with Darin Pantoomkomol, Noppadol Tirataradol, Teerapoj Plitakul, Chanutr Techatananant, Kom Wongsawat, and the group’s first record, Chasin’ Sangrawee, was released in 2006.

Krit Buranavitayawut was a former member of the Bangkok Saxophone Quartet that has performed and recorded two CDs: Falling Rain,and Plaeng Sib Song Phasa. Guest performing artist with Mr. Monthien Buntun for the contemporary art exhibition “Shape of The Sound Project” at Nasunogahra Harmony Hall, Ohtawara, Japan(1999). He has also performed with The Bangkok Saxophone Quintet at the 2003 World Saxophone Congress XIII in Minneapolis, USA, with Thailand Saxophone Ensemble at the 2006 World Saxophone Congress XIV in Ljubljana, Slovenia. Krit has appeared as a soloist with Thailand Philharmonic Orchestra (TPO), and has recorded the CD: National Music – King’s Composition.

Krit Buranavitayawut is currently the Deputy Director for Administration and Head of Jazz Studies Program at College of Music, Mahidol University, Thailand.

Darin Pantoomkomol, Piano and Guitar

Jazz Department

• Room Number: A 405.02
• Phone: Ext. 1409, 1124
• Email: darinpa@hotmail.com

Haruna Tsuchiya

Music Theatre Department

• Room Number: D 202.06
• Phone: 260
• Email: haruna.tsu@mahidol.ac.th
• Website: http://ameblo.jp/harunairis-theatre

Haruna Tsuchiya is a performing artist, producer, and translator. Since 2006, she has been deeply involved with the true story of Hana’s Suitcase. In the U.S. premiere production, she played the lead at Metro Theater Company, and reprised the role at First Stage Children’s Theater. She also served as an interpreter/interviewer for the internationally acclaimed documentary film, Inside Hana’s Suitcase directed by Larry Weinstein, and produced the official Japanese premiere screening. Her work on stage has also been seen at Collaboraction/Steppenwolf Theatre in Chicago, The Museum of Science and Industry in Chicago, Lost Nation Theater in Vermont, Spark Theater in Colorado, and internationally at Shimoda Civic Center and Rosé Theatre in Japan. She initiated the Annual Shimoda Youth Festival, flourishing international artistic exchange between Japanese children and American artists. Her translation work includes Moonlight Modesty by Ryo Iwamatsu, which was read during The First Annual International Voices Project in Chicago. Haruna is a founder and instructor of Momentum Workshop, and has taught theatre workshops and given lectures in the U.S. and Japan. She continues to create projects that speak strongly to people’s hearts, cultivating more opportunities for person-to-person connections through performing arts. Haruna is a native of Shimoda, Japan, and holds B.F.A. in Musical Theatre from SUNY Fredonia, and M.F.A. in Contemporary Performance from Naropa University.

Education background

• 2006       B.F.A. (Musical Theatre) State University of New York at Fredonia, United States
• 2012       M.F.A. (Contemporary Performance) Naropa University, United States

Teaching areas:

• Acting
• Voice and Movement
• Voice

2. Research/Creative Works

• Songs of Iris ~Forget-me-not~   – Devised solo performance
• Sojourn   – Soundsuits dance performance with Nick Cave (Denver Art Museum, U.S.A.)

3. Academic Services (outside)

• Performances

4. Thesis Advisor

5. Others

Cherryl J. Hayes

Music Theatre Department

• Room Number: D 402.04
• Phone: Ext. 443
• Email: cherryl@cherrylhayes.com
• Website: www. cherrylhayes.com

Cherryl J. Hayes is an accomplished, vibrant jazz vocalist with a voice and style to die for, especially when it comes to the vocalization of scat. Additionally she is a skilled interpreter of the great jazz singers who preceded her, such as Sarah Vaughn, Billlie Holiday, Ella Fitzgerald. A commanding presence in any setting, Cherryl often demonstrates her versatility by shifting gears in a heartbeat from the up-tempo scatted bebop of “Dont Mean a Thing” to beautiful ballads like “The Nearness of You”. She has a phenomenal vocal range of three and a half octaves. For someone who has no formal training in music Cherryl has come a long way. Formerly, she was an accounting specialist at a Telephone Communication Company in Indianapolis. First discovered by a pianist friend who persuaded her to come on stage one evening about 15 years ago she has since netted accolades for her performances in the U.S. and overseas and has sang in musicals and plays such as Aint Misbehav n  and Nunsense.

Ms. Cherryl Hayes has performed in the United States, Europe and Asia. She has appeared at some of New York City premiere jazz clubs such as Tavern on the Green in Thailand she performs at the Oriental Hotel s Bamboo Bar. Most notably, since 1997, Ms Hayes has had the privilege and pleasure to sing for the King and Queen of Thailand on no less than 10 separate occasions. Recently she was the opening act for the Royale Jazz Festival, Bangkok Thailand Sanam Suapa.

Her popularity as a jazz performer is a result of her unique style as well as the warmth and energy she brings to classical jazz standards. Ms. Hayes is currently on her third tour of Asia. Thus far, she s performed in Istanbul, Bangkok, Shanghai, Beijing, Hong Kong and Singapore.

Ms. Hayes is currently on faculty with Mahiol University, Bangkok Thailand where she teachers vocal majors.

Patcharapon Mongkonsiriswad

Music Technology Department

• Room Number:
• Phone:
• Email:

Pongpat Chuapibul

Music Technology Department

• Room Number:
• Phone:
• Email: pongpat.chuapibul@gmail.com

Chayut Jessadawaranon

Music Technology Department

• Room Number:
• Phone:
• Email:

Sarute Wijitwechakarn

Music Technology Department

• Room Number:
• Phone:
• Email: s.wijitwechakarn@gmail.com

Supaluck Bunchorntavakul

Music Business Department

• Room Number: D 501
• Phone: Ext. 534
• Email: mssbc@mahidol.ac.th

Education and Qualification

• BSE, MA (Truman State University, USA)
• State of Missouri Public School Teacher’s Certificate (Permanent License) – Subjects and services licensed:  Business Subjects and Secondary School Principal.

Present

• Instructor –  College of Music, Mahidol University.
• Consultant – Thaway Inter-Trade Corp. Ltd.
• Consultant –  Electrotrade International L.P.
• Freelance – Writer, English Interpreter.
• Guest Speaker to several organizations.

Work Experience (Before 2004)

• Director – Bangkok Commercial Campus, Rajamangara Institute of Technology.
• Assistant Director – Planning and Development, Research and Training, etc. at RIT
• Assistant Director – Tewes Campus, RIT
• Head of Administration and Finance – World Bank Loan Project
• Visiting Lecturer – Education Faculty, Chulalongkorn University
• Substitute Teacher, Student Teacher – Adair County RII School, Missouri,  USA
• Student Teacher – Immaculata High School, Chicago, US
• Consultant –  ACIL (Thailand)
• Student Counsellor – Australian Thai Consultants Ltd.

Other Information

• Author (Text Book) – Marketing Promotion, Sales Promotion, Operating a Retail Store, Method of Teaching Basic Business, and others to a total of 10.
• Author (Article) – “Occupations in the Music Business,” [Thai] “A Country Note on Major Driver of Change in the Higher Education,” [English] for a large number of journals and magazines.
• Thai translation of books for The McGraw-Hill Companies, Inc. – The Customer is Always Right! , 80 Things You Must Do to be a Great Boss, Entrepreneurs are Made Not Born, etc
• Train and participate in educational functions in USA, UK, France, Germany, Netherlands, Belgium, Australia, New Zealand, Japan, Malaysia, Singapore, China

Dr. Treetip Boonyam

Music Business Department

• Room Number: D 501
• Phone: 535
• Email: treetip.b@gmail.com, treetip.boo@mahidol.ac.th

Education:

2010                 Ph.D. in Applied Behavioral Science Research Behavioral Science Research Institute (BSRI), Srinakharinwirot University, Thailand

2011                 Bachelor of Economics (Managerial Economics) Sukhothai  Thammathirat Open University, Thailand

2002                 Master of Business Administration (Marketing), Honor Bangkok University, Thailand

1999                 Bachelor of Business Administration (Marketing), First Honor Bangkok University, Thailand

Work Experiences:

Ariya Charoensook

Music Business Department

• Room Number:
• Phone:
• Email: msacr@mahidol.ac.th

Education

• Master of Business Administration University of Northern Colorado, Greeley, Colorado
• Bachelor of Accounting (Honor) Chulalongkorn University

Present

• General Manager of the Thailand Philharmonic Orchestra (TPO)
• General Manager of Aum-aree music school (The Royal Quality Award School, 2005)
• Talent Education Research Center with various national and international prizes such as :
• The 1st prize from the International Youth Chamber Music Competition, Switzerland
• The expoir prize from the Osaka International Music Competition, Japan
• The 1st prize from the Asian Wind Ensemble Competition, Thailand

1998-1992

• Chairperson of Business Administration Program Academic Deputy Dean of Faculty of Business Administration Rachapat Suan Dusit University

Penyarporn Laothanasin

Music Business Department

• Room Number: D 502
• Phone: Ext. 4503
• Email: penyarporn@hotmail.com

Education: 

• 2003  Master of Business Administration (Marketing) Honor, Bangkok University
• 2001  Bachelorof Business Administration (Marketing), Bangkok University
• 2002  Bachelor of Arts Program (Major: Mass Communication, Minor Marketing) Ramkhamhaeng University

Work Experiences:

Present

• 2005 – 2008 Assistant Manager, Business Consulting Center,Bangkok  University
• 2006 – 2008 Guest Speaker Faculty of Management science Dhonburi Rajabhat University
• 2005 – 2008 Lecturer, School of Business Administration School of Business Administration, Bangkok University
• 2005  – 2008 Consultant, New Entrepreneur Support Project  Department of  Industry Promotion, Ministry of Industry
• 2005 – 2008  Assistant Manager, Marketing Section Siam Consumer Trading Co., Ltd.
• 2003 – 2005  Category Analyst Unicharm Thailand Co., Ltd.
• 2000 – 2008  Assistant Researcher Asst. Prof. Dr. Veerapong Malai and School of Business Administration School of Business Administration, Bangkok University

Attakorn Sookjaeng

Music Composition & Theory Department

• Room Number: D405.07
• Phone:4425
• Email: attakorn.composer@gmail.com

Attakorn Sookjaeng began his composition lessons with Dr. Daniel Eichenbaum and Dr. Brian Mills when he was a pre-college student at the College of Music, Mahidol University. During his undergraduate studies at Mahidol University, he had both composition and orchestration lessons with Atibhop Pataradetpisan and Valeriy Rizayev as well as Dr. Julia Lake Bozone during his graduate studies. He also had his private music theory lessons with Dr. Jiradej Setabundhu.

In addition to the academic courses, Attakorn was also a member of Mahidol University Pop Orchestra (2008 – 2009) as a pianist and participated in the musicals The Tale of Anazia (2009), In-Chan (2010) as a pianist and Cleopatra (2011) as a composer and arranger. He participated in the World Saxophone Congress XV (2009) in Thailand and Gala Concert of Yamaha Australian National Band Championships (2010) in Hobart, Australia as a
clarinet player of Mahidol Wind Symphony. He also performed ‘The Art of Improvisation’ coached by Ken Ueno in Thailand International Composition Festival 2014 as a clarinetist.

He was commissioned to compose Chai Mon-kon Kaa-Taa for choir and chamber orchestra for the project “Lan Bodhi: Temple in the Cloud” at Siam Paragon in 2012. He arranged music for the album Plum Blossom Vol. 2 (Plum Village songs for the practice of mindfulness) in 2013. The piece Remoteness was selected and performed in Fürth, Germany as a part of the Thai Vision Ambassador Competition by Stefanie Waegner, cello and Pavarati Mani, piano. Most recently, he received the Grand Prize from Young Thai Artist Award Competition 2014 by SCG Foundation for the piece Bubbles of Time and had an opportunity to have a reading session for the same piece by Ensemble Mosaik (Germany) in 2015. Currently, he is a faculty of Composition and Theory Department at Mahidol University.

Education Background:
B.M. Music Composition
M.M. Music Composition and Theory

Teaching Areas:
• Music Composition
• Western Music Theory
• Ear Training
Honors/Awards:
• Grand Prize, Young Thai Artist Award in composition for the piece Bubbles of Time (2014)
• First Prize, Thai Vision Ambassador Prize for Young Composers (2014)
• Finalist of the first annual composition prize and workshop for the piece Nature of Life, Mahidol University College of Music (2014)
Research Work:
Master’s thematic paper, A Critical Analysis of Toshio Hosokawa’s “Lotus Under the Moonlight” (2015)

Max Keller

Music Composition & Theory Department

• Room Number:
• Phone:
• Email: maxkeller32@gmail.com

Tyler Capp

Music Composition & Theory Department

• Room Number:
• Phone:
• Email: tylercapp@gmail.com

Tyler Capp (b. 1983) writes relentless, tonally charged, trans-stylistic works in an attempt to reconcile his diverse influences with the curious predicament of being a concert music composer in the 21st century. Of his work, Lee Passarella (Audiophile Audition) writes: “Capp’s music suggests an attractive, viable rapprochement between . . . styles that are often seen as disparate (and that sound even more so when a less sensitive musician tries to yoke them together).”
Tyler’s music as been performed throughout the world, with works featured at the highSCORE Music Festival (Italy), June in Buffalo, and the Thailand International Composition Festival, among others. He has also received fellowships from CULTIVATE to compose for the Music From Copland House Ensemble, and the UC Davis Composition Workshop. In 2010, Tyler’s piece Stranger Variations for violin was released on Stony Brook Soundings, Vol. II (Bridge Records 9319), and his work Cryptogram for wind ensemble was the recipient of a 2013 Morton Gould Young Composer Award from the ASCAP Foundation.
Tyler has been awarded numerous residencies throughout the United States, including a coveted Copland House Residency Award, allowing him to live and work in Aaron Copland’s home studio for two months. Most recently he was the winner of the National Association of Composers, USA Young Composers Competition, and received a grant for a new piece from the Atlantic Coast Conference Band Directors Association.
Tyler holds degrees from the University of Delaware, Stony Brook University, and the University of Missouri-Kansas City where he was a Chancellor’s Doctoral Fellow. His composition teachers have included Jennifer Margaret Barker, Chen Yi, James Mobberley, Paul Rudy, Sheila Silver, Peter Winkler, and Zhou Long. In 2015, Tyler accepted a position as full-time lecturer in Music Composition and Theory at the College of Music, Mahidol University in Thailand.

Valeriy Rizayev

Music Composition & Theory Department

• Room Number: 305.01
• Phone: Ext. 309
• Email: Valeriy_rizaev@mail.ru

Valeriy Rizayev was born in Tashkent, Uzbekistan. He received both Bachelor and Master degrees in Music Composition from Tashkent State Conservatoire (Uzbekistan) where he studied in the class of Professor Felix Yanov-Yanovsky. Among the other teachers he studied with at the conservatoire were Svetlana Ushnurtseva (piano), Irma Malmberg (music theory and history), Tulkun Kurbanov (polyphony), Vladimir Nechayev (orchestration) and others. Valeriy participated in various competitions and festivals including “Ilkhom-XX” (Uzbekistan), Gaudeamus (The Netherlands), Jihlava festival (Czech Republic). His compositions were performed in Uzbekistan, Israel, Russia, Czech Republic, USA and Thailand. At present time, Valeriy is a member of the Theory and Composition Faculty at the College of Music, Mahidol University. Valeriy wrote a number of works in various genres including the operas Agkon and his Mother, Dali and the Woman, opera-oratorio Oedipus Rex, 2 Pieces in Old Style for 14 string instruments and harpsichord, works for choir both a cappella and with various forces and other pieces. Some of his composition, such as Sleep in Heavenly Peace for symphonic band, Tango for 2 pianos (12 hands), Prelude, Interludes, Concerto(-ino) and Postlude for piano tuner, Responses for 2 woodwind quintets, Fanfares for 12 trumpets, Haiku by Matsuo Basho for mixed choir, Our Troops Cross the Bridge for wind ensemble, were performed at the college.

Education background

• 1990-1992 (Music Composition, Preparatory Course) Tashkent State Conservatoire (Uzbekistan)
• 1992-1997 (Music Composition) Tashkent State Conservatoire (Uzbekistan)
• 1991-1996 (English Language) Tashkent State Pedagogical Institute of Foreign Languages named after Friedrich Engels (The Uzbek State World Languages University)

Teaching areas:

• Music Composition
• Western Music Theory
• Species and Tonal Counterpoint
• Instrumentation and Orchestration
• Form and Analysis

2. Research/Creative Works

Music compositions:

1)       Agkon and his Mother, opera for soloists and ensemble (1995)

2)       Tango and Rumba for string quartet (1995)

3)       Verses from the Bible for choir and ensemble (1995)

4)       Deutsche Volkslieder for mezzo-soprano and string trio (1996)

5)       Deutsche Kantate for choir and orchestra (1996)

6)       Repka, Russian folk fairy-tale for narrator, violin, clarinet and French horn (1996)

7)       2 Songs on the Poems by Vera Pyatkova for soprano and piano (1996)

8)       Oedipus Rex, opera-oratorio for soloists, choir and orchestra (1997)

9)       4 Canons for 2 voices and 2 trombones (1997)

10)     Dali and the Woman for 2 voices, electric guitar, bass guitar, hammond organ and drum set (1998)

11)     Suite for harpsichord (1999)

12)     Vrun for female choir (2001)

13)     Grossvater for prepared double bass and percussions (2002)

14)     Tango for 2 pianos, 12 hands (1995, 2003)

15)     Sleep in Heavenly Peace for symphonic band (2004)

16)     Prelude, Interludes, Concerto(-ino) and Postlude for piano tuner (2004)

17)     The Noise of Art (2004)

18)     Responses for 2 woodwind quintets (2005)

19)     Fanfares for 12 trumpets (2005)

20)     Prelude to Daniil Harms’ Didascalia “The Fall, or the Knowledge of Good and Evil” for flute, cello, harpsichord, alto saxophone, piano, electric bass guitar and drum set (2005)

21)     Haiku by Matsuo Basho for mixed choir (2005)

22)     2 Pieces in Old Style for 14 string instruments and harpsichord (2005)

23)     cisuM mliF for piano (2006)

24)     Sketch Oriental for symphony orchestra (2006)

25)     Our Troops Cross the Bridge for wind ensemble (2007)

26)     Garbage Piece for 6 percussionists (2007)

27)     Missa Brevis for choir a cappella (2008)

28)     The Long and Winding Road for voice, choir and orchestra (2008)

29)     Fanfares for saxophone quartet (2010)

30)     String Trio (2010)

31)     2 Liturgical Chants for male choir (2012)

32)     The Lyrics of Sappho for voice, flute and harp (in progress)

33)  Sure Thing, opera for 2 voices and ensemble (in progress)

Theoretical works:

1)       Four-Part Writing Textbook (in progress)

2)       Species Counterpoint Textbook (in progress)

3)       Articles

3. Academic Services (outside)

• Lectures
• Seminars
• Performances

Surat Kemaleelakul

Music Composition & Theory Department

• Room Number: D 402.08
• Phone:
• Email:

Dr. Thomas Hyuk Cha

Music Composition & Theory Department

• Room Number:
• Phone:
• Email:

Dr. Julia Lake Bozone

Music Composition & Theory Department

• Room Number: D402.03
• Phone: ex. 442
• Email: judybozone@gmail.com
• Website: www.judybozonemusic.com

Judy Bozone’s music is eclectic and vivid, like the composer herself. She completed her Bachelor’s degree in composition with minors in philosophy and history at Baylor University in Waco, Texas before completing both her Masters and Doctorate degrees at the University of Michigan School of Music, Theatre and Dance in Ann Arbor, Michigan. She has been a participant at the Bang on A Can and Aspen Music Festivals and has enjoyed many other opportunities working alongside today’s widely multi-faceted generation of performers. Judy’s music actively explores texture, tonality and space while maintaining a strong perspective. Influenced and fascinated by both the sonic and visual arts, her most elaborate piece to date, The Seasons of a Tourist for Chamber Winds and Percussion, draws from a hybrid of creative resources.

Composers Michael Colgrass and David Lang have respectively identified Judy as having a “voice of her own” and “offering a unique beauty.” Composer Michael Daugherty, at the University of Michigan, has been a consistent supporter of Judy’s music as he finds it “creative and original, slightly demented and interesting.” Composer Evan Chambers comments Judy’s music to be “an experience of chemical reaction.” Judy currently teaches composition, electronic music, advanced orchestration and form & analysis at Mahidol University in Bangkok, Thailand.

Education Background

• B.M in Music Composition, Baylor University, Waco, TX (2005)
• M.M in Music Composition, University of Michigan, Ann Arbor, MI (2007)
• D.M.A in Music Composition, University of Michigan, Ann Arbor, MI (2011)

Teaching Areas:

• – Composition
• – Form and Analysis
• – Electronic Music
• – Advanced Orchestration

2. Creative Works and Research

COMPOSITIONS

ORCHESTRA

• Brushstrokes: Conversations between Picasso and Matisse (2008)

WIND ENSMBLE

• The Seasons of A Tourist, for wind ensemble, percussion and double bass (2011)

CHAMBER ENSEMBLE

• Diya for flute, percussion & piano (2012)
• Corners for string quartet (2010)
• Uriel for violin & piano (2009)
• Levitations Above our Scrapbook for flute, clarinet, marimba, piano, violin, viola & cello (2007)
• The Art of Disappearing for flute, clarinet, electric guitar, marimba, violin, viola & cello (2006)
• The Man and the Whale for clarinet and piano (2006)
• Sermon of Dreams, for two vibraphones and electronics (2005)
• Battery, for six bass drums & snare (2005, rev. 2008)
• Kubla Khan for large percussion ensemble (2004)

SOLO

• Fly Alone for Organ (2013)
• Portraits and Still Lives for solo piano (2005)

VOCAL SOLO

• Work – in – Progress (to be completed 2013)
• Country Songs for baritone & piano (2007)
• Three Songs for soprano & piano (2007)

ELECTRONIC MUSIC

• 707 (A Sketch in Constant Progress) (2012)
• Sonar-marine (2009)
• Untitled (2008)
• A Warm Summer Night on A Hilltop, sound collage for two turntables & CD playback (2008)
• Sermon of Dreams, for two vibraphones and electronics (2005)

VIDEO

• The Seasons of A Tourist, animation & wind ensemble, percussion and double bass (2011)

RESEARCH PAPERS

• A Synthetic Universe: Relationships of Timbre in Electronic Music, 2010-2012

3. Academic Services

• In progress

4. Thesis Advisor

• not applicable

Patchawan Poopityastaporn

Music Therapy Department

• Room Number: D106.02
• Phone: 02-800-2525 ext 179
• Email: patchawan.pop@mahidol.ac.th

Patchawan Poopityastaporn is a board certified music therapist (MT-BC). She received her Master’s Degree in Music Therapy from Illinois State University with College Honors and was awarded the Marjorie A. Reeves scholarship during her study. She completed her music therapy internship at Fulton State Hospital working with forensic/psychiatric populations. After graduation, she joined the music therapy team at Behavior Specialists of Indiana, USA, and worked with children and adults with developmental disabilities. She has been a music therapy instructor at Mahidol University’s College of Music since 2012

Wipawan Jumneanpan

Music Education Department (Dusdi Baribatra Institute)

• Room Number: A206.3
• Phone: 08-9624-9264
• Email: tg36549@hotmail.com

Work Experience

1. อาจารย์พิเศษสาขาวิชาการประพันธ์และทฤษฎีดนตรี วิทยาลัยดุริยางคศิลป์ ม.มหิดล ปี 2553-2554
2. อาจารย์ประจำสาขาดนตรีศึกษา วิทยาลัยดุริยางคศิลป์ ม.มหิดล ปี 2554-ปัจจุบัน

Subjects Taught
1. MSMS080 Aural Skills III
2. Vocal & Choral Studies for Music Teachers I

Interests or Expertise
1. หลักการสอนดนตรีตามแนวคิดของโคดายงานบริการวิชาการอื่นๆ (Other Academic Services)
2. อาจารย์ประจำชั้น ม.4/1
3. เลขานุการหลักสูตรเตรียมอุดมดนตรี

Wisit Chitrangsan

Music Education Department (Dusdi Baribatra Institute)

• Room Number: D 402.03
• Phone: Ext. 442
• Email: cwisit@gmail.com

Wisit Chitrangsan gained his master degree in Music Education from College of Music Mahidol University and Bachelor degree in Music Education from The Faculty of Education, Chulalongkorn University. First music study was in the Wat Suthiwararam School Band played Sousaphone and switched to Trumpet when he entered the university. Now he is a fuul time faculty at the College of Music and teaches large ensemble and aural skill subject.

He was the Trumpet teacher at The Faculty of Education and The Faculty of Fine Art, Chulalongkorn University., Faculty of Humanity, Kasetsart University. Professional musician in the Bangkok Symphony Orchestra, The Yamaha Sound and a member in The Resonance Chorus. In the management field, he was the General Manager of The Yamaha Music Academy, Siam Kolakarn Music School. He owned a digital audio recording studio, one of the very first home studio in Bangkok, experienced in controlling the audio recording, expert in various music software for computer. He was the translator of 2 books: Acrobat Professional 7 and Adobe Creative Suite CS2. He was composer and arranger in many occasions. The most heard is the Time Setting Jingle for all radio stations of MCOT Public Company Limited. His voice was founded many years in the opening show of the “Tukata Thong Award”, the most popular national film award in Thailand. He was the back ground sound editor for the Thailand national gymnastic team.

Surat Prapatrangsi

Music Education Department (Dusdi Baribatra Institute)

• Room Number: A 206.01
• Phone: Ext. 212
• Email: suratp_flute@yahoo.com

Ákos Szilágyi

Music Education Department (Dusdi Baribatra Institute)

• Room Number: D 402.01
• Phone: Ext. 440
• Email: recakos@gmail.com

Skills&Teaching Subjects:   
recorder playing, recorder and chamber music teaching, early music, solfege, ear training, & Kodály method

Strength: 
Due to having attended numerous master courses given by Dutch professors, I have an above-average knowledge of the technics of recorder playing and of the articulation, rhetoric, ornamentation, and stylistic problems of renaissance and baroque music. I can play and teach all types of recorder (soprano, alto, tenor, bass etc.). As a teacher, I have succeeded to develop considerable skill in conveying not just the knowledge and skills necessary to play the recorder, but also the ability to understand and love music, and to gain self-knowledge and self-confidence through music. While I am teaching, my long term objective is that the student eventually become more self-sufficient in the understanding of the language of music, and in the self-expression through the medium of music.

Education & Experience

Education History:
1991-2003 Recorder and early music master courses, given by renowned recorder players such as Anneke Boeke, Peter Holstlag, Maurice van Lieshout, Monika Kaminski and flute player Barthold Kuijken

1985-1989 Higher studies at Liszt Ferenc Music College Budapest

Work History & Experience:
Years of Work Experience: 20 years
1) Leo Weiner Elementary School Of Music and Music High School
Duration:  2000-2008
Designation:  Recorder teacher, head of the recorder teacher’s department with 16 teachers and 220 students.
Responsibilities: 1) Arrangement of competitions
2) Arrangement of examinations
3) Organizing concerts
4) Professional, pedagogical, technical, counseling and monitoring of  recorder teachers
2) Kispest School of Music
Duration: 1989-2000
Designation: Recorder teacher
3) As an artist I regularly play at concerts organized in festivals, churches and in the National Radio

Achievements: 
1) first, second, third and fourth placings of students in national recorder competitions (solo and chamber categories)
2) in the Budapest Recorder Chamber Music Competition of 2006, the recorder department of my school (Leo Weiner)won 30% of the prizes, and as a reward, the Weiner School won the title of “The Best School of  Budapest”.
3) two of my students became recorder teachers.

Dr. Ni-On Tayrattanachai

Music Education Department (Dusdi Baribatra Institute)

• Room Number:
• Phone:
• Email: n_tayrattanachai@hotmail.com

Dr. Jessada Thammavanich

Music Education Department (Dusdi Baribatra Institute)

• Room Number: A108
• Phone: Ext 105
• Email: tejtv@mahidol.ac.th

Education
2005      Doctor of Philosophy  (Education Administration)  Magadh University, India
1996      M.Ed. (Education Administration) Srinakharinwirot University
1991      Mini MPA (Public Administration) Mahidol University
1986      B.Ed. (Education Administration) Suan Sunandha Rajabhat University
1980       B.Ed. (Health Education) Srinakharinwirot University

Work Experience
2009 – Present Lecturer, Music Business Department, College of Music
Manager, Fund Raising & Other Benefits or Privileges, College of Music
2005 – 2009  Director, Mahidol University Clinic-Technology
2003 – Present    Postgraduate guest lecturer (IP)
1987 – 2009   Deputy Director, Mahidol University Applied and Technological Services Center
1997 – 1998    Deputy Director, Mahidol University Continuing Education Program
1976 – 1987     Lecturer, (Mathematics)

Other Experiences
2009 – 2010    Advisor to the Office of Public Health and Environmental Technologies
(OPHETS), Faculty of Public Health, Mahidol University
2008   –  Present  Trademark Committee, Department of Intellectual Property (appointed by
the Cabinet Resolution dated 2nd Sep 2008)
2007   –  Chair, NRCT Research Report Readers in the Engineering and Industry Field on “Thermal Technology”
– NRCT Research Report Reader on “Benefit Allocation Standard on IP derived from research”
2006  –  NRCT Research Report Reader on “Network Development and  Knowledge Asset Management: Inventors Network Build Up”
–  NRCT Teamwork on Screening & Selection of Potential Research/  Inventions/ Innovations for Patent Application
1997 – 2000  –  Advisor to the Deputy Minister of Education
– Advisor to the Deputy Minister of Agriculture and Cooperatives
1999   Patent Agent No. 1167
1998   IP Training on “IP Law under TRIPs and Enforcement under the Intellectual     Property and International Trade Court” held by the Central Intellectual   Property and International Trade Court
1997   IP Trainings on “Industrial Property Rights (Japan)”,and “IP Management”

Dr. Somchai Trakarnrung

Music Education Department (Dusdi Baribatra Institute)

• Room: A107
• Tel.: Ext. 108
• E-mail: tsomchai@gmail.com
• Facebook: Somchai Trakarnrung
• Line ID: Dr. Chai

Education

2004 – 2007                      Doctor of Philosophy Degree in Music Education

Ph.D. (Music Education) (University of Toronto Fellowship)

Faculty of Music, University of Toronto, Canada

2014 – present                  Master of Business Administration (Executive)

Executive M.B.A.

Sasin Graduate Institute of Business Administration of Chulalongkorn University, Thailand

2003 – 2004                      Master of Music Degree in Music Education

Mus.M. (Music Education) (University of Toronto Fellowship)

Faculty of Music, University of Toronto, Canada

2002                        Master of Music Studies Degree in Music Performance/Teaching

M.Mus.Stud. (Performance/Teaching)

Faculty of Music, University of Melbourne, Australia

1999 – 2002                     Master of Arts Degree in Language and Communication

M.A. (Language and Communication)

School of Language and Communication,

National Institute of Development Administration, Thailand

1995 – 1997                     Bachelor of Arts Degree in English

B.A. (English)

Faculty of Humanities, Ramkhamhaeng University, Thailand

1989 – 1993                     Associate of the Royal Conservatory of Music of Toronto

ARCT (Honors) Diploma (Piano Performer) with First Class Honors

Professional School, Royal Conservatory of Music of Toronto, Canada

1992 – 1993                     Full-time special student

Faculty of Music, University of Toronto, Canada

Executive Development Education

2014                 Certificate of Training in Balanced Scorecard

Thammsat Business School, Thailand

2013 – 2014        Executive Mini MBA (Class III)

NIDA Business School, National Institute of Development Administration, Thailand

2013 – 2014                     Deans for Change (Class III)

Knowledge Network Institute of Thailand

2013                         Advanced Management Program (MU – AMP) (Class III)

Office of the President, Human Resource Division, Mahidol University, Thailand

2011                         Talent People for Mahidol Leadership Program

Office of the President, Human Resource Division, Mahidol University, Thailand

2010                         Executive Development Program (MU – EDP) (Class VI)

Office of the President, Human Resource Division, Mahidol University, Thailand

2007                         Music Management and Administration Program for Music Administrators

School of Music, DePaul University , USA

2003 – 2005                     Kodaly Pedagogy Teacher Certificate level I-III

Under apprenticeship of Edith Lantos (Kodaly’s student)

Royal Conservatory of Music of Toronto, Canada

1994                         Early Childhood Music Education Certificate

Under apprenticeship of Katarin Forrai (Kodaly’s student) & Donna Wood

Royal Conservatory of Music of Toronto, Canada

1990 – 1994                     Orff-Schulwerk Teacher Certificate level I-III

Under apprenticeship of Lois Berkenshaw-Flaming

Royal Conservatory of Music of Toronto, Canada

Professional Experiences

2014 – present                  Chair of Academic Promotion of College of Music

2014                                Chair of Master of Arts in Music Education (Special Program)

2013 – present                  Associate Dean for Music Education for General Public

2011 – present                  Chief Executive Officer, Thailand International Music Examination

2009 – present                  Graduate Academic Committee of Mahidol University

2008 – 2013                     Associate Dean for Academic Affairs and Research

Chair of Academic Committee

Head of Music Education Department

2009 – 2012                     Chair of Ph.D. Program in Music

2008 – 2009                     Deputy Director for Research and Academic Affairs

Chair of M.A. Program in Music

2006 – 2008                     Assistant Director for Academic Affairs

1997 – 2001                     Piano Instructor

International School Bangkok, Thailand

1993 – 1997                     Piano Instructor & Accompanist

The New International School of Thailand (UN related), Thailand

1993 – 1995                     Piano Instructor

Chintakarn Music Institute, Bangkok, Thailand

1984 – 1989                     Piano Instructor

Yamaha Music School, Bangkok, Thailand

Scholarship and Awards

2012                         Supervisor Recognition of Doctoral Student’s Distinguished Thesis Award

Faculty of Graduate Studies, Mahidol University

2004 – 2007                     University of Toronto Fellowship (Ph.D.)

2003 – 2004                     University of Toronto Fellowship (Mus.M.)

Research

“Synthesis of music therapy intervention and test instruments of music therapy research in Thailand”. (In Progress). Research granted by National Research University Project, Office of Higher Education Commission, Mahidol University, Cluster Music Therapy, 2010

“Survey and synthesis of publication and citation of Thailand music therapy research in national and international research database”. (In Progress). Research granted by National Research University Project, Office of Higher Education Commission, Mahidol University, Cluster Music Therapy, 2010

“History of Music Therapy in Thailand.” (In Progress). Research granted by National Research University Project, Office of Higher Education Commission, Mahidol University, Cluster Music Therapy, 2011

“A comparative study of music therapy undergraduate curricula in selected countries.” (In Progress). Research granted by National Research University Project, Office of Higher Education Commission, Mahidol University, Cluster Music Therapy, 2011

“Hand injuries from piano playing and treatments.” (In Progress). Research granted by National Research University Project, Office of Higher Education Commission, Mahidol University, Cluster Music Therapy, 2012

Publications and Academic Presentations

“Thai Pre-service Music Education Students’ Perception of Their Future in Music Education and Its Role in Society”; Dr. Lindsey Williams & Dr. Somchai Trakarnrung

Paper presented at the 30th International Society for Music Education World Conference, Thessaloniki, Greece, July 15-20, 2012

“Educating Global Musicians: Multiple Musical Cultures Curriculum Model for 21st Century”

Paper presented at the Sixth QS Asia Pacific Professional Leaders in Education Conference and Exhibition, Suntec Singapore International Convention & Exhibition Centre, Singapore, November 17-19, 2010

“Research on Spirituality Relating to Thailand’s Ceremonial Music” (2007), Author in “The New International Handbook in Arts Education,” Lilora Breslor (Editor)

“Envisioning Doctoral Education”

Paper presented at the Fifth International Research in Music Education Conference (RIME), University of Exeter, UK, April 10-14, 2007

“Developing Future Music Educators for 21st Century Thai Society: An Introduction to the Issues of Music Teacher Education in Thailand”

Doctoral project presented at Faculty of Music, University of Toronto, Canada, November 24, 2005

“Canadian Music in Education: Sounds like Canada”

Paper presented with Patricia Martin Shand, Lee Bartel, Lori-Anne Dolloff, Ben Bolden, Lynn Tucker, and Nancy Dawe at the “Music Education in Canada: What is the State of the Art” Symposium, University of Western Ontario, Canada, May 25-27, 2005

“Traditional vs. Non-traditional Music Education: Lessons Learned from Thai Music Teacher Education”

Paper presented at the Annual Comparative and International Education Society (CIES) Conference, Stanford University, California, USA, March 22-26, 2005 and at the Fourth International Conference for Research in Music Education (RIME), University of Exeter, UK, April 5-9, 2005

“Integrated Arts in Music Education”

Workshop presented with Lori-Anne Dolloff at the Ontario Music Educators’ Association Conference (OMEA), Toronto, Canada, November 12-13, 2004

Technical & Scholarly Works

Trakarnrung, S., Subhayon K., & Jaiprasong, P. (2013). Syllabus of Western Music Theory. Thailand International Music Examination, College of Music, Mahidol University. ISBN: 978-616-279-290-8

Graduate Supervisions

Doctoral Dissertation Major Advisor:

Plitakul, P. (2014). A study of analytical and critical thinking behaviors about music. Unpublished doctoral dissertation, Mahidol University, Thailand.

Kongtuk, K. (2014). Thai music in series of archaeological dances: An interpretation of historical symbolic meaning. Unpublished doctoral dissertation, Mahidol University, Thailand.

Promsukkul, P. (2014). Developing musicianship through improvisation: An eclectic teaching module for pre-school children. Unpublished doctoral dissertation, Mahidol University, Thailand.

Chiengchana, N. (2013). Examining the effects of Kodaly-based music experiences on social communication responses and musical learning for children with autism spectrum disorders. Unpublished doctoral dissertation, Mahidol University, Thailand.

Laovanich, V. (2013). Marginalization of music subject in Thai basic education curriculum: Archeology of knowledge approach. Unpublished doctoral dissertation, Mahidol University, Thailand.

Leeswadtrakul, S. (2013). Dr. Sugree Charoensook: Music education reformist. Unpublished doctoral dissertation, Mahidol University, Thailand.

Pitupumnak, K. (2013). A narrative study of professional artistry in selected Thai music teachers. Unpublished doctoral dissertation, Mahidol University, Thailand.

Promsukkul, M. (2011). Acquisition of absolute pitch in Thai traditional music training. Unpublished doctoral dissertation, Mahidol University, Thailand.

Songned, K. (2011). The inheritance of Sa-Law in Lanna music culture.Unpublished doctoral dissertation, Mahidol University, Thailand.

Research in Progress:

Promsukkul, P. (In Progress). Parental involvement in the development of young piano students.

Suriyonplengsaeng, C. (In Progress). Parent and teacher partnership in supporting children musical learning.

Tayrattanachai, N. (In Progress). A study of piano pedagogy course content at undergraduate level in Thailand.

Thummarattana, P. (In Progress). Contemporary commercial music vocal training for Thai singers.

Doctoral Dissertation Co-Advisor:

Roongruang, W. (2014). Television and Thai music: Khanthapsala program 1960-1973. Unpublished doctoral dissertation, Mahidol University, Thailand.

Meepom, D. (2013). The inheritance of Pleng Dio Ranad Thum (solo piece) of Khru Phum Bapuyawat.Unpublished doctoral dissertation, Mahidol University, Thailand.

Suwannaphachana, P. (2011). Mutto Taek: Improvisational indigenous knowledge in traditional Phleng Khorat.Unpublished doctoral dissertation, Mahidol University, Thailand.

Charanyananda, A. (2011). Education for music teachers in Thailand: A case study of Buriram Rajabhat University. Unpublished doctoral dissertation, Mahidol University, Thailand.

Hirunrux, S. (2011). Model standards for Thailand’s music education. Unpublished doctoral dissertation, Mahidol University, Thailand.

Research in Progress:

Pum-In, P. (In progress). An analytical study of music education research during 2022-2011.

External Doctoral Appraiser:

Wangphanich, C. (2013). The integration of e-learning in higher music education in Thailand. Unpublished doctoral dissertation, University of New South Wales, Australia.

Masters Thesis Major Advisor:

Suksangjan, N. (2010). A study of selected recorder expert’s opinions on writing recorder method books for Thai students. Unpublished masters thesis, Mahidol University, Thailand.

Fuangaugsorn, N. (2010). A comparative study of the selected Bachelor of Music programs majoring in Jazz Studies in the United States of America, England, Canada, Australia, and Thailand. Unpublished masters thesis, Mahidol University, Thailand.

Promsukkul, P. (2009). Mapping the way to alleviate music performance anxiety. Unpublished masters thesis, Mahidol University, Thailand.

Jumneanpan, W. (2009). An analytical study of the grade one music textbook at the Kecskemet Kodaly Zoltanenek-Zeneiiskola, Hungary. Unpublished masters thesis, Mahidol University, Thailand.

Phukphan. A. (2008). A meta-pedagogical study of teaching posture and gesture in piano playing. Unpublished masters thesis, Mahidol University, Thailand.

Pitupumnak, K. (2008). A phenomenological study of the existence of Pi-Phat ensemble in contemporary Thai urban life. Unpublished masters thesis, Mahidol University, Thailand.

Pongpradit, P. (2008). Graduate guitar recital. Unpublished masters thematic paper, Mahidol University, Thailand.

Julaopas, S. (2007). A comparative study of the royal bandsman curricula of the Royal Thai military schools of music. Unpublished masters thesis, Mahidol University, Thailand.

Numtee, W. (2007). A call for curriculum design of music industry technicians for Thailand vocational education institutions. Unpublished masters thesis, Mahidol University, Thailand.

Masters Thesis Co-Advisor:

Wuthiwan, T. (2014). Graduate piano recital. Unpublished masters thematic paper, Mahidol University, Thailand.

Sukittiworakul, R. (2011). The effect of musical learning on spatial ability. Unpublished masters thematic paper, Mahidol University, Thailand.

Supajitra, P. (2009). A study of improvisation techniques of Sonny Rollins.  Unpublished masters thematic paper, Mahidol University, Thailand.

Subjects Taught

• MSAP 111 Major Performance 1
• MSAP 112 Major Perfomance 2
• MSAP 211 Major Performance 3
• MSAP 212 Major Performance 4
• MSAP 311 Major Performance 5
• MSAP 312 Major Performance 6
• MSED 503 Principles of Music Teaching and Learning
• MSED 505 Psychology of Music Education
• MSED 624 Seminar in Comparative Music Education
• MSED 625 New Paradigms in Music Education
• MSED 626 Administrations of Music in Educational Institutions
• MSMS 501 Music Research Methodology
• MSMS 503 Music Research Seminar II
• MSMS 697 Thematic Paper
• MSMS 698 Thesis
• MSMS 699 Thesis

Research Interests

• Music Administration and Management
• Music in Higher education and Teacher Education
• Music in Childhood
• Comparative Music EducationPiano Pedagogy

Professional Music Affiliations

• International Society for Music Education (ISME)
• International Council for Traditional Music (ICTM)
• Ontario Music Educators’ Association (OMEA)
• Canadian Music Education Research Centre (CMERC)
• Thailand Music Educators’ Association (TMEA)

Languages

• Thai – native language
• English – second language with high proficiency
• Chinese; Mandarin, Cantonese, Teochew – basic

Assoc. Prof. Dr. Sugree Charoensook

Music Education Department (Dusdi Baribatra Institute)

• Room Number: A 209.01
• Phone: Ext. 209
• Email: directms@mahidol.ac.th

Education

• Doctor of Arts (Woodwind and Performance Pedagogy) – University of Northern Colorado, USA, 1985
• Master of Music/Education – University of Northern Colorado, USA, 1981
• Bachelor of Education (Thai Language) – Srinakharinwirot University, Songkhla (now Taksin University), Thailand, 1975

Research & Publications (in Thai)
1995-present Talent Education Project Research, a hands-on experiment to prove that music talent can be trained with a showcase of Dr. Sax Chamber Orchestra.
Talent Study, 2001, a 246-page book documenting the process of the Talent Education Project was published with 4 music CDs by Dr. Sax Chamber Orchestra.
Talent Can Be Trained, 2005, a collection of journals, articles, speeches on the Talent Education Project, 288-page book.

2007 Music to Develop Brain Power, research started in 2004 to explain how music can develop the brain power, with a 101-page book and 4 CDs of Thai music played by Thailand Philharmonic Orchestra.

2006 The Exercise of Imagination, a case study of the building of College of Music, Mahidol University. 211-page book.

2003 Master Mi-Kaek Memroial: the forgotten musician, a biography of a traditional Thai music master living in five reigns (King Rama I-V). The 115-page book is a token for donors contributed in building a statue of the master.

1995-1996/2003 Pitch and System of Thai Music, a survey research and field recording involving 30 original Thai music communities and 35 instrument making shops. A CD entitled Thailand : Ceremonial and Court Music from Central Thailand released in the U.S. in 1997.  Later in 2003 a 152-page book with one CD was published.

2002 Saxophone Technique, how to play saxophone well. A 103-page book.

1989-2000 Royal Cornets, a delicate examination of the ancient royal cornets in order to remake 22 identical ones to present to H.M. The King, with a 62-page document presented on January 3, 2000.

1995 Music of Siam, a collection of articles and talks on Thai folk music and history.  A 342-page book with a set box of 5 CDs recorded in 1991.

Music Critics, a selection of articles published in Matichon daily newspaper since 1984. A 335-page book.

How to Enjoy Music, a 116-page book.

Chinese Music and Rituals in Nakhon Si Thammarat,  an ethno-musicological study in Dr. Charoensook’s hometown in the South of Thailand.

1993 Condition of Research on Performance in Thailand, a 179-page book.

Siamese Trumpets and Marching Band, a 72-page book.

1990 History and Development of Thai Oboe, editor and article contributor of the compilation.

1989 Thai National Anthem, a radical approach to history and originality of the national tune. A 104-page book.

1987 99 Years of the Royal Thai Anthem, history and development of royal anthem. A 99-page book.

Dr. Preeyanun Promsukkul

Music Education Department (Dusdi Baribatra Institute)

• Room Number:
• Phone:
• Email: preeyanun_piano@hotmail.co.th

Dr. Duangruthai Pokaratsiri

Musicology Department

• Room Number:
• Phone:
• Email: dpokaratsiri@gmail.com

Duangruthai obtained her undergraduate degree (piano performance) with Summa cum laud from College of Music, Mahidol University. During her time at Mahidol, she studied piano with Dr. Nopanand Chanorathaikul. She passed the ATCL (performance) of the Trinity College London as well as participated in AMA Studio Piano Competition in 2002. She was a piano teacher at Triniti Music Institue from 2003-2005.

Duangruthai received her Master’s and Doctor’s degrees from West Virginia University in 2008 and 2013, respectively, under the coaching of Dr. Peter Amstutz. During her study at WVU, she was a piano faculty in community music program at West Virginia University from 2007-2013 as well as a member of MTNA (Music Teachers National Association). She also participated in summer Dalcroze

Eurhythmics workshops at Carnegie Mellon University in the summer of 2008, 2009, and 2010.

Dr. Ampai Buranaprapuk

Assist. Prof.Dr. Anak Charanyananda

Musicology Department

• Room Number: D202.12
• Phone: Ext. 266
• Email: gracr@mahidol.ac.th

Anak Charanyananda: Assist. Professor of Musicology Anak, received his Master s Degree from University of Philippines College of Music and his Bachelor Degree in Music Education from Bansomdej Teachers  College, Ministry of Education Department of Teacher Education.  He has given special lectures on the following topics: Qualitative Research Methodology, Form and Analysis and An Analytical Method Utilized in Contrapuntal Music.  He has been invited to be a member of Music Curriculum Supervisory Committee at Naresuan University Department of Humanities and has been a Student Thesis Examiner for Srinakkarintarawirot University and Mahidol University Research Institute of Language and Culture for Rural Development.

Assoc. Prof. Narongchai Pidokrajt

Musicology Department

• Room Number: A 305.12
• Phone: Ext. 305
• Email: grnpd@mahidol.ac.th

Associate Professor Narongchai Pidokrat: Deputy Director of the College of Music His specialty field of music is Thai cultural music.  As a primary student he began studying the Kong-Wong-Yai in Thai Pi-Phat (a small ensemble of Thai instruments.)  He received a Master Degree in Cultural Music from Institute of Language and Culture for Rural Development at Mahidol University.  He has written more than 200 articles for the Siam Rat Daily, textbooks and academic research papers.  His composition Kamchanabhumin, Thai Contemporary Music written for the occasion the 50th Anniversary Celebration in honor of His Royal Highness King Bhumipol s coronation was performed for Her Royal Highness Princess Soamsawali  at the meeting hall of Bangkok Bank s main office in 1996.  He is currently the host of “Leon-Pleng-Thai” presented by the College of Music on Radio Station of Thailand.

Prof. Dr. Poonpit Amatyakul

Musicology Department

• Room: A 404
• Tel.: Ext. 411
• E-mail: morppit@gmail.com

Education & Work

• 1962 diploma doctor of medicine, m.d.
• 1968 m.a. in communication disorders temple university, philadelphia, u.s.a.
• 1988-92 director : institue of language and culture for rural development, mahidol university, thailand.
• 1989 established  master degree program in ethnomusicology mahidol university salaya campus
• 1993-97 director rachasuda college (program for persons with disabilities,) mahidol university, thailand.

Professor  in musicology

• Program lecturer and advisor , mahidol university
• Other  experiences and works:
• Lecturer and resarcher in thai culture
• Lecturer in musicology, history of thai music
• Lecturer in music of south east asia & music appreciation.
• Writer of several books in history of thai music
• Tv and radio production in music and thai culture.
• Writer ublish thai articles in musicology (0ver 900 pieces)
• 5 books thai traditional music & history (in thai)
• Conducting master degree thesis (over 36 cases)

Awards 

• 1995 mahidol university best teacher award
• 1994 honored doctorate degree in muscology, srinakkarinwirote university, thailand.
• 1994 mahidol university facuty senate, best teacher of the year 1994
• 1991 department of fine arts, ministry of education first year award of an outstanding works on cultural preservation of thai music arts.
• 1990 tv production award (mekkala awad) thai music program “sara sungkeet” thai tv channel 11
• 1988 the national “silver sanka award” of the best work on public relation. Department of public relation, office of the priminister.
• 1987 “golden lightning award” of the national radio broadcasting association of thailand, best work on the thai traditional music radio program.
• 1971 unesco best book of the year 1971 award. Author of the book “ siam sungkeet” etc.

Dr. Kyle R. Fyr.

Musicology Department

• Room: C205
• Tel: 02-800-2525 #232
• E-mail: kyle.fyr@mahidol.ac.th

Dr. Kyle Fyr began teaching at Mahidol University in 2013, and currently serves as both the Assistant Dean for Academic Affairs and the M.A. Program Chair.  Dr. Fyr came to Mahidol after previously serving as Assistant Professor of Music Theory at the University of Northern Colorado.  He earned a Ph.D. and an M.M. in music theory from Indiana University after receiving an M.M. in piano performance from the San Francisco Conservatory of Music.  Dr. Fyr has published in the journals Music Theory Online and Notes, and has presented papers at conferences throughout the United States and the United Kingdom.  He has also been an invited guest speaker at the University of Colorado-Boulder and has given invited guest lectures to classes at Indiana University and Butler University.  Dr. Fyr’s dissertation focused on the piano music of John Adams and he has performed Adams’s piano works on multiple recitals.  While at Indiana University, he also received a dissertation fellowship and an award for outstanding teaching.

Education:

2011 – Ph.D. (Music theory) Indiana University (Minors: music history, piano performance)

2006 – M.M. (Music theory) Indiana University

2004 – M.M. (Piano performance) San Francisco Conservatory of Music

1999 – B.S. (Accounting) Purdue University

Previous Experience:

2011-2013 – Assistant Professor of Music Theory, University of Northern Colorado

2009-2010 – Adjunct Lecturer of Music Theory, Indiana University

2004-2009 – Associate Instructor of Music Theory, Indiana University

Courses taught:

Graduate

• Music theory pedagogy

• PhD seminar in Western music

• 18th-century counterpoint

• Music theory review

• Music history review

Undergraduate

• Music theory I – IV

• Aural skills IV

• Form and analysis

• 18th-century counterpoint

• Seminar on minimalism in music

Research

Publications:

Fyr, Kyle. 2012. “Review of Timothy Johnson, John Adams’s Nixon in China.” Music Theory Online 18.2.

Fyr, Kyle. 2012. “Terry Riley Piano Works.” Notes 69/2.

Paper presentations:

2013 – “‘Because I Could Not Stop For Death’ Through Three Sets of Eyes:  Emily Dickinson, Aaron Copland, and John Adams”

Invited Presentation at University of Colorado-Boulder Musicology Colloquium Series

2012 – “Temporal Proportion and the Adams/Cage Connection”

Presented at Rocky Mountain Society for Music Theory (University of Northern Colorado)

2010 – “Perotin’s Enduring Influence”

Presented at Music Theory Midwest (Miami University, Ohio)

Presented at Indiana University Music Theory Colloquium Series

2009 – “Same Music, Different Perceptions?  Steve Reich’s Six Pianos and Six Marimbas as Case Study”

Presented at Second International Conference on Music and Minimalism (University of Missouri-Kansas City)

2009 – “Conveying Proportion and Other Performance Issues in John Adams’s China Gates”

Presented at Music Theory Midwest (University of Minnesota)

Presented at Indiana University Symposium for Research in Music Theory

2008 – “Symmetry and Transformation in George Crumb’s ‘A Prophecy of Nostradamus:  Aries’ from Makrokosmos, Vol. II”

Presented at Indiana University Music Theory Colloquium Series

2007 – “Form, Proportion, and Metrical Emergence in John Adams’s Phrygian Gates”

Presented at First International Conference on Music and Minimalism (Bangor University, Wales, UK)

Presented at Music Theory Midwest (University of Kansas)

Presented at Indiana University Music Theory Colloquium Series

Academic services

2013 to present – Assistant Dean for Academic Affairs, Mahidol University School of Music

2013 to present – M.A. Program Chair, Mahidol University School of Music

2012 – Session chair, Rocky Mountain Society for Music Theory annual meeting

2012 – Piano performances, Open Space Festival for New Music and Women Composers Concert, University of Northern Colorado

2012, 2011 – Adjudicator for Rocky Mountain, Southard, Concerto Competitions, and for Colorado Piano Festival, University of Northern Colorado

2011 – Faculty Lunch Forum on teaching multilingual students, University of Northern Colorado

2011 – Invited guest lecturer, Butler University

2010, 2009, 2008, 2007 – Invited guest lecturer, Indiana University

2010, 2009, 2008, 2007, 2006 – Piano recitals, Indiana University

2009 – Program committee, “The Musical Ear” Aural Skills Conference, Indiana University

2008 – Program chair, Indiana University Symposium for Research in Music Theory

2008 – Piano performance, Indiana University New Music Ensemble

2008 – Society for Music Theory Graduate Student Workshop

2007, 2006 – Session chair, Indiana University Symposium for Research in Music Theory

2007-2008 – President, Indiana University Graduate Theory Association

2007 – Editorial board, Indiana Theory Review, Vol. 25

2006-2007 – Treasurer, Indiana University Graduate Theory Association

Awards

2010-2011 – Indiana University Music Theory Dissertation Fellowship

2009 – Wennerstrom Award for Outstanding Teaching, Indiana University