RACHMANINOFF’S PRELUDES AS A CYCLIC WORK
  • Published: 23/02/2024
  • Writer: Eri Nakagawa

TWELVE-LANGUAGES PLAYS: BACKGROUND, DEFINITION, AND TRADITION
  • Published: 27/03/2024
  • Writer: Sanong Klangprasri

"AN IMPERFECT SCHEME" FOR ALTO SAXOPHONE A CREATIVE RESEARCH IN MUSIC COMPOSITION
  • Published: 27/06/2024
  • Writer: Wisuwat Pruksavanich

SADAYU FOR SOLO SOPRANO SAXOPHONE: A CREATIVE RESEARCH IN MUSIC COMPOSITION
  • Published: 31/07/2024
  • Writer: Attakorn Sookjaeng

SOUND PRODUCTION METHODS FOR CLASSICAL PERCUSSION INSTRUMENTS
  • Published: 08/08/2024
  • Writer: Wannapha Yannavut, Tanasit Siripanichwattana

AN ANALYSIS OF OSCAR PETERSON'S IMPROVISATION IN THE GIRL FROM IPANEMA
  • Published: 08/08/2025
  • Writer: Krichapol Inthanin

SERI’S ACCENT, SUPHAN ACCENT
  • Published: 27/11/2024
  • Writer: Nantida Chandransu, Danai Noichuen, Duangduan Longsawas

“PLAYING IN THE YARD”: THE APPLICATION OF THE ARRANGEMENT TECHNIQUES OF JOHN HOLLENBECK FOR ORCHESTRA
  • Published: 27/11/2024
  • Writer: Tanarat Chaichana

A SURVEY AND COMPARISON OF PIANO TEACHING NEEDS IN BANGKOK METROPOLITAN REGION PRIVATE MUSIC SCHOOLS: EMPLOYERS AND EMPLOYEES PERSPECTIVE
  • Published: 07/05/2025
  • Writer: Tharach Wuthiwan