In-person live audition is required for all applicants wishing to be admitted into the Performance and Pedagogy Major. Applicants are required to perform solo work(s) and/or etude(s) of their choice of at least 3 pieces. The entire performance shall not be less than 15 minutes but shall not exceed 20 minutes. Applicants are required to perform from memory.

The selected works should be in appropriate level of difficulty from different style periods and from the standard repertoire for classical guitar by established composers, such as works by J. Dowland, J.S. Bach, D. Scarlatti, S.L. Weiss, J.K. Mertz, N. Coste, M. Giuliani, F.Sor, D. Aguado, A. Diabelli, G. Regondi, J. Arcas, F.Tarrega, A. Barrios, J. Rodrigo, I. Albeniz, E. Granados, M. Castelnuovo-Tedesco, H. Villa-Lobos, L. Brouwer, W. Walton, T. Takemitsu, R. Dyens, H.W. Henze etc.                                                                                       

The audition committee is entitled to test sight-reading skill of applicants in the examination room by requesting applicants to perform materials randomly selected by the committee.                                                                                                                                                      

For non-Thai applicants residing outside Thailand, applicants are allowed to audition by video instead of auditioning in person. However, regarding audition repertoire selection, the same requirements mentioned above apply.                                                                                    

The video must show the applicant in full body throughout the entire performance. Applicants should appear in appropriate outfits. The video must also be in one continuous shot from beginning to end. Video or audio editing is not allowed in any circumstances. Applications are required to upload their video on YouTube website and provide the video link in their application form

1. Perform one major and one minor scale and arpeggios of your choice, in as many octaves as you can play. Perform them separate and slurred (legato), with as many notes per bow as you can comfortably play. 
2. Perform one movement of your choice from Bach’s solo sonatas/partitas/suites for your instrument. 
3. Perform two contrasting selections of your choice from the standard solo and etude repertoire that demonstrate your musical and technical strengths. (for example, one etude and a one movement of a concerto or a sonata) Total performance time of the two selections should not exceed ten minutes. It is acceptable to perform partial selections to stay within the time limit if necessary (for example, exposition only). Performing with accompaniment is recommended.
4. The candidate may also be asked to sight-read a short passage. *
*If the audition is performed online this step can be skipped.

1. Perform one major scale hands together in similar motion. Hands starting one octave apart, a sixth apart and a tenth apart. Range: 4 octaves each.
2. Perform one major scale hands together in contrary-motion. Hands starting one octave, a sixth or a tenth apart. Range: 2 octaves each.
3. Perform one major arpeggio hands together in root position, first inversion, and second inversion. Range: 4 octaves each.  
4. Perform three contrasting style selections of your choice from the standard solo and etude repertoire that demonstrate your musical and technical strengths. (For example, one etude and a one-movement of a concerto or a sonata, and one other piece.) Total performance time of the three selections should not exceed 30 minutes. 
5. The candidate may also be asked to sight-read a short passage. *

*If the audition is performed online this step can be skipped.

Equipment
1. You may use your mobile phone, tablet or laptop. Set your camera resolution to at least 720p. File format acceptable: MP4, WMV, MOV, MPG. Do not edit the recording in any way.
2. Your phone or tablet should be set horizontally – put it in Airplane mode or Do Not Disturb mode to avoid interruptions – and tap the screen to focus.
3. Use a tripod or stand.
4. Be sure the device is at the right distance from you to frame the shot. Do not use the zoom function as this makes the image grainy or fuzzy.

Room
1. Be sure the light is good. Try to minimize shadows on your face.
2. Be sure the room is quiet. No background noise (television noise, other people practicing, dancing, cooking, etc.)
3. Record in a spacious room to avoid unnecessary reverb.

Recording
1. Be sure you are in the centre of the frame
– For violin and viola, we need to see at least from the hips up, not just your face.
– For cello and bass, we need to see your whole body.
2. The angle of the camera should be around the same level with your torso to get the best camera angle.
3. Make sure that your music stand doesn’t block the camera.

Check your work before submitting it.
1. Make sure your videos are right side up.
2. Watch and listen all the way through to check if there is any problem with your recording and check your files’ name.

Applicants are required to take live auditions (resident of Thailand) or record audition videos (resident abroad) according to the policies set by the Woodwind Department
1. Technique

1. Perform two major and two minor scales and arpeggios (at least three sharps and flats) of your choice, in as many octaves as you can comfortably play. 
2. Perform a chromatic scale as high and as low as you can comfortably play. 

The focus should be on presenting a warm characteristic sound and an error-free performance at a moderate tempo. 

2. Pieces 
Perform two contrasting selections that demonstrate your musical and technical strengths. 
• The selections should be from the standard solo repertoire, two contrasting movements from two different pieces or an etude. 
• Total performance time of the whole selection will be fifteen to twenty minutes. 
• It is acceptable to perform partial selections to stay within the time limit if necessary. 
• Performing with accompaniment is required if necessary for the chosen repertoire
For inquiries about audition repertoire, visit our website https://www.music.mahidol.ac.th/people, type “woodwind” in the search box, and email one of our faculty members.

Audition Video Recording Policy

Applicants who record and submit their performance video should carefully read and comply with the following:

1. Videos submitted may not be older than one year.
2. The video should always be recorded from a fixed and wide camera angle with both applicant’s’ face and hands clearly visible in the frame. If memorization is required, it must be obvious from the video that the applicant is not reading the music. 
3. The video does not need to be in one take but it must be unedited. No editing of any kind including audio, visual, or subtitles. It is not editing if they are combining video and audio that was recorded simultaneously. 
4. It is highly recommended to take into consideration the quality of sound. Applicants should make sure that the volume level of the video is neither too loud nor too quiet and the background noise should be kept to a minimum. Applicants should try to record as high quality as possible. 
5. Applicants must upload the video to an online video platform such as YouTube and BiliBili and send the link to the admission office. Uploading a video as “unlisted” is recommended; this allows faculty to view the video when provided with the link but does not make the video public. 
6. The applicant’s full name, instrument and course of studies (Pre-College, BM, MM or DM) must be clearly indicatedin the description.
7. If the applicants do not comply with the above regulations, will be disqualified.

1. Three (3) standard orchestral excerpts of the applicant’s choice that displays a variety of styles.
2. Applicants will perform a 20minutes recital of music that displays a high level of musical and technical proficiency. The works chosen should be from the standard repertoire, and from different time periods. Prepared works should include contrasting styles and include at least one complete major work (concertos, sonatas, etc.).

*Piano accompaniment is required if necessary for the chosen repertoire.

1. Snare drum: technical demonstration and one solo piece.
• All rudiments from PAS International Drum Rudiments.
• Solo piece up to 5 minutes. Should be recital solo performance level.
• Sight-reading may be requested.

2. Marimba: two solo pieces
• Baroque to Classical period piece with or without piano accompaniment. Up to 8 minutes.
• 20-century original marimba piece (solo or with accompaniment). Up to 10 minutes. Should be recital solo performance level.
• All scales and arpeggios, as well as sight-reading, may be requested.

3. Timpani: one solo piece, one orchestra excerpt.
• Solo piece up to 5 minutes. Should be recital solo performance level.
• Orchestra Repertoire “#391 Piu Allegro of the 4th movement” from Symphony No. 1 (Brahms).

4. Drum Set/ Multiple Percussion: technical demonstration (Drum set) and one solo piece (Multiple Percussion or Drum Set)
• Basic Skills and Patterns (Drum set).
• Solo piece up to 5 minutes (Drum set or Multiple Percussion). The music should be a published solo piece, with no improvisation, and be recital solo performance level.

More information Contact Email:  wannapha.yan@mahidol.edu

1. Room setup for recording
–  Camera position must be statically preferable as landscape view only
–  Video should include performers, accompaniment (if any) and instrument 
–  Proper room condition (not too noisy surrounding clear background and good lighting). 

2. Dress 
–   Dress properly 

3. Testing VDO before making the recording 
– Vision must be clear, undistorted sound (this could happen by the environment). 
– Check the memory card and battery before making the recording. 
– Video resolution setting should be at least 1080p 30fps. 
– Recording with good sound quality, please consider external microphone.

4. Submitting a video 

– Name your file as “Performer Name” before send. 
– Please check that your video file(s) can be play without an error
– If you have more than one video, please put it together and submit in one link.

1. Two technical exercises: (sing in a sustained vowel “Ah”)
1.1 Accompanied – Choose one piece from No. 1 – No. 4 from The Art of Singing (Twenty-Four Vocalises), Op. 81 by Heinrich Panofka
1.2 Unaccompanied – J. Lyon, Vocal Studies, No. 1

2. Six Songs:
2.1 One aria from an oratorio or cantata
2.2 One aria from an opera or operetta
2.3 One German Lied by a representative composer
2.4 One French song composed by Delibes, Franck, Berlioz, Debussy, Ravel, Faure, or Duparc
2.5 One song in English composed after 1900
2.6 One song of the applicant’s own choice.

Note: One piece from selection 2.1 or 2.2 above must be in Italian language.

* If you need guidance on the classical selection or for the free choice options, please contact Voice Classic & Musical Theatre Department at the College.

* For online applicants / Video Audition
1. All applicants are required to record the video clips of a performance in order. Previous Video recording are not acceptable.  
2. Record a Long Take video end to end in the same clip and video editing is strictly prohibited.  
– Introduce yourself before starting the audition (Including name, applicant ID, department and audition round)
– Typing your name, songs and composers in order to Description on Youtube/ Video clips
– The camera’s perspective must clearly show the whole body. (Drink water are allowed)
3. Recording the video: sound and balance of the instrument’s or backing track should be reasonably. Piano accompanist is recommended.
4. Summit a Public or Unlisted Youtube link of non-edited video

1. Two technical exercises: (sing in a sustained vowel “Ah”)
1.1 Accompanied – Choose one piece from No. 1 – No. 4 from The Art of Singing (Twenty-Four Vocalises), Op. 81 by Heinrich Panofka
1.2 Unaccompanied – J. Lyon, Vocal Studies, No. 1

2. Six songs:
2.1 Sing One operatic aria or art song in foreign language that is not in English. (Italian recommend)
2.2 Sing five contrasting music theatre selections in English.
1) One selection should be slow with a sustained vocal line.(Ballads) 
2) One selection should be fast and provide a contrast in rhythm, mood, characterization, style, and approach. It may show special skills, such as comic timing, dramatic flair, ability with patter, or “belting” for women.
3) One classic music theatre piece written prior to 1960.
4) One music theatre piece written after 1960.
5) One music theatre piece of candidate’s choice that shows the candidate’s dance/movement skills.

3. Acting:
Prepare two contrasting monologues in English (less than 4 minutes total).

4. Dance:
The applicant will present a ninety-second to two-minute dance piece choreographed to a musical theatre repertoire. It can be choreographed by the applicant or by others. It is not necessary to sing while dancing the piece. The applicant is required to bring their own music and speakers to the audition.

* If you need guidance on the classical selection or for the free choice options, please contact Voice Classic & Musical Theatre Department at the College.

* For online applicants / Video Audition
1. All applicants are required to record the video clips of a performance in order. Previous Video recording are not acceptable.  
2. Record a Long Take video end to end in the same clip and video editing is strictly prohibited.  
– Introduce yourself before starting the audition (Including name, applicant ID, department and audition round)
– Typing your name, songs and composers in order to Description on Youtube/ Video clips
– The camera’s perspective must clearly show the whole body. (Drink water are allowed)
3. Recording the video: sound and balance of the instrument’s or backing track should be reasonably. Piano accompanist is recommended.
4. Summit a Public or Unlisted Youtube link of non-edited video

1) Pieces 
1. One Prelude and Fugue from WTC Books I or II by J.S. Bach 
2. A complete sonata by Haydn, Mozart, Beethoven, etc. (excluding Mozart K 545, and Beethoven Op. 49 # 1 and 2, Op. 10 #1 and 2, and Op. 79)
3. A substantial 19th or 20th century piece 
4. An etude by Chopin, Liszt, Debussy, Rachmaninoff, etc. 

* All pieces must be performed by memory. 

2) Department Interview  
An interview will follow the audition performance. Be prepared to answer questions about your previous performing and teaching experience, future plans, and career aspirations. The interview will be conducted in English. *This can be recorded as video link

**International/overseas candidates and candidates who have a travel difficulty are exempted from LIVE Audition.  Candidates must upload a non-edited, continuous playing of required pieces on YouTube/ Google Drive/ etc. Then, sendyour links with your application. All pieces must be recorded within one day.The recording must not be older than 2 years not older than two years to the submission date.

Instructions for audition video

Please record a one-minute introduction video with these following information:

• Your name
• Your degree and your major
• Your current school and teacher as well as your level in piano playing
• others

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Recording Requirements:

Recording Requirements: 

● Recordings must be labeled with the name of the composer and work or movement
● Recordings must be in these file format: avi, .flv, .m1v, .m2v, .m4v, .mkv, .mov, .mpeg, .mpg, .mp4, .webm, .wmv
● Recordings must not be edited, and genuinely performed by a candidate
● Recordings must be recorded within one day
● Recordings must be up to date (not older than two years to the submission date)

All incoming students must meet an English language requirement. Applicants can submit a copy of the score report from one of the following exams (or * from the Faculty of Graduate Studies, Mahidol University, Salaya campus). 

W = Writing, S = Speaking

Basic Music Proficiencies
All incoming graduate* students are required to demonstrate general music proficiencies in basic music subjects, such as music theory and music history. For students that are unable to pass the exams, they must take additional review courses during the first year of study. 

1. Required Exams

2. General Exam Information
(1) All new graduate students must take the proficiency exams, regardless of the student’s program or major prior to the Entrance Interview, with an exception of applicants in Music Business Major of the Master of Arts program.
(2) Students who do not pass the exam(s) must take the respective basic course(s), which will be assigned by the Admission committee.
(3) Students must take any assigned basic courses the first time they are offered and for zero credit hours.

3. Assigned Basic Courses after Music Proficiency Exams
The following table lists the basic courses that students must take if they cannot pass the Basic Music Proficiencies exams

Code detail:
MSTC 530 Western Music Theory Review
MSCY 521 Perspective of Western Music History
MSCY 522 Perspective of Thai Music History
MSTH 512 Thai Music Theory Review
MSJA 511 Perspective of Jazz History
MSJA 512 Jazz Theory Review
MSTC 635 Core Concepts in Music Theory
MSCY 648 Core Concepts in Music History