SOUND PRODUCTION METHODS FOR CLASSICAL PERCUSSION INSTRUMENTS
  • Published: 08/08/2024
  • Writer: Wannapha Yannavut, Tanasit Siripanichwattana

AN ANALYSIS OF OSCAR PETERSON'S IMPROVISATION IN THE GIRL FROM IPANEMA
  • Published: 08/08/2025
  • Writer: Krichapol Inthanin

SERI’S ACCENT, SUPHAN ACCENT
  • Published: 27/11/2024
  • Writer: Nantida Chandransu, Danai Noichuen, Duangduan Longsawas

“PLAYING IN THE YARD”: THE APPLICATION OF THE ARRANGEMENT TECHNIQUES OF JOHN HOLLENBECK FOR ORCHESTRA
  • Published: 27/11/2024
  • Writer: Tanarat Chaichana

A SURVEY AND COMPARISON OF PIANO TEACHING NEEDS IN BANGKOK METROPOLITAN REGION PRIVATE MUSIC SCHOOLS: EMPLOYERS AND EMPLOYEES PERSPECTIVE
  • Published: 07/05/2025
  • Writer: Tharach Wuthiwan

A CRITICAL ANALYSIS OF DEBUSSY'S FEUX D'ARTIFICE IN THE ASPECTS OF HARMONY, INTERVALLIC RELATIONSHIPS, AND MOTIVIC DEVELOPMENT
  • Published: 07/05/2025
  • Writer: Attakorn Sookjaeng

THE KEYBOARD TOCCATA: AN EVOCATIVE PATHWAY FROM THE RENAISSANCE TO THE MID-BAROQUE PERIOD
  • Published: 07/05/2025
  • Writer: Onpavee Nitisingkarin

PERFORMANCE PRACTICE AND INTERPRETATION ON PHRA ABHAI MANI FOR PIANO SOLO COMPOSED BY DEN EUPRASERT
  • Published: 07/05/2025
  • Writer: Korak Lertpibulchai

MAPPING RAVEL’S “LA VALLÉE DES CLOCHES,” MUSIC THEORY ONLINE
  • Published: 01/12/2020
  • Writer: Kyle R. Fyr

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