PERFORMANCE PRACTICE AND INTERPRETATION ON PHRA ABHAI MANI FOR PIANO SOLO COMPOSED BY DEN EUPRASERT
  • Published: 07/05/2025
  • Writer: Korak Lertpibulchai

MAPPING RAVEL’S “LA VALLÉE DES CLOCHES,” MUSIC THEORY ONLINE
  • Published: 01/12/2020
  • Writer: Kyle R. Fyr

SCHUMANN’S LAST PIANO WORK: GEISTERVARIATIONEN
  • Published: 12/07/2020
  • Writer: Eri Nakagawa

LIVE MUSIC PERFORMANCE BUSINESS IN THE WIND OF CHANGE: A CASE OF POPULAR MUSIC IN THAILAND
  • Published: 10/12/2021
  • Writer: Treetip Boonyam

CHOPIN’S SINGING MELODY: COLORATURA AND BEYOND
  • Published: 01/11/2022
  • Writer: Ampai Buranaprapuk

ZECHARIAH GOH AND THE DEVELOPMENT OF CLASSICAL SAXOPHONE IN SINGAPORE
  • Published: 12/02/2023
  • Writer: Leslie Wong, Rattanai Bampenyou

THE SINICIZATION OF JAZZ: EXPLORING THE RISE AND FALL OF JAZZ CULTURES IN SHANGHAI FROM THE COLONIAL TO THE COMMUNIST ERAS
  • Published: 30/04/2025
  • Writer: Tanarat Chaichana

OVERCOMING THE DIFFICULTIES FACED BY UNPERFORMED THAI OPERAS IN THE MODERN ERA
  • Published: 30/08/2022
  • Writer: Dr. Fueanglada Prawang Carlson

PERFORMANCE PRACTICE OF “KANG KAO GIN GLUAY” FOR PIANO FOUR HANDS BY WIWAT SUTHIYAM
  • Published: 30/08/2022
  • Writer: Dr. Sornsuang Tangsinmonkong

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