PHLENG RUEA: TRANSMISSION AND CREATIVITY FOR THE “ART FOR THE PUBLIC” PROJECT DURING COVID-19 OUTBREAK

THE INHERITANCE AND EXISTENCE OF THE TRAE WONG BAND IN BANG LEN DISTRICT NAKHON PATHOM PROVINCE

AN ANALYSIS OF THE FAMOUS OPERATIC VOCAL DUETS IN COVIDO THE OPERA: A MAIN PERFORMER’S PERSPECTIVE

CLASSICAL DOUBLE BASS PEDAGOGYFOR INTERMEDIATE JAZZ BASS STUDENTS: A CASE STUDY

THE SIGNIFICANCE OF PERFORMING RACHMANINOFF’S 24 PRELUDES AS A CYCLE

THE SONGWRITING STYLE OF THANAKRIT PANICHWIT

AN ANALYSIS AND PERFORMANCE PRACTICE OF "BUSSABA" FOR MARIMBA AND PIANO, COMPOSED BY KITTI KUREMANEE

RACHMANINOFF’S PRELUDES AS A CYCLIC WORK

TWELVE-LANGUAGES PLAYS: BACKGROUND, DEFINITION, AND TRADITION