CLASSICAL DOUBLE BASS PEDAGOGYFOR INTERMEDIATE JAZZ BASS STUDENTS: A CASE STUDY
  • Published: 31/08/2023
  • Writer: Tanarat Chaichana

THE SIGNIFICANCE OF PERFORMING RACHMANINOFF’S 24 PRELUDES AS A CYCLE
  • Published: 31/08/2023
  • Writer: Eri Nakagawa

THE SONGWRITING STYLE OF THANAKRIT PANICHWIT
  • Published: 21/12/2023
  • Writer: Supawarat Chalermsub

AN ANALYSIS AND PERFORMANCE PRACTICE OF "BUSSABA" FOR MARIMBA AND PIANO, COMPOSED BY KITTI KUREMANEE
  • Published: 28/02/2024
  • Writer: Wannapha Yannavut

TWELVE-LANGUAGES PLAYS: BACKGROUND, DEFINITION, AND TRADITION
  • Published: 27/03/2024
  • Writer: Sanong Klangprasri

"AN IMPERFECT SCHEME" FOR ALTO SAXOPHONE A CREATIVE RESEARCH IN MUSIC COMPOSITION
  • Published: 27/06/2024
  • Writer: Wisuwat Pruksavanich

SOUND PRODUCTION METHODS FOR CLASSICAL PERCUSSION INSTRUMENTS
  • Published: 08/08/2024
  • Writer: Wannapha Yannavut, Tanasit Siripanichwattana

AN ANALYSIS OF OSCAR PETERSON'S IMPROVISATION IN THE GIRL FROM IPANEMA
  • Published: 08/08/2025
  • Writer: Krichapol Inthanin

SERI’S ACCENT, SUPHAN ACCENT
  • Published: 27/11/2024
  • Writer: Nantida Chandransu, Danai Noichuen, Duangduan Longsawas

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